Key quotes - TTOTS Flashcards

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1
Q

For I am he, born to tame you kate.

A

Petruchio.
- hunting motif
-misogynistic
-Theme of fate (enslaved by fate)
-Sets up terms for future relationship
-shows Petruchio’s egotistical, self-important perception of himself, elevating himself above other men as he is her singular master - the only one capable of taming her.
-the social hierarchy depicted in the play is extremely rigid and narrow - making Petruchio’s power over Kate even more absolute.

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2
Q

From a wild Kate to a Kate/Comformable as other household Kate’s.

A

Petruchio.
-Misogynistic.
-Taming/hunting motif.
-Reification, turning her into a household object.

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3
Q

You will be my wife, your dowry ‘greed/And will you, nill you, I will marry you.

A

-Petruchio’s motivation is money.
-Lack of women’s rights, he will marry her against her will.
-Foreshadows Kate’s complete lack of autonomy and liberty.marks a break from his usual tactic of taming, where he forces his “reality” over hers. Here Petruchio’s lesson is outright: what you desire is meaningless. Her willingness or unwillingness is irrelevant, since she is the daughter and wife, and he is the husband and the man.

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4
Q

Board her though she chides as loud/ as Thunder

A

Petruchio.
-connotes rape.
-metaphor of her a ship (reification?)
-metaphor of her refusal as thunder – powerful.

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5
Q

“Why there’s a Lusty wench” +” I love her ten time more” (about Kate’s attitude)

A

-Petruchio appreciates Kate’s attitude.
-See her as a challenge.
-Authoritative, strong women often referred to as lusty wenches in medieval folklore/literature. Only times men would appreciate assertiveness when very sexualised and fetishised.

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6
Q

I came to wive it wealthy in Padua.

A

-shows petruchio’s mercenary intentions
-ties into unromantic/unrealistic view of marriage at time
-Shows awareness of his selfishness and materialism

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7
Q

Say that she rail, why then I’ll tell her plain
She sings as sweetly as a nightingale

A

petruchio:
-gaslighting.
-ironic
-Perfect iambic pentameter – his straightforward and simple argument.He will not allow anything she says to carry the meaning she ascribes to them. Instead, Petruchio will ascribe his own meaning to her words and force his own reality upon Katherine, regardless of her experience.

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8
Q

You lie, in faith, for you are called plain Kate

A

Petruchio:
-Deny identity.

-asserting dominance.

-commodifying and objectifying Kate.

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9
Q

she is my goods, my chattels; she is my house,
My household stuff, my field, my barn,
My horse, my ox, my ass, my anything.

A

Petruchio:
-Asyndetic list.

-Reification, she is a commodity.

-Patriarchy.

-Petruchio’s complete dominance over Katherina.

-Denies her any voice or opinion.

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10
Q

Why, there’s a wench! Come on, and kiss me, Kate.

A

-suggest Petruchio feels it is time to consummate the marriage.
-suggest real passion, no longer just in it for the money.
-perhaps there is mutual desire in marriage.
-She holds a power over him because he desires her.

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11
Q

the mind that makes the body rich

A

Petruchio.
-hypocrisy, his motivation has always been wealth.

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12
Q

Here snip and nip and cut and slash – Act 4, Scene 3.

A

Petruchio.
-lexical field of violence.

-Symbolic of violence she is being subjected to.

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13
Q

“Marry, peace it bodes, and love, and quiet life; / An aweful rule and right supremacy, / And, to be short, what not that’s sweet and happy”

A

Petruchio.
-Petruchio’s description of a perfect marriage, reflected later in Kate’s final speech where she refers to him as her “lord” “king” and “governor”. Suggests he has successfully tamed her.

-Petruchio sees a perfect marriage as a tyrannical rulership, not an equal alliance.

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14
Q

If she chance to nod I’ll rail and brawl, and with the clamor keep her still awake. This is a way to kill a wife with kindness.

