Key quotations Flashcards

1
Q

‘step sideways’

A

this refers to Offred’s ability to escape through her private memories of her life before Gilead.

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2
Q

‘Nolite te bastardes carborundorum’

A

Never let the bastards get you down

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3
Q

‘HOPE and CHARITY, where have they been stowed?’

A

Talking about the pillows, but there is a distinct subtext here used by Atwood, where she may be asking readers where such values have been stowed in actual society, especially with the rise of the New Right.

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4
Q

‘our fantasy’

A

used to describe Moira and how the women saw her after her attempt at escape

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5
Q

‘I’ve tried to put some of the good things in as well. …’

A

‘… Flowers, for instance.’

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6
Q

‘There is something subversive about this garden of Serena’s, …’

A

‘… a sense of buried things bursting upwards’

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7
Q

‘tiny peepholes’

A

Offred searches for moments of instability in which human responses break through official surfaces.

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8
Q

‘Still, it must be hell…’

A

‘… to be a man like that.’

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9
Q

‘a circle with a stem…’

A

‘… like the stem of an apple.’

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10
Q

‘Perspective is…’

A

‘… necessary.’

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11
Q

‘If it’s only a story,…’

A

‘… it becomes less frightening..’

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12
Q

‘I want anything that…’

A

‘… breaks the monotony.’

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13
Q

‘Which of us is it worse for…’

A

‘… , her or me?’

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14
Q

‘All flesh is…’

A

‘… grass’

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15
Q

‘They’ve frozen them… Any account with an F on it instead of an M. …’

A

‘… All they needed to do was push a few buttons.’

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16
Q

‘Whatever is silenced…’

A

‘… will clamour to be heard.’

17
Q

“The sin…”

A

“… of reading.”

18
Q

‘Already we were losing the taste for freedom, ….’

A

‘… Already we were finding these walls secure.’

19
Q

‘In this house…’

A

‘… we all envy eachother.’

20
Q

‘You don’t tell a story only to yourself. …’

A

‘… There’s always someone else.’

Offred/Atwood breaking the fourth wall and disrupting the narrator/reader dynamic as an awareness of the reader is displayed.

21
Q

the egg

A
22
Q

“for the moment we’re mirrors”

A

Offred and Nick united in their desperation for human connection (though this comes with moral complications and can be selfish at times)

23
Q

Historical notes: “As all historians know, the past is a great darkness”

A

from the historical notes, carries a distinct subtext. while this is discussing the struggle historians often have with deciphering information and evidence from the past, the polysemy of “darkness” - describing an absence of light in addition to that which is despicable - may also bring about the idea of the tapestry of human history containing many immoral doings which we must learn from.

24
Q

“Our biggest mistake was teaching them to read”

A
25
Q

creation of sterility-causing virus

A

“gene-splicing experiments […] intended for insertion into the supply of caviar used by top officials”

26
Q

CHAPTER 23: ‘He probably decided ahead of time that he’d be standing like that when I came in.’ …

A

‘When I knocked he probably rushed over to the fireplace and propped himself up’ - Commander appears comically limp and pathetic in his gaucheness. tremendous irony in the fact that while the Commander has been so physically close to Offred during the ceremonies, outside of this ghastly sexual ritual he does not behave like

27
Q

“I want…” “I would like –” “This will sound silly”

A
  • request to play scrabble seems to be one the Commander is deeply self conscious about. it does not at all square with the socially prescribed persona for a Commander figure
  • play the most pedestrian game “as if he’s offered me drugs”
  • ‘it’s lonely at the top’, dissonance between private and public personas
28
Q

CH32: ‘Once in a while I think I can see myself, though blurrily, as he may see me’

A