Brainscape's Knowledge GenomeTM

Browse over 1 million classes created by top students, professors, publishers, and experts.


See full index

El laberinto del fauno > Key phrases > Flashcards

Key phrases Flashcards

1
Q

I doubt that any person can say that

A

Dudo que cualquiera persona pueda decir que

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

If you refuse to accept injustice, you will be rewarded with heaven

A

Si niegas a aceptar la injusticia, serás recompensado con el cielo

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

It is important that we know the context in which the film is set

A

Es importante que sepamos el contexto en la que se ambienta la película

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

The whole story is based on

A

Toda la historia se basa en

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

He is closed minded and incapable of accepting change

A

Es de mentalidad cerrada y no es capaz de aceptar el cambio

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Nos enseña mucho

A

He/she teaches us a lot

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

She resigns to her role as a woman, without thinking about it and without questioning it

A

Se resigna a su papel como mujer, sin pensarlo y sin cuestionarlo

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

It is evident that he is a roman god, and he tormented humans

A

Es evidente que sea un dios romano, y atormentaba a los hombres

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

The faun is very aggressive towards Ofelia every time she makes a mistake

A

El fauno es muy agresivo hacia Ofelia cada vez que comete algún error

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Del Toro has said that the painting by goya ‘‘Saturn Devouring his sons’’ inspired him to create the terrible pale man

A

Del Toro ha dicho que se inspiró en el cuadro del pintor Goya ‘‘Saturno Devorando a su hijo’’ para crear al terrible Hombre Pálido

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Parallels can be seen between

A

Se ve paralelos entre

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

A monster presiding over a table full of exquisite food with the scene of the captain in the same position

A

El monstruo presidiendo una misa llena de manjares con la del capitán en la misma posición

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

The shoes on his floor reminds us of the piles of belongings of the jews in the holocaust

A

Los zapatos en su sala nos recuerdan de las pilas de pertenencias de los judíos en el holocausto

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

It is a way of using… to send a strong moral message about fascism and its price

A

Es una manera de usar… para enviar un mensaje moral fuerte sobre el fascismo y su precio

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

An audience that isn’t aware of the horrors of the 20th century

A

Un público que no es consciente de los horrores del siglo veinte

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Del Toro presents these themes with refinement and tonality

A

Del Toro presenta estos temas con refinamiento y tonalidad

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

She lives a double life in which she works for captain vidal and is pending to his cravings and demands, but at the same time she helps the militants that are hidden in the mountains

A

Lleva una doble vida en la que trabaja para el capitán Vidal y está pendiente de sus caprichos y exigencias, pero al mismo tiempo ayuda a los milicianos que están escondidos en el monte

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

She uses her role as a woman to deceive the Franco regime

A

Usa su papel como mujer para engañar el régimen fascista

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Sometimes Mercedes doubts herself

A

A veces Mercedes duda de sí misma

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

She becomes more intimate and becomes a maternal figure for Ofelia

A

Se hace más íntima y se convierte en una figura materna

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

She comforts her and sings her a lullaby which is the soundtrack for the film

A

La consuela y le canta una canción de cuna que es la banda sonora de la película

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

The women’s coordinated effort against masculine oppression

A

Un esfuerzo coordinado de las mujeres en contra de la opresión masculina

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

The contrast between the true love of Pedro and Mercedes and Ofelia and Mercedes against the Vidal and Carmen’s marriage of convenience

A

El contraste entre el amor verdadero entre Pedro y Mercedes y Ofelia y Mercedes opuesto al matrimonio de conveniencia de Carmen y Vidal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

She doesn’t fit with the traditional view of women

A

No concuerda con la vista tradicional de las mujeres

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
Q

The Spanish princess who finds her fantastic destiny

A

La España princesa que encuentra su destino fantástico

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
26
Q

She represents the 2nd republic, which was dubbed ‘‘the pretty girl’’ because of its fragility and premature death

A

Representa la II República, que fue apodada ‘‘la niña Bonita’’ debido a su fragilidad y su prematura muerte

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
27
Q

She wouldn’t have been capable of reaching her destiny

A

No habría sido capaz de alcanzar su destino

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
28
Q

She doesn’t have any doubt in defying her mother, because her actions have forced her to mature

A

No tiene duda en desafiar a su madre, porque las acciones la han obligado a madurar

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
29
Q

Ofelia dreams whilst awake and travels toward a better life, full of fantasy to escape the horrors of the real world

