King Lear key interpretations Flashcards
German poet Goethe (humans)
“every old man is a King Lear”
- suggests that the play explores common human experiences
Many critics argue that…
King Lear is Shakespeare’s most profound tragedy
The Fool’s disappearance
Adrian Noble’s 1982 production - Lear stabs the Fool whilst delirious
Trevor Nunn’s 2007 - the Fool is hanged by Cornwall’s men
Peter Brook’s 1962 production
Unlike previous productions where Gloucester faces away from the audience, Brook’s allows the audience to see Gloucester’s eyes gouged out
Bloom (humans)
“the descent from Monarch to “unaccommodated man” thus conveys most potently man’s fragility, fallibility and fatality”
links to Lear saying “unaccomodated man is no more but such poor, bare, forked animal as thou art”
Cunningham (general)
there is hope that Gloucester will find “insight through blindness” and Lear “wisdom through madness”
Johnson (tragedy)
“a play in which the wicked prosper and the virtuous miscarry” and it is a “just representation of the common events of human life”
McLuskie (feminism)
“The feminine must be made to submit (Cordelia) or destroyed (Goneril and Regan)”
contrasts with 19th century critic Brandes who believed Cordelia was the “living emblem of womanly dignity”
Holdbrook (Lear)
“He has clung steadfastly to the conviction that he is a loving father, despite all evidence of the contrary”
Marxist literary critic Kettle (Lear)
“Lear’s madness is not so much of a breakdown as a breakthrough” which drives him into an “identification with the poor”
Goldsmith (the Fool)
The Fool is Lear’s “externalized conscience”
Bennet (The Fool)
“bitter jests counter and balance Lear’s bitter thoughts”
19th century critic Coleridge
Kent is “the nearest to perfect goodness in all Shakespeare’s characters”
Hudson (Goneril and Regan)
they are “personifcations of ingratitude”
Dollymore (Edmund)
He is a “stock villain”