King Lear A03 Flashcards

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1
Q

King Lear

A

Peripeteia- Giving away his land

hamartia- Naive and Blind

Anagnorisis- Ater being driven out by his daughters and left in the storm he sees truth . After he recovers from madness- “I am a very foolish fond old man”.

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2
Q

17th Century Criticism

A
  • not as successful as Macbeth and Hamlet but well recieved in James I court.
  • Uncertaintly of the kingdom
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3
Q

18th Century criticism- Joseph Wharton

A
  1. Subplot was unlikely and distracting
  2. Goneril and Regan’s actions too diabolical to be realistic
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4
Q

18th Century Criticism- Samuel Johnson

A
  1. Lack of justice at the end
  2. Found Cordelia’s death “deeply shocking”

Innocence was not rewarded

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5
Q

19th Century

A

Some see Cordelia as a Jesus like figure with Christian values redeeming Lear like Edgar

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6
Q

19th Century Criticism- Hazlitt

A

Believed Shakespeare showed a “firm faith in final piety” (Philosophical ethical system developed by Chinese philosopher which is the virtue of respect ones parents)

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7
Q

19th Century criticism - George Brandes

A

Cordelia is the “living emblem of womanly dignity”.

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8
Q

Aristotle Poetics

A
  • Tragedy must contain characters of a higher type
  • Plots are either simple or complex
    • Tragedy should be due to great flaw
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9
Q

Nietzsche- The Birth of Tragedy 1871

A

tragic heros are of a high status which creates social distance and their reactions are overdramaticsed as they commit murder, suicide ect.

Furthermore, every tragedy ends with catharsis.

E.G. drama of Lears death [dies] comes from Cordelias death.

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10
Q

AC Bradley - Shakespearian Tragedy

A

The calamaties of tragedy do not simply happen,nor are they sent, they precede mainly from action.

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11
Q

John Dollimore

A

Believes King Lear isn’t about cruelty or heroism but about class. Lears identity is a social construction, when he loses his identity and is stripped back he is forced to question his identity

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12
Q

Tennonhouse

A

play reaffirmed the importance of following a patriarchal society and shows the dangers of disobeying.

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13
Q

The Fool- Jan Kott

A

” The Fool…rejects all appearances, of law, justice and moral order. He sees brute force, cruelty and lust. He has no illusions”

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14
Q

Michael Reist

-S & P

A

Shakespeares King Lear is a play that straddles the social and political divisions between these times

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15
Q

Michael Reist

A

Edmund is a renaissance man because of his questioning nature and his will to better his station in the court and society.

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16
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

-Gloucester

A

Gloucester’s blinding is a symbolic castration which leaves him with two bleeding vaginas on his face as opposed to two testcular eyeballs. The blindness links to Oedipus.

17
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

  • Children
A

Both have children polarised by “good” and “evil”

18
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

  • fear of women
A

A fear of women’s power to cuckold their husbands haunts all of Shakespeares works

19
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

Gloucester adultery

A

Gloucester is unique in Shakespeare portraying the consequence of male adultery

20
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

Lear- masc and fem

A

As Lear grows mad thinking about his daughters cruelty he experiences the conflict of growing angry and his desire to weep which are masculine and feminine.

21
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

Kent

A

Unlike Lear, Kent shows utter masculinity expressed philosophically by his stoicism

22
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

Bloom: Edgar

A

Bloom: Edgar is “Shakespeare’s representative in the play”. This trait is crucial and is why Shakespeare refused to hint at a love interest between Edgar and Cordelia.

-Elizabethan society doesn’t have honesty

23
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

Albany

A

Albany too who survives till the end only doesn so by purging himself of feminine traits- “milky gentleness”

24
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

Cordelia- death

A

Cordelias death shatters the morality-play pattern and send King Lear into the abyss of tragedy

25
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

Cordelia- misogyny

A

Cordelia is the logical cumulation of the misogyny in the play

26
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

Edmund and Cordelia

A

Edmund kill Cordelia is the epitome of masculinity slaying femininity

27
Q

Psychoanalytical Feminist reading- Peter L Rudnytsky

Pelican Daughters

A
  • Pelicans shed their own blood to feed its young- and emblem of sacrifice but here is denotes ruthless destructiveness.
28
Q

Phallic Women - Zong- Cheng Liu

Goneril

A
  • depreciates her status as an androcentric milieu
  • emulated male vibes
  • mentions her love is more precious than eyesight, space and liberty.

“Also refers to health, beauty and honour which are the requirements of male desire.”

29
Q

Phallic Women - Zong- Cheng Liu

-power struggle

A

“The original struggle for the phallus power of men now evolves into competition of biological instinct by losing power in cause of the desire to have a man “

30
Q

Khan

A

Lear breaks down when he refuses to accept he is dependent on his daughters and he needs the feminine.

31
Q

Kathleen Mckluskie

A

“Presents women as the source of primal lust and forces the audience to feel pathos for men of the play “

32
Q

Mckluskie

A

“The audience is forced to believe that women in power create a chaotic world”.