A

Ofelia sueña despierta y viaja hacia una vida mejor, llena de fantasía para escapar de los horrores del mundo real

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
30
Q

No one knows if the faun is a force for good or bad

A

Nadie sabe si el fauno es una fuerza para bien o para mal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
31
Q

The faun is usually very respectful, but sometimes he becomes aggressive

A

El fauno suele ser muy respetuoso, pero a veces se torna agresivo

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
32
Q

His unnerving attitude toward Ofelia

A

Su actitud enervante hacia Ofelia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
33
Q

It is this show of moral integrity that makes her suitable for the crown

A

Es esta muestra de integridad moral lo que la hace apta para la corona

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
34
Q

To ensure that she is the right girl to be a princess

A

Para asegurar que ella es la chica adecuada para ser una princesa

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
35
Q

His actions become noble

A

Sus acciones se convierten en nobles

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
36
Q

He is only helping Ofelia to find her destiny and happiness, but perhaps he is a bit impatient because he has waited for so long

A

Solo está ayudando a Ofelia para encontrar su destino y felicidad, pero quizás tiene un poco de impaciencia porque ha esperado tanto tiempo

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
37
Q

There is a lot of trust between the two people

A

Hay mucha confianza entre las dos personas

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
38
Q

She sings her the lullaby when Ofelia is alive and dead, to show that Mercedes is her true mother

A

Le canta la canción de cuna cuando Ofelia está viva y muerta, para mostrar que Mercedes es su madre verdadero

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
39
Q

The annoyance Vidal feels toward Ofelia

A

El enfado que Vidal siente hacia Ofelia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
40
Q

The two are opposites - Vidal is obsessed with detail and tradition and Ofelia finds herself trapped in fantasy

A

Los dos son opuestos - Vidal está obsesionado con los detalles y la tradición y Ofelia se encuentra atrapada en la fantasía

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
41
Q

Del Toro mixes the scenes of Ofelia looking for the toad and the captain looking for the rebels to show that they are both pursuing their destiny - death

A

Del Toro mezcla las escenas de Ofelia en busca del sapo y el capitán en busca de los rebeldes para mostrar que ambos están persiguiendo su destino - muerte

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
42
Q

Del Toro rewards her with a better future life than Vidal, who is punished for his hatred

A

Del Toro la premia con una mejor vida futura que Vidal, quien es castigado por su odio

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
43
Q

Ofelia is so desperate to escape Vidal that she finds her destiny

A

Ofelia está tan desesperada escapar de Vidal que ella encuentra su destino

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
44
Q

There was a lot of violence towards the rebels and intellectuals that had helped the republic and therefore there was a lot of fear due to the tyranny of the dictatorship

A

Había mucha violencia hacia los rebeldes y los intelectuales que habían apoyado la república y por eso había mucho miedo debido a la tiranía de la dictadura

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
45
Q

They were free to deceive and abuse others

A

Eran liberados a engañar y abusar a otras personas

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
46
Q

Del Toro creates this evil character to emphasis the injustice of the time

A

Del Toro crea este personaje malvado para recalcar la injusticia de la época

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
47
Q

His soldiers lie to the people, and many people were dying of hunger

A

Sus soldados mienten a la gente, y muchas personas estaban muriendo de hambre

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
48
Q

They fights for what is right, despite the adversity

A

Luchan por lo que es correcto, a pesar de la adversidad

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
49
Q

All of the people that die are victims of people with different opinions, the fight between the left and right resulted in many deaths

A

Todas las personas que mueren están víctimas de personajes con opiniones diferentes, la lucha entre la Izquierda y el Derecho resultó en muchos muertos

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
50
Q

Their freedom of opinion was restricted

A

Su libertad de pensamiento era reprimida

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
51
Q

Emphasises the brutal consequences of the dictatorship

A

Recalca las consecuencias brutales de la dictadura

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
52
Q

Violence is mixed with fantasy to show the power of dreaming and also of fighting for a better life

A

La violencia se mezcla con la fantasía para mostrar el poder de soñar y también de luchar por una vida mejor

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
53
Q

It is important that directors keep the memory alive

A

Es importante que los directores mantengan la memoria viva

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
54
Q

Fantasy and love only exist to intensify the political message - fascism doesn’t have a place in our lives

A

La fantasía y el amor solo existen para intensificar el mensaje político - el fascismo no tiene lugar en nuestras vidas