A

Petruchio.
-Cruel psychological/physical abuse.

-alliteration of kill and kindness, emphasis on the irony of the oxymoronic juxtaposition of killing and kindness

-Shows his chauvinist and misogynist outlook on his egotistical ambition.

-ironic, there’s nothing kind about killing someone.

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15
Q

And where two raging fires meet together, they do consume the thing that feeds their fury

A

-They match each other in passion and temper.

-There may be some genuine connection.

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16
Q

To me she I married, not unto my clothes.

A

-Motif of clothes.
-Contradicts Petruchio’s earlier claims
-Demonstrating ridixulous amout of power he has over her.

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17
Q

(To Baptista about him making her marry Petruchio.): Call me your ‘Daughter’? Now I promise you/ You have showed a tender fatherly regard/ to wish me wed to one half lunatic.

A

Katherina:
-shows how Katherina feels rejected and unloved

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18
Q

O then, belike, you fancy riches more:
You will have Gremio to keep you fair.

A

Katherina:
-Jealous, shows desire to fit in a and get married.

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19
Q

“Place your hands below your husband’s foot”

A

Kate:
-Subservient.

-implies she is in service to him.

-they are not equals.

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20
Q

“Petruchio: Come, come, you wasp; i’ faith, you are too angry.

Katherine: If I be waspish, best beware my sting.” Act 2, Scene 1.

A

-matches his wit. (They are each other’s match, intellectually, in passion and in temper)
-Stands up for herself.
-Powerful.
-Foreshadows their turbulent relationship.
-Battle of the sexes

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21
Q

“”My mind hath been as big as one of yours,”

“But now I see our lances are but straws, our strength as weak, our weakness past compare” -Act 5, scene 2.

A

Kate:
-She has begun to think of herself as lowly, has conformed to society’s ideas about women.

-However, it is such an extreme change from her opinions before that it almost seems entirely sarcastic.

-Hyperbolic metaphors – perhaps used to create sarcasm.

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22
Q

I see a woman may be made a fool, if she had not a spirit to resist.

A

Kate:
-Shows Kate’s meaningful, emotional intellect.

-An important feminist perspective.

-Foreshadows what will eventually happen to her.

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23
Q

“Be it moon, or sun, or what you please.” +

“If you please to call… henceforth I vow it shall be so for me.”

A

Kate:
-Submission/surrender.

-Petruchio’s victory of Katherina becomes inevitable.

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24
Q

“It is the blessed sun. / But sun it is not, when you say it is not. /And the moon changes even as your mind.”

A

Kate:
-She Equivocates (to speak in a way that is intentionally not clear and confusing to other people, especially to hide the truth).
-Shows her wit and intelligence, that even in submission she can almost outwit him.

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25
Q

“No shame but mine.”

“He’ll woo a thousand,” “Yet never means to wed where he hath wooed.”

A

Kate.
-Shows Katherines humiliation.

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26
Q

“Forced to give my hand, opposed against my heart”

A

Kate.
-Shakespeare uses Kate as a mouth tool to criticize then treatment of women as a commodity, used as a business transaction against their will.
-Men dictated women’s futures, despite Kathrine not liking Petruchio, marriage is her only form of survival in a way, as she cannot look after herself because she is a woman and cannot work etc.
-Kate is ironically upset about Petruchio not marrying her, despite not wanting to marry him. Links to A03

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27
Q

My tongue will tell the anger of my heart, or else my heart concealing it will break.

A

Kate.-Desire to speak her authentic voice.

-metaphor, an expression of authentic emotion.

-She is the only one in the play who does not play a role.

-Shows vulnerability beneath her strong exterior.

28
Q

Final Speech, refers to women’s bodies as “soft”, “weak”, “smooth” and “unapt to toil and trouble”

A

Kate
-Using her own sexuality to empower her.
-Sexual connotations.
-could be undermining women and their strenght.

