KHIV Flashcards

1
Q

IMITATE SUN

A

“Herein will I imitate the sun…/ By breaking through the foul and ugly mists”

PLANETARY IMAGERY

a. Manipulation of appearances/deception, assisting his pragmatic assumption of leadership, dishonourable but pragmatic and effective

b. Works with leadership, appearances vs deception, honour, and redemption (all)

i. E.g: presents his astute manipulation of appearances to amplify his reformation

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2
Q

LOOSE BEHAVIOUR + FALSIFYING

A

“So, when this loose behaviour I throw off” into his “falsify(ing) men’s hopes”

METAPHOR, Foreshadowing, FIGURATIVE LANGUAGE

a. Consciousness of his actions emphasise that a leader must assume facades while consorting with their subjects to foster loyalty

b. Foreshadows his victory against Hotspur, representative of the ultimate prevailing of pragmatism vs honour, emphasises BALANCE

c. Works for personas, leadership, honour, redemption (all)

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3
Q

PRESUME NOT

A

Presume not that I am the thing I was”

DECLARATIVE IMPERATIVE

a. Aligns with Henry’s symbolic proclamation that “he plucked allegiance from men’s hearts

b. Conveys that leaders obtain their positions from deriving authority from their subjects

c. Assumption of a pragmatic persona is necessary to effective leadership

d. Works with leadership, appearances vs deception, honour and redemption (all)

i. E.g: Henry’s symbolic proclamation that … coincides with Hal’s declarative imperative… conveying that leaders are cognisant/conscious of the assumption of temporary personas as necessary to political stability.

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4
Q

NOT PERCY

A

“I am the Prince of Wales… not Percy”

CHARISMATIC ASSERTION

a. Creates the distinction between the authority of the heir apparent and a glory-seeking rebel, definitely establishes himself while discrediting Hotspur’s reputation

b. Emphasises his role as the TRUE LEADER

c. Demonstrates that power and leadership is found in one’s control and their own self-image

d. Works for personas, leadership, honour, and redemption (all)

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5
Q

SAVE THE BLOOD

A

“save the blood on either side/ Try fortune with him in a single fight”

METAPHOR

a. astutely portrays himself as morally responsible while asserting that Hotspur is not

b. demonstrates how a leader must position themselves through their speech to appear righteous in the eyes of public perception.

c. provides Hotspur two choices: both of which amplify Hal’s reputation as a leader.

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6
Q

SEEN TO BE BELIEVED,

A
  1. “must be seen to be believed”

IN THE PLAY’S DENOUEMENT

a. Leaders must cultivate various personas of strength and leadership to ensure their success

b. Affirms significance of reputation, conductivity to effective leadership, honour.

c. Works for all.

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7
Q

I DO I WILL,

A

“I do, I will” to the “banish(ing) of plump Jack”

HYPERBOLIC ASSERTION, MODAL PRONOUNCEMENT, IRONIC FORESHADOWING

a. Foreshadows Hal’s emergence as heir apparent

b. Effective ruling is found in a middle ground within empathising with your subjects and understanding one’s responsibilities

c. Ironically, the culmination of Falstaff’s teachings lead him to this understanding of balancing a desire for honour with pragmatism, leading him to leave Falstaff

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8
Q

REDEEMING IT ALL,

A

“redeeming it all on Percy’s head”

PRAGMATIC IMPERATIVE, JUXTAPOSES HOTSPUR

a. Contrasts Hotspur’s ultimatum of masculinity through his hyperbolic assertion in “emptying veins”

b. Two distinctively differing motivations between individuals with the same goal ironically foreshadows a cruel demise in the last act, emphasing that leaders must find a balance between principles and pragmatism to act rationally

c. Works for redemption, honour, leadership, language, but not really personas

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9
Q

HUNNID PARCEL,

A

“die a hundred thousand deaths ere break the smallest parcel of this vow”

HYPERBOLIC IMPERATIVE, FORESHADOWING

a. Dynamic nature of power is intrinsically linked to one’s portrayal of themselves

b. Linked to one’s persona… which is linked to their language… which is connected to their capacity for leadership

c. Works for leadership, deception and appearances, language, honour, redemption

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10
Q

OFFENCE A SKILL.

A

“to make offence a skill … when men think least I will”

RHYMING COUPLET, JUXTAPOSE PROSE TO VERSE, FORESHADOWING

a. Colloquial prose is transitioned into blank verse

b. Empahasises literary control, distinguishes that a leader’s authority is drawn from their ability to control the public opinion

c. Works for language, public opinion, appearances and deception, honour, balance

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11
Q

Hal mnemonic

A

IMITATE SUN, LOOSE BEHAVIOUR + FALSIFYING, PRESUME NOT, NOT PERCY, SAVE THE BLOOD, SEEN TO BE BELIEVED, I DO I WILL, REDEEMING IT ALL, HUNNID PARCEL, OFFENCE A SKILL.

