Keystone Review Flashcards

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1
Q

Purpose of satire

A

The purpose of satire is to create awareness and motivation for change. An author might choose to include this to entertain and thought-provoke, as well as express their opinions on sensitive issues.

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2
Q

Purpose of symbolism

A

The purpose of symbolism is to create meaning and emotion in the story by making one thing represent something else. Symbolism is used to represent and idea or quality, helps reveal the theme.

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3
Q

Purpose of simile/metaphor

A

Enhance understanding by comparing unfamiliar ideas to familiar ones and add depth to a text by making connections.

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4
Q

Purpose of imagery

A

The author uses imagery to connect to the personal aspects, experiences, or memories of the reader. It can enhance the readers rendition of the text by immersing them deeper by appealing the senses.

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5
Q

Purpose of foreshadowing

A

Foreshadowing provides an element of suspense and curiosity as to what will come from the element foreshadowed. Foreshadowing can increase narrative tension and allows for a sort of dramatic irony as the reader knows something the character doesn’t.

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6
Q

Purpose of dialect

A

Powerful tool that brings more life to a character and make them unique, illustrating their origin, cultural background, and social class. Builds setting.

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7
Q

Purpose of personification

A

To make inanimate objects relatable to the reader, helps the reader connect more with the story, and emphasizes non-human characteristics.

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8
Q

Purpose of flashback

A

To recount events that happened before the story’s primary sequence of events to fill in crucial backstory. To provide essential context to the plot or characters, to keep the reader engaged, to foreshadow, and more.

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9
Q

Fiction vs. Nonfiction

A

Fiction is not real, created from the imagination. Nonfiction is real literature that is based on fact.

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10
Q

Acronym for Constructed Response Rubric Requirements

A

C(clear)C(complete)A(accurate)R(relevant) S(specific)

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11
Q

How many minimum pieces of evidence do I need to include in each Constructed response?

A

2

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12
Q

Do I need to include in-text citations for my evidence in constructed responses?

A

No

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13
Q

What are the key elements of a constructed response?

A
  1. Thesis 2. Context (1-2 sentences) 3. Evidence (1) 4. Analysis 1 (2 sentences) 5. Evidence (2) 6. Analysis 2 (2 sentences) 7. Concluding sentence
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14
Q

How many paragraphs is a constructed response?

A

1

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15
Q

What is the MOST important thing about perfecting your approach to responding to constructed responses.

A

Answering the prompt

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16
Q

Main idea

A

The key information the author wants you to know after reading

17
Q

How to find the main idea

A

Take all the supporting details, and find how they are all connected, find the topic first, read the first and last sentence of the paragraph, pay attention to any idea repeated in different ways, look for a sentence that states the main idea, look for reversal transitions, test the main idea once you have it

18
Q

Connotation

A

The feeling that a word can invoke. Can be used to propel word choice. How do the words make you feel? What is the author trying to imply? How do the words propel the tone or theme? Can be used to set tone. Can be more than just positive and negative

19
Q

Denotation

A

The direct understanding of a word, or the dictionary definition of a word

20
Q

Common Sense

A

Read the question before reading the text

21
Q

Read the entire sentence of each answer

A

Before picking your final answer, read through each answer thoroughly, assuring you’ve picked the right one.

22
Q

Read the question at least TWO times and understand what the question is asking of you

A

To fully understand the question, you must read it multiple times to ensure you know the whole idea of what the question is asking you. By doing this, you will know what the question is asking and be able to answer it to your fullest ability.

23
Q

Find The Answer In Your Head Before Looking at the Answer Options

A

This test taking strategy revolves around reading the question and understanding the question first before looking at any answer options in a multiple-choice test.
You should first read the question and answer it yourself.
Then look at multiple-choice options and compare them to your initial answer.
You will tend to find your initial match answer similar or matching one of the options.

24
Q

Use Context Clues

A

Using hints that the author provides to define difficult or challenging words

25
Q

Annotate the Passage

A

Highlight, write in the margins, circle key words, making notes, and mark important information in the passage. Improve comprehension and facilitates quicker reference during question answering.

26
Q

Answer the easy questions first

A

Start with the easy questions first. These are questions you immediately know the answers to, or can answer in a short amount of time, confidently. Save the difficult ones for later, you can spend the remaining time on them.

27
Q

Rhythm

A

the patterned recurrence, within a certain range of regularity, of specific language features, usually features of sound.

28
Q

Rhyme Scheme

A

the ordered pattern of rhymes at the ends of the lines of a poem or verse.

29
Q

Enjambment

A

(in verse) the continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.

30
Q

Stanza

A

a group of lines forming the basic recurring metrical unit in a poem; a verse.

31
Q

Free Verse

A

poetry that does not rhyme or have a regular meter.

32
Q

Blank Verse

A

verse without rhyme, especially that which uses iambic pentameter.

33
Q

Sonnet

A

a poem of fourteen lines using any of a number of formal rhyme schemes, in English typically having ten syllables per line.

34
Q

Couplet

A

two lines of verse, usually in the same meter and joined by rhyme, that form a unit.

35
Q

Line Break

A

the point at which two lines of text are split; the end of a line.

36
Q

Illusion

A

a narrative technique, such as a dream, vision, or other device that misleads, confuses, or tricks a character.

37
Q

Effect of first-person POV

A

the intimacy it creates between the reader and the narrator. By allowing the reader to experience the story through the eyes and emotions of a character, the narrative becomes more personal and relatable.

38
Q

Effect of second-person POV

A

It forces the reader into the story, making them part of the action and complicit in events. This is hard to sustain over longer pieces of writing, which is one reason it is rarely used in narrative texts.

39
Q

Effect of third-person POV

A

may offer the reader a variety of character perspectives, furthering their chance to develop empathy. Stories told in third-person allow the reader to learn more about the world outside of the confines of a first-person perspective.