29
Q

Grumio: Take up my mistress’ gown to his master’s use?

A

-Joke on cross dressing.
-sex/rape, misogynistic.
-Sexual objectification “use”.
-Implies she is of lower status than servants – even they can publicly humiliate her.

30
Q

Tranio: “sweet philosophy”, “moral discipline”, “Aristotles checks”, “Mathematics and the metaphysics”

A

-Very educated, matches Lucentio in eloquence and education.
-Speaks in verse, most working class and lower class speak in prose, he speaks like the nobles.
-Traino takes on the archetype of the older/wiser mentor of the protagonist, the fact that he is a servant inverts social hierarchy.
-upper-class in this period were meant to be a good example for the lower classes, ironic that lower-class Traino seems to be wiser than Lucentio.

31
Q

Tranio: “No profit grows where no pleasure ta’en”

A

-Encourages Lucentio to be hedonistic.
-Could be the devious servant, if the master is having a good time, so is the servant.
-Comedy Stock character of the deceit.

32
Q

Lucentio: I read that I profess, the Art of Love.

Bianca: And may you prove, sir, master of your art!

Lucentio: While you, sweet dear, prove mistress of my heart!

A

-Romantics.

-satirizes overly sentimental language.

-They juxtapose Kate and Petruchio in every way.

-”mistress” shows Lucentio has some respect for her.

33
Q

Bianca: I never yet beheld that special face
Which I could fancy more than any other.

A

-Foreshadows her and Lucentio’s romance.

-Portrays her as a romantic, who plans to marry based on her desire.

34
Q

Bianca: Sister, content you in my discontent!”

A

-Shows clashing, incompatible relationship/dynamic between two sisters.
-Jusxtaposition, symbolises juxtaposition of the sisters.
-the representation the ideal woman and her opposite, two ideas that clash.

35
Q

Bianca: “gentlemen, you do me double wrong”

“I am no breeching scholar in the schools,”

“learn my lessons as I please myself”

A
  • reveals to us that perhaps Bianca is not the ideal “seen but never heard” woman of the Renaissance.
  • strong, independent woman, who can stand her own ground.
    -Their infatuation with her empowers her.
36
Q

Bianca: That, being mad herself, she’s madly mated.

A

-Suggest that Petruchio and Kate are matched in some way.
-Sums up the whole play.

37
Q

Bianca: The taming-school! What, is there such a place?

A

-Shows fear of patriarchal control.

-She is alarmed by the idea of the taming school.

38
Q

Bianca: “ Fie! what a foolish duty call you this?”

“The more fool you for laying on my duty”

A

-Now that she is married and has completed her “societal duty”, she can drop the “perfect” act.
-Use verb fool to describe Lucentio, showing she does not truly respect the patriarchy, it was only an act.

39
Q

Lucentio: Hark, Tranio, thou mayst hear Minerva speak!

A

-Minerva is a reference to the virginal goddess Minerva – creates juxtaposition between Bianca and Kate.

-Kate is referred to as synonymous to a devil or witch.

40
Q

Lucentio: Tranio, I saw her coral lips to move,
And with her breath she did perfume the air

A

-Lucentio is very romantic.

-So over the top it seems Shakespeare is satirizing romantic language and sentiment.

41
Q

Lucentio: “I have it, Tranio.” + “Tell me thine first.”

A

Lucentio: “I have it, Tranio.” + “Tell me thine first.”

42
Q

Lucentio: “Tranio is chang’d into Lucentio.”

A

-Inversion of class.

-Uproots a society that relies on class for segregation, if class is down to nothing more than appearance then the system is flawed.

43
Q

Lucentio: “’Tis a wonder, by your leave, she will be tam’d so.”

A

-Implies that Kate and Petruchio had teamed up to plan the Wager.

-Suggests Kate has found independence within her societal role.

44
Q

Lucentio: I burn, I pine, I perish, Tranio.