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12
Q

EMPTYING,

A

“empty[ing] all these veins to shed my dear blood”

HYPERBOLIC ASSERTION

a. Ultimatum of masculinity, emotively charged language displays how Hotspur’s actions are driven more by emotion than pragmatism: not acting rationally

b. Contrasted to Hal’s pragmatic imperative of redeeming it on Percy’s head

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13
Q

GIFT OF TONGUE,

A

“I bear not well the gift of tongue…for I profess not talking”

METAPHOR

a. Juxtaposing Hal’s alternation between prose and verse to Hostpur’s incompetence with language

b. Characterises Hotspur as purely driven by honour/emotion while lacking any adoption of a pragmatic approach, which undermines the efficacy of his leadership

c. Conveys that a grasp over language is needed to be a good leader (foreshadowed)

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14
Q

HOT HORSE,

A

“Harry to Harry shall (meet) hot horse to horse, and ne’er part till one drop”

ANAPHORIC EXPRESSION, FORESHADOWING

a. Foreshadows their battle, conveys that a balance between pragmatism and idealism must be reached to achieve stability

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15
Q

MONMOUTH PERCY,

A

“Harry Monmouth” and “Harry Percy”

DIAMETRICALLY OPPOSING TITLES

a. Symbolism of their certain conflict resolutely affirms Shakespeare’s authorial intent

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16
Q

UNDERSTAND WELSH

A

“let me not understand you, then; speak it in Welsh”

SARCASTIC INSULT

a. Reinforces Hotspur’s political deficiency

b. Emphasises the importance of language, gift of tongue, contrasts Hal’s fluidity of language

c. Suggests Hotspur’s adherence to honour brashly alienates his own allies

17
Q

Hotspur mnemonic

A

EMPTYING, GIFT OF TONGUE, HOT HORSE, MONMOUTH PERCY, UNDERSTAND WELSH

18
Q

SHAKEN,

A

“So shaken as we are, so wan with care,”

COLLECTIVE PRONOUNS, EMOTIVE LANGUAGE

a. Use of ^ displays how leaders must engender emotional solidarity through their speech to empathise with their subjects and strengthen their leadership

b. Emphasises Henry’s masterful use of language in manipulating public opinion to further solidify his power

19
Q

SKIPPING KING,

A

“The skipping king… Mingled his royalty with capering fools”.

DISDAINFUL EPITHET

a. Displays how Henry’s authority has been derived from his value of public opinion

b. Emphasises Henry’s understanding that leadership is built upon one’s representation of their self image

20
Q

DISOBEDIENT EYE,

A

“get thee gone, for I do see danger and disobedience in thine eye.”

DOMINANT COMMAND, RUTHLESS IMPERATIVE

a. his self-portrayal as an authoritative leader allows Henry to delineate his royal authority by displaying the subservience of others.

b. Purposeful, deliberately harsh dismissal of Worcester exhibits his power: if people see someone else submitting to the power, they will too

c. Emphasises Henry’s masterful self-image in swaying public opinion

21
Q

SOVEREIGN TRUST,

A

“charge and sovereign trust herein”

DISPLAY OF APPROVAL

a. Hal’s sudden materialisation of power reveals that a leader whose language transcends their surroundings commands influence from multiple audiences

b. Henry’s recognition of Hal’s capacity for leadership reveals his foresight and willingness to share glory, minimise risk, and emphasises his efficacy as a leader in ensuring certain victory

22
Q

PLUCKED ALLEGIANCE,

A

“I plucked allegiance from men’s hearts, with loud shouts and salutations even in the presence of the crowned king”

METAPHOR, MONOLOGUE

a. Henry is literally the GOAT

b. Reveals the values that Henry rationalised towards his unrighteous acquisition of power

c. Legitimacy can only take you so far, you must be able to manipulate public opinion, sway audiences, utilise rhetoric if you want to have an enduring reign and maintain your authority

d. Leaders possess the ability to instil devotion in their subjects through a command over language

23
Q

UNKNIT KNOT OF WAR

A

“will you again unknit this curlish knot of all-abhorred war?”

SARDONIC PROPOSITION

a. Astutely frames the rebellion as the fault of the Percys

b. Demonstrates leaders need to deflect blame to maintain their authority by manipulation of language

c. Displays Henry’s exploitation of rhetoric as advancing his political dominance and leadership

24
Q

Henry Mnemonic

A

SHAKEN, SKIPPING KING, DISOBEDIENT EYE, SOVEREIGN TRUST, PLUCKED ALLEGIANCE, UNKNIT KNOT OF WAR

25
Q

SCUTCHEON,

A

“Honour is a mere scutcheon”

DERISIVE STATEMENT, SOLILOQUY

a. Encapsulates the folly of such obsession with honour

b. Ultimately conveys that an obsession with honour can blind a leader from pragmatic self-preservation

26
Q

VOCATION,

A

“Why Hal, ‘tis my vocation, Hal. ‘Tis no sin for a man to labour in his vocation”

REPETITION, BIBLICAL ALLUSION

a. Highlights his use of wit and distortion of religion to justify his morally wrong thefts

b. Characterises himself as selfish and pragmatic, nonchalant

27
Q

STRIKE,

A

“Strike, down with them, cut the villains’ throats!”

PARALLEL PLOT OF ROBBERY AND PLANNED REBELLION

a. Exposes how the desire for personal gain motivates both classes of society

b. Establishes Falstaff as a lens into the morality of the court

c. Contrasts Hotspur’s deceptive claim that the rebellion “cannot choose but be a noble plot”

28
Q

HONOUR IS AIR,

A

“What is honour? A word. What is in that word honour? …Air… Who hath it? He that died a Wednesday,”

METAPHOR, SOLILOQUY

a. Establishing his consistent regard for society’s expectations, Falstaff is able to criticize its values in his soliloquy: “What is honour? A word. What is in that word honour? Air!”

29
Q

COUNTERFEIT DYING

A

“to counterfeit dying, when a man thereby liveth, is to be no counterfeit”

BREACH OF HONOUR, RHYME

a. reveals hypocritical similarities to King Henry’s own use of counterfeits to evade death and the similarly dubious pragmatism leaders use for their own gain