Kubla Khan Flashcards

1
Q

A03 context

Did he finish the poem

A

Authenticity of the introduction is doubted: instead being seen as a fiction in itself

Poem probably finished 1798 rather than written instantly

Says unfinished to avoid criticism OR POSs - so much eroticism that Coleridge felt he wanted to ascribe the composition to something beyond himself OR to excuse the blashphemy

‘Few srsly believe Kubla Khan is unfinished’
Poem either as an entire text working with musical and symbolic logic, or a wilful ‘fragment’, comparable to the kind of gothic architectural jolly popular in Coleridge time, and all the more sublime because of its infinite suggestion

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2
Q

A03

Accent

A

Coleridge has Devonshire accent ‘a’ assonances in Xanadic and Khan are full rhymes with ‘ram’ and ‘man’

Coleridge - Devon w Cornish and Somerset friends

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3
Q

A03

State of mind when he wrote poem

A

Coleridge includes a briefer comment about having written Kubla Khan when high on opium

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4
Q

A03

Bruce and Bartram’s travels

And river

A

Both writers associate the expensive force of these fountains and their deluges to fragments of rocks and trees

In coleridge’s time fragments and torrents suggest apocalyptic war then (1798) ranging in Europe

Did Coleridge remember Kubla was credited historically w warlike fears (like his father Ghanhis Khan) but w introducing Buddhism to his realm- as the result of a vision

River can be seen as Eden river

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5
Q

Poem structure thingy

A

Mingling of iambic pentameter and trochaic tetrameter and solitary trimeter threatening us with ‘sunless sea’

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6
Q

A01

Stanza 1: who is first character introduced and what has he achieved

A

Kubla Khan - built a pleasure dome and idyllic state

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7
Q

A01

Stanza 2
What are the key elements in the setting described here?

A

‘Mighty fountain’

‘Sacred river’

‘Savage place’

‘Prophesies of war’

‘Woman wailing’

‘Demon-lover’

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8
Q

A01

Stanza 3

How are the images of stanza 1+2 United

A

Reflection of river and shadow

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9
Q

A01

Stanza

Who is the character introduced and what would the poet do if he could remember her song?

A

Abyssinian maid - ignites his imagination

He would build the dome

‘Abyssinian maid/ and on her dulcimer she played’

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10
Q

What are the 3 ways the poem is interpreted

A05

A

Coleridge usually wrote from the perspective of his Christian values.
Here, he has written an elaborate introduction to excuse himself from a poem which could be interpreted as erotic and blasphemous

Coleridge’s contemporary readers were most interested in the poems varied cadences (Up and down of rhythm) and sensual symbolism, enjoying it as ‘verbal music’

Coleridge read widely and diversely, meaning the poem has been influenced by many sources.

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11
Q

How can the poem be seen as:

Coleridge’s usually wrote from the perspective of Christian values. Here he has written an elaborate introduction to excuse himself from a poem which can be seen as erotic and blasphemous

A05

A

‘Holy and chanted’
Holy connotations with God and purity
Enchanted - magic- black magic - no control - not your fault

Simile - ‘woman wailing for her demon lover’

  • wailing for sex - women weren’t meant to want
  • demon
  • orgasm

Fountain - phalic connotations - penis
Chasm -Deep pit of opening - vagina
‘Mighty fountain momentarily was forced’

Coleridge challenging God stanza 4
- sin of fornication - promising paradise - establish religion out of imagination
‘I would built that dome in air’

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12
Q

How can poem be seen as

COLERIDGES CONTEMPORARY READERS WERE MOST INTERESTED IN THE POEMS VAROED CADENCES (up and down rhythm) AND SENSUAL SYMBOLISM, ENJOYING IT AS ‘VERBAL MUSIC’

A
Alliteration and masculine line endings (endings w stressed syllable) used in stanza 1! 
‘Dome decree’
‘River ran’
‘Driving force’
‘Sunless sea’
‘Measureless to man’ 

Stanza 2: feminine line endings (unstressed) and more assonance
‘Moon’ ‘cover’ ‘lover’
Softer rhymes and ‘moon’
Force of water = fertility ‘mighty fountain’

Stanza 3: imagination reunites ‘sin’ and ‘ice’ reconnects

Stanza 4: music as the purest vehicle of imagination. Damsels music is a trigger to his imagination

