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Studio Arts > Key Terms > Flashcards

Key Terms Flashcards

1
Q

Abstract Art

A

To withdraw from realism and naturalism.

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2
Q

Accent

A

The part of an artistic composition which attracts your attention. As in a painting which uses strong, bright colours.

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3
Q

Acrylic

A

A clear plastic used as a vehicle in paints

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4
Q

Aesthetics

A

The beauty of an art form, how we feel about a piece of art work

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5
Q

Asymmetry

A

Not having the same measurement. Objects are unproportional or of different sizes with a picture. Tend to give the impression of activity whereas symmetrical designs tend to give the impression of inactivity.

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6
Q

Background

A

The part of the composition that appears to be behind the subject matter.

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7
Q

Canvas

A

Fabric, usually cotton or linen, used as a medium to paint on.

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8
Q

Ceramics

A

Objects made from baked clay, such as pottery vase, sculptures etc

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9
Q

Chiaroscuro

A

The art of modelling figures or objects in light and shade in order to get a three-dimensional effect on a two-dimensional surface

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10
Q

Chroma

A

The purity of the hue

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11
Q

Collage

A

The pasting on to a surface cutouts of unrelated materials such as cloth paper, photos etc to form a composition.

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12
Q

Composition

A

The combination of elements in a work of art eg. shape, size, texture, tone

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13
Q

Contour

A

The internal or external edge of an object in an art form

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14
Q

Cool Colours

A

A hue, generally in blue, green or violet which suggests a calming effect.

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15
Q

Design

A

A scheme, plan or concept, used to create an art work

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16
Q

Drawing

A

A visual representation of an artist’s idea or concept, using media such as pencil, charcoal, pastel etc

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17
Q

Elements (definition)

A

The basic visual qualities that, when combined, produce visual images.

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18
Q

Etching

A

A form of printmaking. Images are etched into the surface using acid to form line and tone

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19
Q

Expressionism

A

An art movement where artists emphasised feelings rather than reasoned thought.
Van Gogh, Georges Rounault

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20
Q

Fauvism

A

Use of pure, violent, brilliant, bold and startling colours.

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21
Q

Figurative Art

A

Art which clearly represents objects that are recognisable - nature, humans etc.

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22
Q

Focal Points

A

The areas in a work of art to which the eyes are drawn

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23
Q

Foreground

A

The part of a composition which appears to be closest to the viewer

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24
Q

Glaze

A

In painting, a transparent film of glassy coating painted over the final surface

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25
Q

Gouache

A

Watercolour made opaque with the addition of chalk

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26
Q

Ground

A

A coating, such as priming or sizing (gesso), applied to a support (canvas, wood) to prepare the surface for painting.

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27
Q

Horizon Line

A

A real or implied line across the picture plane parallel with the top and bottom edges. This tends to draw the viewer’s eye towards the linear perspective, all receding lines seem to converge to this line.

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28
Q

Hue

A

The property of colour that distinguishes one colour from another as red, green etc.

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29
Q

Icon

A

Used to describe panel paintings of religious figures. Works of importance.

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30
Q

Iconography

A

The meaning of the images or subject matter in paintings.

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31
Q

Image

A

A respresentation of an object, an individual or event.

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32
Q

Impasto

A

Paint laid in richly textured quantities

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33
Q

Intensity

A

The relative brilliance of a hue

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34
Q

Intrinsic

A

Belonging to a thing by its very nature

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35
Q

Landscape

A

The representation of scenery in nature

36
Q

Mass

A

The actual or implied physical bulk, weight and destiny of three-dimensional forms

37
Q

Medium

A

The process employed by the artist.
Or
The binding substance used to hold the pigments together, such as linseed oil for oil paint.

38
Q

Middleground

A

The part of the composition which appears in the middle of the picture.

39
Q

Modelling

A

The shaping of three-dimensional forms in soft materials such as clay, also the representation on a flat surface of three-dimensional forms by means of variations in the use of colour properties.

40
Q

Monochrome

A

Variations of a single hue.

41
Q

Montage

A

A composition formed of pictures or portion of pictures previously photographed, painted or drawn.

42
Q

Mosaic

A

A decorative surface made from small glass or ceramic tiles.

43
Q

Motif

A

A dominant or recurring feature in an art work.

