kiss of the vampire Flashcards
1
Q
product context
A
- produced by hammer film productions in 1963
- distributed by Universal
- was intended to be sequal to 1958’s Dracula
2
Q
1960s social/ historical context
A
- beatlemania
- ‘swinging sixties’
- JFK assasination
- soviet union launching first women into space
- 2nd wave of feminism
- new divorce/ abortion laws, contraceptive pill - women less restricted to being wives/ mothers - were increasingly sexualised
3
Q
female character on left
A
- floppy body language and closed eyes
- makes her seem weak, vulnerable
- high heels - traditional presentation
- ‘damsel in distress’
- tight dress, bare neck, exposed upper chest - sexualised - 1960s a time when women were starting to get more objectified in the media
- could appeal to a male target audience
4
Q
female character on right
A
- aggressive and powerful due to body positioning over the man kneeling, And her bared teeth and raised arm
- potential killer
- this would have been unconventional prior to 1960s, but in the 1960s, reflects shift in society
5
Q
feminism context in 1960s
A
- 2nd wave of feminism
- new divorce/ abortion laws, contraceptive pill - women less restricted to being wives/ mothers - were increasingly sexualised
6
Q
reasons for trad representation of women
A
- KOTV produced by mainstream company (Hammer) , more likely to represent women in a mainstream way
- feminism seen as new and ‘alternative’
7
Q
man on left
A
- powerful - carrying the woman
- teeth make him seem dangerous and aggressive, as well as black and red colours
- reflects historical ideas that men dominant and powerful
- wide eyes, defensive body language connote that he may be a victim
8
Q
man on right
A
- body language and positioning- submissive and vulnerable
- representations of men seeming weaker and victimised reflect shift in gender roles and expectations in 1960s
9
Q
liesbet van zoonen
A
- female vampire contributing to social change by representing women in non trad roles
- however passive victim reinforces trad genderroles
10
Q
David Gauntlett identity
A
- female vampire as role model for women struggling against male oppression or desperate to be seen as the equals of men
11
Q
claude levi strauss structuralism
A
- binary opposition applied to opposing represntations of the vampire s and their victims, and the two women being represented in opposing ways
12
Q
roland barthes semiotics
A
- ## engimas create suspense- connoted relationship between male and female vampires (emphasised by ‘kiss’ in title)
13
Q
conventions
A
- serif font connotes vampire genre with ‘wooden’ styling (vampire coffin or stake) and blood dripping from Vs ‘fang’
- painted- conventional of films of period, used in Chritopher Lee’s dracula
- ## in colour- anchored by text ‘in eastmen colour’ - differentiating from classical Universal horror films (Steve neale genre)
14
Q
visual signifiers of genre
A
- gloomy grey, black, brown colour palette reinforces dark, scary conventions
- red colour draws attention to attacking bats, vampire and blood- vampire genre signifiers