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
55
Q

He serves as a reminder of the fascist regime and captured the essence of evil

A

Sirve como una rememoración del régimen fascista y retrata la esencia del mal

56
Q

The price of an insatiable thirst for power

A

El precio de una sed insaciable de poder

57
Q

He doesn’t have any problem in torturing others to improve his rank in the regime

A

No tiene ningún problema en torturar a otras personas para mejorar su rango en el régimen

58
Q

Del Toro ensures that Vidal loses everything - power is dangerous

A

Del Toro garantiza que Vidal lo pierde todo - el poder es peligroso

59
Q

Vidal ends up weak and is at the mercy of the people he abused

A

Vidal termina debil y esta a merced de las personas que abusó

60
Q

His sub estimation of women causes his ruin

A

Su subestimación de las mujeres causa su ruina

61
Q

His sexist opinions aren’t capable of stopping women

A

Sus opiniones sexistas no son capaces de parar a las mujeres

62
Q

Sergi Lopez manages to portray his character in a magistral form, capable of causing tension with a single look, and he shows his weaknesses that caused his death

A

Sergi Lopez logra dibujar su personaje de forma magistral, capaz de causar tensión con su solo mirada, y muestra sus debilidades que causa su muerte

63
Q

When the two meet there is no doubt that Vidal is mean toward the child

A

Cuando los dos se encuentran, no cabe duda de que Vidal es muy grosero hacia la niña

64
Q

Magic doesn’t exist in Carmen’s life and she has to submit to her husband

A

La magia no existe en la vida de Carmen y tiene que someterse a su marido

65
Q

Vidal only cares about his child

A

A Vidal solo le importa a su hijo

66
Q

She is more independent than what we think, she is just scared to show it

A

Es más independiente de lo que pensamos, solo tiene miedo de mostrarlo

67
Q

Del Toro is able to criticise the chauvinist values that many men had

A

Del Toro puede criticar los valores machistas que poseyeron muchos hombres

68
Q

She doesn’t accept the cruelty of Vidal and instead of resigning she fights for what is right

A

No acepta la crueldad de Vidal y en lugar de resignarse, lucha por lo que es correcto

69
Q

The compassion of the Doctor is very moving in comparison to the cruelty of Vidal

A

La compasión del Doctor es muy conmovedora opuesto a la maldad de Vidal

70
Q

It is important that he fights for what is right when he kills the stutterer - he wants to put an end to his suffering

A

Es importante que luche por lo que es correcto cuando mata al tartamudo - quiere acabar con su sufrimiento

71
Q

His bravery presents Vidal as a coward and makes people aware of the brutal reality of fascism

A

Su valor presenta a Vidal como un cobarde y sensibiliza a la gente sobre la realidad brutal del fascismo

72
Q

A woman had two choices - accept their role as a housewife or fight against the conservative regime

A

Una mujer tenía dos elecciones - aceptar su papel como ama de casa o luchar en contra del régimen conservador

73
Q

Not all of the women were submissive

A

No todas las mujeres era sumisas

74
Q

She has to find her true destiny as well as fighting against Vidal and his soldiers who are determined to repress women

A

Tiene que encontrar su destino verdadero además de luchar en contra de Vidal y sus soldados que están determinados a reprimir a las mujeres

75
Q

Ofelia is a kind and considerate girl, and she has lots of affection for other people and a desire to help

A

Ofelia es una chica amable y considerada, y tiene mucho cariño por otras personas y un deseo a ayudar

76
Q

She uses her role to improve the lives of other women that are suffering at the hands of men

A

Usa su papel para mejorar las vidas de otras mujeres que están sufriendo en las manos de los hombres

77
Q

Women suffered a lot purely because of their sex

A

Las mujeres sufrían mucho solo debido a su sexo

78
Q

Although the dictatorship was the dark era for women, there was hope and resistance, which helped the rebirth of the feminist movement when Franco died

A

Aunque la dictadura era una época oscura para las mujeres, había esperanza y resistencia, lo que ayudó al renacimiento del movimiento feminista cuando Franco murió

79
Q

Magical realism can be defined as a stylistic preoccupation and an interest in showing the strange as something everyday and common

A

El realismo mágico se define como ‘‘una preocupación estilística y el interés de mostrar lo extraño como algo cotidiano y común’’

80
Q

Del Toro mixes reality and the fantastic world to explore the main themes in the film and makes us think about the power of imagination to transcend the dark world

A

Del Toro mezcla la realidad y el mundo fantástico para explorar los temas principales en la película y nos hace pensar en el poder de la imaginación para trascender el mundo oscuro