44
Q

Mural

A

A painting on a wall, usually large in size

45
Q

Non-objective

A

A synonym for non-representational art, or art without recognisable subject matter.

46
Q

Non-representational

A

Works so abstract they make no reference whatsoever to the world of the person, place or thing associated with them: a subject matter has been eliminated.

47
Q

Oil Painting

A

The process of painting with a medium formed of ground colouts held together with a binding oil, usually linseed.

48
Q

Opaque

A

Refers to something that cannot be seen through. Not transparent.

49
Q

Painterly

A

Painting in which the buttery substance of the medium and the gestural aspect of paint application constitute a principle aspect of the art’s quality.

50
Q

Painting

A

The art form where coloured pigments are applied to a flat surface. Different painting media include oil, tempera, watercolour, fresco, encaustic and acrylic.

51
Q

Palette

A

A tray or planes surface on which a painter mixes colour
OR
The characteristic range and combination of colours typical to a painter or style

52
Q

Perspective

A

A pictorial technique for representing three dimensional objects on a two dimensional surface

53
Q

Pigment

A

Finely powdered colouring matter used to form paint.

54
Q

Polychrome

A

Several colours

55
Q

Primary Colours

A

Colours that in various combinations are capable of creating any other colour hue. Red Yellow Blue.

56
Q

Prime

A

To prepare a canvas for painting by applying a ground.

57
Q

Proportion

A

The relationship of one object to another in regard to size, height etc within a composition.

58
Q

Realism

A

A mid - 19th century style that believes that art should be true to life without stylization

59
Q

Saturation

A

The purity, vividness, or intensity of colour

60
Q

Sculpture

A

A type of three-dimensional art. Wood, clay, bronze, stone, marble etc

61
Q

Sfumato

A

Italian. “smoked”, a misty blending of light and dark to create soft edges and veiled effects. A type of chiaroscuro.

62
Q

Shading

A

The property of colour that makes it seem light or dark.

63
Q

Stereotyoe

A

Something that conforms to a fixed or general pattern

64
Q

Still Life

A

An arrangement of inanimate objects - fruit, flowers, pottery etc - taken as a subject or motif for an art work

65
Q

Stretcher

A

A wooden or metal framework upon which a painter’s canvas can be stretched

66
Q

Style

A

Both form and style are concerned with those measurable aspects of art that caused the elements, principles and materials to come together as a composition; but they are equally concerned with the expressive content of the work

67
Q

Stylize

A

To simplify forms for the purpose of increasing their aesthetic and expressive content

68
Q

Subject

A

The identifiable object, incident, or situation represented in an artwork

69
Q

Support

A

The physical material serving as a base for a painting, drawing etc

70
Q

Symbol

A

A form, sign, image or subject standing for something.

71
Q

Symmetry

A

An arrangement or balanced design

72
Q

Technique

A

A person’s manipulative skills and abilities related to a particular activity (brushwork, shading, texturing)

73
Q

Tempera

A

A painting technique using a medium pigment mixed with egg yolk or glue

74
Q

Texture

A

The tactile quality of a surface or the representation of that surface

75
Q

Triptych

A

A painting consisting of three panels

76
Q

Value

A

The property of colour that makes it seem light or dark, shading.

77
Q

Vanishing Point

A

In linear perspective, that point on the horizon toward which parallel lines appear to meet.

78
Q

Warm Colours

A

Hues in red, yellow, orange and sometimes violet sections of the colour spectrum. Tend to excite and stimulate.

79
Q

Baroque

A

1600 - 1750. Splendour and Flourish for God.

80
Q

Neoclassical

A

1750-1850. Art that recaptures the style of the ancient greeks and romans.

81
Q

Realism (d)

A

1850 - 1900. Celebrating real life.

82
Q

Impressionism (d)

A

1850 - 1900. Capturing Light,

83
Q

Cubism

A

1900 - 1920. New forms to express Modern Life

84
Q

Surrealism

A

1915 - 1950. Painting the unconscious.

85
Q

Abstract Expressionism / Pop Art

A

1940 - 1960. Abstractation and Expression without form - Art absorbs consummerism

86
Q

Postmodernism

A

1970 - Reworking and mixing past styles.

Studio Arts (2 decks)

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