A

-Mocking courtly lovers.
-Satirizes overly sentimental lovers/language.
-Rule of three – typical romantic.
-Ironic, mocking lover at first sight and the superficial attraction being mistaken for love.

45
Q

Lucentio: Let me be a slave t’acheive that maid”

A

-Lucentio is overly romantic.

-Perhaps Shakespeare is coitizing the nature of romantic love, in which one is in fact more enslaved than in a business-based marriage, due to real emotion being envolved.

46
Q

Bianca: “Old fashions please me best. I am not so nice to change the rules for old inventions.”

A

-Shows Bianca’s “good-girl” old fashioned nature.

-Appears as the ideal woman, willing to comply to whatever rules and restriction made by patriarchal society.

47
Q

Gremio: Any man is a fool to be married to hell!

A

-Hellish, hyperbolic metaphor comparing Katherina to hell.
-Foreshadows Petruchio as the foolish swaggering egotist
-Foreshadows their hellish dynamic.
-Kate is again made synonymous with the devil, juxtaposing her to Bianca who is synonymous with heaven and goddesses.
-Shows the way the patriarchy viewed women who did not meet the ideal.

48
Q

Sly: “Richard the Conqueror”

A

-Shows Sly as uneducated.
-Cruel humor at the expense of the uneducated working class.

49
Q

Lord: (referring to sly): “beast” “swine”, grim”, “loathsome”
Juxtaposes with:
Lord: (referring to how to dress/treat sly): “sweet clothes, rings”; “Fairest chamber”; “delicious banquet”; “heavenly sound.”

A

-lexical field of disgusting/bad things, grotesque imagery.
-lexical field of luxury.
-Juxtaposition highlights the way the Lord perceives the differences of the two classes.
-Dehumanizes the lower class.
-Cruel humor at the expense of the uneducated working class.

50
Q

Lord: (about Bartholemew): “see him dressed like a lady.”

A

-Importance of costume in gender.
-Making the audience aware that everything in this play is performance.
- Is gender real if this is all it takes to be a woman, does this therefore challenge the oppression of women.
-Foreshadows Kate’s transformation into “ideal woman” -Cross dressing was a common form of humor at the time.

51
Q

“Soft low tongue”; “lowly courtesy”; “tempting kisses”; “declining head”.

A

-semantic field of idealized femininity, especially for the renaissance time.

-Describes ideal as subservient.

-All these behaviors juxtapose with the way Kate behaves.

52
Q

Sly: I am Christopher Sly – call me not ‘honor’ or ‘lordship’.

A

-Fighting transformation.
-Foreshadows Kate resisting transformation.
-the fact that they use titles to convince him he is upper class, suggests titles are the only thing that divide the classes – uproots the class system.

53
Q

Lord + Serving man: (about Sly’s “wife”): “a lady far more beautiful”; “lovely face”; “fairest creature”; “inferior to none”.

A

-Description of the ideal woman is very shallow – she is made for the male gaze.
-Foreshadows Kate’s transformation from a shrew into an ideal wife.
-Humorous/ironic, Bartholemew is not even a woman, yet he is portrayed as the ideal woman. Gender is just costume.

-Farce.

54
Q

Sly: Am I a lord, and have I such a lady? Or do I dream? Or have I dreamed till now?

A

-The prospect of a beautiful lady convinces him.
-His language has changed, speaking in verse, courtly, he has undergone a transformation.
- However, a few lines later he mentions he wants “a pot o’th’smalllest ale.” Drawing attention to the artifice of his transformation, people don’t truly change.
-Foreshadows Katherina’s sudden transformation and foreshadows the artifice of her transformation.
- Sly’s acceptance of new role could be statement on fluidity of identity; social roles, gender and self are all performative and subject to change.

55
Q

Baptista:(To Bianca) For I will love thee ne’er the less, my girl.

A

-Possessive pronoun “my”.

-Proud to be her father, not proud to be Kate’s.

-Patriarchal ownership “my”.