81
Q

The underground kingdom serves as a central idea and is a contrast with the dark world of Spain after the war

A

El reino subterráneo sirve como una idea central y es un contraste con el mundo oscuro de España después de la Guerra

82
Q

A symbol of a spiritual kingdom where only virtue exists and in which the true monarchs reign

A

Un símbolo de un reino espiritual dónde solo existe la virtud y en el que reinan los reyes verdaderos

83
Q

The difference between the dark colours and the visceral and reproductive colours to show that Ofelia is reborn as a princess that forgets her true roots

A

La diferencia entre los colores oscuros y los colores ‘‘viscerales’’ y ‘‘reproductores’’ para mostrar que Ofelia es reencarnada como una princesa que olvida sus verdaderos raíces

84
Q

The kingdom serves as a political point because it represents democracy that triumphs at the end of the film

A

El reino sirve como punto política porque representa la democracia que triunfa a finales de la película

85
Q

Las pruebas retraten el viaje peligroso de Ofelia hacia su destino fantástico

A

The tasks represent the dangerous journey of Ofelia toward her fantastic destiny

86
Q

The labyrinth has the feeling of a crossroad and is a symbol of the disorder, the confusion and the isolation in the life of Ofelia who cannot survive in the brutal world

A

El laberinto tiene el sentido de una encrucijada y es un símbolo del desorden, el confuso y el alejamiento en la vida de Ofelia que no puede sobrevivir en el mundo brutal

87
Q

Chalk serves as a material sign of culture and Vidal pulverises it like Goebbels

A

La tiza sirve como un signo material de la cultural y Vidal lo pulveriza como Goebbels

88
Q

The toad represents the fascists that live off the death and suffering of the people

A

El sapo representa las fascistas que viven de la muerte y sufrimiento de la gente

89
Q

The tasks symbolise the repression and the obstacles of fascism that Ofelia has to overcome to escape to a better world

A

Las tareas simbolizan la represión y los obstáculos del fascismo que Ofelia tiene que derrotar para escapar a un mundo mejor

90
Q

The faun is presented as an old creature due to the long shot that is used to show his entire body full of moss and lichens

A

El fauno se presenta como una criatura antigua, debido a la tomo larga que se usa para mostrar su cuerpo entero, lleno de musgo y líquenes

91
Q

He is a spirit of the forest to which you can attribute qualities of an oracle, prophecy and wisdom

A

Es un espíritu del bosque al cual se le atribuyen dotes de oráculo, profecía y sabiduría

92
Q

The faun is a mysterious and slightly threatening character and as Mercedes says we don’t know if we can trust him

A

El fauno es un personaje misterioso y un poco amenazante, y como dice Mercedes, no sabemos si podemos confiar en el

93
Q

His behaviour towards Ofelia is very erratic, showing us the difficulty that Ofelia has in reaching her destiny

A

Su comportamiento hacia Ofelia es muy errático, mostrándonos la dificultad que tiene Ofelia en alcanzar su destino

94
Q

The faun is a bridge between fantasy and reality and Ofelia can distance herself from the horrors of the mill

A

El fauno es un puente entre la realidad y la fantasía y Ofelia puede alejarse de los horrores del molino

95
Q

The clash between brutality and imagination is important to show the problems that surround Ofelia

A

La choque entre la brutalidad y la imaginación es importante para mostrar los problemas que rodean a Ofelia

96
Q

The brutal reality that spread all over Spain

A

La realidad brutal que se extendió por toda España

97
Q

There is an element of mistrust that continues to be evident

A

Hay un elemento de desconfianza que sigue siendo evidente

98
Q

She wants to confide in the faun to have a secure figure

A

Ofelia quiere confiar en el fauno para tener una figura segura

99
Q

It could be insinuated that the faun uses her for selfish motives

A

Se podría insinuar que el fauno la usa por motivos egoístas

100
Q

A low angle shot shows the faun, placing the audience in the shoes of Ofelia

A

Una mirada de ángulo bajo muestra al fauno, colocando a la audiencia en los zapatos de Ofelia

101
Q

The words of the faun reflect the words of Vidal - the idea of obedience is something very present in fascist values

A

Las palabras del fauno reflejan las palabras de Vidal - la idea de obediencia es algo muy presente en los valores fascistas

102
Q

Despite his initial aggression we see that Ofelia has the bravery to defy him, showing us that Ofelia is a freethinking girl