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13
Q

How can the poem be seen as

COLERIDGE READS WIDELY AND DIVERSELY MEANING THE POEM HAS BEEN INFLUENCED BY MANY SOURCES. I’m

A

The biblical prophecy by the prophet Exehiel of the rebuilding of Jerusalem and his account of women wailing for the demon Tammuz, in the valley of lamentations
“Xanadu de Kubla Khan”
“By woman wailing for her demon lover”

The biblical vision by John in the Book of Revelation of the river of water of life, flowing from the throne of God, and of a new Jerusalem suspended in heaven
‘The sacred river ran’

The myth of Cybele who was an earth goddess associated w both fertility and destruction.
‘A mighty fountain momently was forced’

The myth of Bacchus, the god of intoxication, who was nurtured by milk and honey (opium from paradise)
‘For he on honey dew hath fed/ and drank the milk of paradise’

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14
Q

A03

What romantic themes does Coleridge include in this poem

A

Nature

Cycle of fertility and destruction

Imagination

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15
Q

A03

Does the poem contain a political message

A

‘Ancestral voices prophesying war’ - we can stop it - YES

No- why is it in a poem?
Yes - intellectuals can read it

A symbolic expression of political disenchantment and defeat

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16
Q

A04 comparison

On first reading, Kubla Khan May seem v diff to Coleridge’s other poems. But ANY similarities?

A

Christabel - poem dified any critical consensour to its meaning

V scriptable

Different meanings

Blasphemous

17
Q

The person from Porlock

A

Coleridge broke journey from farmhouse between Porlock and lynton’ on Exmoor as a result of ill health (he was on his way back from solo walking excursion to Lynton in north Devon and possibly the nearby Valley or Rocks)

Coleridge took some opium he had been prescribed and felt sleep during which he imagined composing at least 200-300 lines of poetry.
When he awoke, Coleridge claims to have had a ‘distinct recollection of the whole’ and proceeded to write down what he remembered,

But was called out by person on business from Porlock and on returning - unfinished. Debatable on if this is true or if he couldn’t finish.

18
Q

The mystery of the valley of rocks

A

One of Coleridge favourite walks was Valley of Rocks

Coleridge’s fascination with scene on valley of rocks - stronger. Essayist Hazlitt later recalled how he had witnessed Coleridge ‘running out bare-headed in a thunderstorm’ to enjoy elements in valley of rocks.

There were names given to certain rocks such as ‘Rugged Jack’, ‘Castle Rock’, and ‘Devil’s Cheesewring’ pertuating the valleys gothic and supernatural appeal

Legend- Devil! His wives engaged in naked drunken party with neighbour, and upon returning the devil instantly turned them into turrets of rock and destroyed the castle.

This could be embedded in Kubla Khan particularly in relation to geological formation of valley

19
Q

Explain castle caverns and chasms

A

Critical attention ‘stately pleasure dome’

Coleridge drafted from his reading of Purchas, his pilgrimage’

But

Legend that valley of rocks - once a castle and used for an orgy- reference takes an extra dimension esp when we consider the suggestion that the valley was once a huge cavern

20
Q

East Lyn Valley

A

Imagery Coleridge deploys in order to describe the fantastical palace decreed by Kubla Khan also has close links with the East Lyn Valley we see today

Coleridge talks of ‘Alph, the sacred river’ running through ‘wood and dale’ and ‘forests ancient as the hills,/ Enfolding sunny spots of greenery’

This description closely resembles the dense oak woodlands covering sides of East Lyn Valley - which like the river Alph clearly ‘meander(s) with a mazy motion’
Coleridge’s alliteration doesn’t just sound ‘meandering’ here but highlights the ‘mazy’ almost surreal, course of the river

Similarly the sibilance deployed in ‘sunny spots’ invited the reader to imagine a tranquil, pleasant scene and creates an atmosphere of almost Edenic felicity

21
Q

Theme

Sexual freedom

A

‘Woman wailing to her demon lover’

‘Fountain’ ‘chasm’ - phallic symbolism

22
Q

Theme

Power of imagination

A

Pleasure dome decree

23
Q

Theme

Religion

A

I would build that done in the air

Blasphemy - he can built ‘holy’ city