56
Q

Baptista: Katherina you may stay, / for I have more to commune with Bianca.

A

-shows favoritism of Bianca and rejection of Kate.
-evokes sympathy for kate

57
Q

Baptista(To Petruchio about Dowry’s) After my death, the one half of my lands, /And in my possession, twenty thousand crowns.

A

-Shows how the marriage of Petruchio and Kate has mercantile motives.
-Kate is reified, she is a commodity used to seal a business transaction.
-Shows his mercenary wealth.
-Petruchio is part of the new gentry so likely marrying Kate to gain surplus capital (the twenty thousand crowns).

58
Q

Baptsita:(To Petruchio about gaining Kate’s love): Ay, when that special thing is obtained, / that is, her love, for that is all in all.

A

-Shows some concern for his daughter, he seems to want her to marry for love.

-However later when he forces her to Mary Petruchio without her loving him this concern is obviously not very deep.

59
Q

Baptista:(About winning Bianca’s hand): Tis deeds must win the prize”

A

-Dehumanizing Bianca to a commodity to be won.

-He gets to make the decisions about who Bianca marries.

-Marriage is like a game/competition.

60
Q

Baptista:(About Petruchio and Kate leaving after the wedding): now let them go – a couple of quiet ones.

A

-Ironic they are not quiet.

-Does not care enough for his daughter, lets her leave with this crazy Petruchio.

61
Q

Baptista: Lucentio, you shall supply the bridegroom’s place, / And let Bianca take her sister’s room.

A

-Instant replacement provides comic relief after the humiliating abusive scene that has just taken place.

62
Q

Baptista: (About Bianca and Lucentio marrying): “Doth love my daughter, and she loveth him”
“Pass my daughter a sufficient dower, / the match is made and all is done.”

A

-Ironic, Bianca doesn’t really know Traino (who is pretending to be Lucentio), but the father is fooled enough to think they’re in love.

-Marriage is a finacial arrangement again.

63
Q

Thy husband is thy lord, thy life, thy keeper,
Thy head, thy sovereign.

A

kate.
-Petruchio suggested that Katherine was his anything. Here she seems to suggest that he is her everything. Across various frames of reference, including life itself, the husband is the master.
- For each audience and production there is a different way to interpret such a challenging speech.
- Modern audiences would take this kind of misogyny and sexism to be antiquated and wrong.
-However, often the final speech is delivered ironically, suggesting Kate is only pretending to be changed, yet is in fact not at all.
-speech can also be evidence that Katherine has been completely broken, her former character and outspokenness completely eliminated by Petruchio’s taming.

64
Q

Her only fault, and that is faults enough,
Is that she is intolerable curst,
And shrewd and forward… (even if he was poor he ) would not wed her for a mound of gold

A

Hortensio.
Although Kate is unsuitable for suitors such as Hortensio, Petruchio seems excited by this challenge he has to take on, to tame Kate.
-Characteristics of “Shrew”: anything that involved a woman disobeying a man.
Although in 21st century this would be seen as profoundly sexist, perhaps to Elizabethan audience it is merely Petruchio’s duty to tame Kate into the ideal woman.

65
Q

“I must dance barefoot on her wedding day.”
“Talk not to me, I will go sit and weep.”

A
  • violence, bondage and bitter sibkling rivalry, emphasises by binary opposition of Bianca and Kate’s characters.
  • evokes pity for Kate as shows intensity of Katherine’s frustration with her family and the misogynistic culture in which she lives, her anger is often directed towards Bianca for conforming to such societal expectations.
66
Q

“It shall be what o’clock I say it is.”

A

-asserts absolute power and control
-manipulating and controlling Katherina’s entire reality to the extent of dictating her sensory experience.
-Highlights Petruchio’s cruelty in the taming process, he merely wants every aspect of herself, her life and the world she is living in to be under his control, to change according to his whim, her own desires are meaningless. He wants to make her completely subservient.