A

A pesar de su agresión inicial, se ve que Ofelia tiene el valor de desafiarlo, mostrándonos que Ofelia es una niña librepensador

103
Q

Due to the faun and his aggression Ofelia becomes a strong girl

A

Debido al fauno y su agresión Ofelia se convierte en una niña fuerte

104
Q

The faun lives in Ofelia’s imagination and exists to guide Ofelia toward her true destiny

A

El fauno vive en la imaginación de Ofelia y existe para guiar a Ofelia hacia su destino verdadero

105
Q

Carmen just wants her child to have a good life

A

Carmen solo quiere que su hija tenga una buena vida

106
Q

Mercedes is more like a mother than Carmen

A

Mercedes es más como una madre que Carmen

107
Q

Ofelia doesn’t fit in and Carmen can not accept this and therefore there is a lot of tension between the two when Carmen finds the mandrake

A

Ofelia no concuerda y Carmen no puede aceptarlo y por eso hay mucha tensión entre los dos cuando Carmen encuentra a la mandrágora

108
Q

Carmen wants her child to be a normal girl and therefore doesn’t accept her fantasies with grave consequences

A

Carmen quiere que su hija sea und chica normal y por eso no acepta sus fantasías con consecuencias graves

109
Q

Carmen defends Ofelia when Vidal is violent but it is evident that she has to submit to her husband

A

Carmen defiende a Ofelia cuando Vidal es violento, pero es evidente que tenga que someterse a su marido

110
Q

You can see love, power, injustice and above all human nature

A

Se ve el amor, el poder, el injusticia, y sobre todo la naturaleza humana

111
Q

Carmen and Vidal symbolise a typical relationship

A

Carmen y Vidal simbolizan una relación típica

112
Q

The presence of violence is jarring and it makes us think about the brutality of the winners

A

La presencia de la violencia es chirriante y nos hace pensar en la brutalidad de los vencedores

113
Q

The hunter is an innocent man but Vidal doesn’t have a heart and only cares about how much time he has wasted

A

El cazador es un hombre inocente pero Vidal no tiene un corazón y solo le importa cuánto tiempo ha desperdiciado

114
Q

He shows the violence in such a graphic way to show the audience the tragic reality of millions of people - the lives of the Spanish were permeated by the actions of a few rich men

A

Muestra la violencia de manera tan gráfica para enseñar a la audiencia la realidad trágica de miles de personas - las vidas de los españoles se impregnaban por las acciones de unos hombres ricos

115
Q

Religious ideas - when Ofelia falls into the temptation of eating grapes which represents Eve in the garden of Eden - a symbol of the destructive tendencies of human nature that lead to a brutal war

A

las ideas religiosas - cuando Ofelia cae en la tentación de comer uvas que representa Eva en el paraíso de Eden - un símbolo de las tendencias destructivas de la naturaleza humana que condujeron a la brutal guerra

116
Q

Ofelia sacrifices herself to save her brother and we see a cathedral that represents heaven - if you sacrifice yourself for others you will go to heaven - a homage to the thousands of people that died for what they believed in

A

Ofelia se sacrifica para salvar a su hermano y se ve un catedral que representa el cielo - si te sacrificas por otras tras el cielo - el homenaje a los miles de personas que murieron por lo que creyeron

117
Q

The clergy were merciless and didn’t bear in mind the general population - an idea that is still relevant today, so Del Toro runs the risk of controversy here

A

El clero era despiadado y no tenía en cuenta la población general - un idea que sigue siendo relevante hoy en día, así que Del Toro corre el riesgo de controversia aquí

118
Q

He uses the magic of the cinema to create ‘‘an epic and poetic vision’’ and to explore ‘‘the sombre realities of the war’’

A

Usa la magia del cine para crear ‘‘una visión épica y poética’’ y para explorar ‘‘las sombrías realidades de la Guerra’’

119
Q

We ask ourselves if what happens is real or exists only in the imagination of the girl Ofelia due to the mixed colours

A

Nos preguntamos si lo que ocurre es real o existe sólo en la imaginación de la niña Ofelia debido a los colores mezclados

120
Q

There are two parallel narratives that begin separate but get closer and closer

A

Hay dos narrativas paralelas que empiezan separadas pero se acercan cada vez más

121
Q

We see the warm colours in the fantasies of Ofelia in her story for her younger brother or when she does the 3 tasks

A

Vemos los colores cálidos en las fantasías de Ofelia en su cuento para su hermanito o cuando hace las tras pruebas

