La La Land Theories Applied Flashcards

1
Q

What would be a preferred reading of La La Land

A

Heterosexual, middle class, white, feminist

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2
Q

What could be a negotiated reading of La La land

A

People who relate to the romantic element but not the sexuality, people who cant identify with the ethnicity but can still engage with the story

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3
Q

What could be an oppostional reading of la la land

A

LGBT, working/under class, hispanics African americans, females who see mia as a weak character. Fans of jazz who think its being misrepresented.

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4
Q

(ACTIVE SPECTATORSHIP) How could the multiple spectating selves theory be applied to La La Land- Social self (1/4)

A

-middle class
-white
-heterosexual
-meritocratic-> American dream ideology

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5
Q

(ACTIVE SPECTATORSHIP) How could the multiple spectating selves theory be applied to La La Land- Cultural Self (2/4)

A

-Fred Astair and Ginger Rogers dance sequences
-Classical hollywood references
-singing in the rain
-Rebel without a cause

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6
Q

(ACTIVE SPECTATORSHIP) How could the multiple spectating selves theory be applied to La La Land- Private Self (3/4)

A

-Relationship representation
-Pursuit of dreams
-Personal Sacrifice

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7
Q

(ACTIVE SPECTATORSHIP) How could the multiple spectating selves theory be applied to La La Land- Desiring Self (4/4)

A

-Desire for a love like seb and mia
-Desire for a passion or job like Seb and Mia

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8
Q

How is Active and Passive spectatorship promoted in: The Overture

A

A: Upbeat music and dance drawing the audience into energetic performance

P: Lack of Dialogue, singing and dancing that viewers can absorb at face value without deeper thought

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9
Q

How is Active and Passive spectatorship promoted in: Sebs Piano sequence

A

A: audiences may sympathise with sebs frustration following the rules, rather than expressing his love and talent for jazz

P: focus on piano and music through close up shots, observation at surface level as the scene is visually appealing but musically focused

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10
Q

How is Active and Passive spectatorship promoted in the final scene (la la land)

A

A: Fiver years later is an intriguing introduction that can actively engage viewers, mia going into Sebs club after all this time sets up an interesting dynamic for the viewer
P: Lack of dialogue, the emotional intensity and cinematic presentation of a dreamlike montage may sweep viewers into a visually rich passive experience. (Metz)

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