122
Q

The colours that Del Toro uses to symbolise the fantasy world of Ofelia are ‘‘almost like amniotic fluids’’ to create an environment similar to a uterus to show that Ofelia is reincarnated at the end of the film

A

Los colores que usa Del Toro para simbolizar el mundo fantástico de Ofelia están ‘‘casi como líquidos amnióticos’’ para crear un ambiente parecido a un útero para sugerir que Ofelia es reencarnada a finales de la película

123
Q

This warmth also invades the world of the rebels in the forest and the scenes in which Mercedes is seen - the colours represent the hope that the fascists will be defeated because we see the contrast between the dark world and the heaven that Ofelia looks for

A

Está calidez también infunde el mundo de los rebeldes en el bosque y las escenas en las que se ve Mercedes - los colores representan la esperanza que los fascistas serán derrotados, porque vemos el contraste entre el mundo oscuro y el cielo que busca Ofelia

124
Q

The two terrains begin to converge and finally the real and the fantastic become one

A

Los dos terrenos empiezan a converger y por fin lo real y lo fantástico se convierten en uno

125
Q

Ofelia creates a door with magic chalk and opens it to see a fantastic space, full of golden light, but the second take shows that she leaves a hourglass in the real world, which is presented as cold and empty

A

Ofelia crea una puerta con la tiza mágica y la abierta para ver un espacio fantástico, lleno de luz dorada, pero la segunda toma muestra que ella deja un reloj de arena en el mundo real, que se presenta como frío y vacío

126
Q

The world of Vidal and his soldiers is covered in blue and green tones

A

El mundo de Vidal y sus soldados se cubre en tonos azules y verdes

127
Q

Del Toro said that ‘‘I decided that we were going to have a process of contamination, that one world was going to affect another’’

A

Del Toro dijo que ‘‘decidí que ibamos a hacer un proceso de contaminación, que un mundo iba a afectar al otro’’

128
Q

The limits between the different worlds break down, the colours bleed from one world to another

A

Los límites entre los mundos diferentes se rompen, los colores sangran de un mundo a otro

129
Q

When the captain Vidal follows Ofelia through the labyrinth at the end the dark blue tone of reality is permeated with the warm red tone of fantasy, showing us the power of the imagination to transcend a dark world and reach heaven

A

Cuando el capitán Vidal persigue Ofelia a través del laberinto al final, el tono azul oscuro de la realidad se impregna con el tono cálido y rojo de la fantasía, mostrándonos el poder de la imaginación de trascender un mundo oscuro y alcanzar el cielo

130
Q

The uniform of the soldiers is a cold, grey blue and icy colour, and it is contrasted with the colours of the clothes of the characters that oppose them

A

El uniforme de los soldados es de color frío, gris azul y helado, y se contrasta con los colores de la ropa de los personajes que a los se openen

131
Q

The neutral colours of Mercedes clash with the blue colours of Vidal that reflect his personality - brutal, not compassionate and scruple less

A

Los colores neutrales de Mercedes choquen con los colores azules de Vidal, que reflejan su personalidad - brutal, poco compasivo y sin escrúpulo

132
Q

The warm clothes of the maquis help them to camouflage to their surroundings but also show a direct contrast with the soldiers that look for them

A

La ropa cálida que usan los maquis no sólo les ayuda a camuflarse a su alrededor, sino también marca un contraste directo con los soldados que los buscan

133
Q

Carmen’s clothes consist of colours like white which show her weak personality and her fragility, not only physically but also socially

A

La ropa de Carmen consiste en colores como blanco que muestra su personalidad débil y su fragilidad, no sólo físicamente sino también socialmente

134
Q

Ofelia’s clothes are generally composed of simple dresses with green and neutral colours that suggest a link with nature and the natural world, which is a sign of her noble identity

A

La ropa de Ofelia se compone generalmente de vestidos simples con colores verdes y neutros que sugiere un vínculo con la naturaleza y el mundo natural, que es una seña de su identidad noble

135
Q

Colours enrich your visual experience

A

Los colores enriquecer tu experiencia visual

136
Q

At the end of the film the sky is filled with visceral colours, and the colour red has been linked with violence and brutality, for example in the book of the crossroads and the death of Carmen and Ofelia

A

A finales de la película el cielo es lleno de colores viscerales, y el color rojo ha sido vinculado con la violencia y la brutalidad, por ejemplo en el libro de los encrucijadas y la muerte de Carmen y Ofelia

137
Q

The sky gives the impression of comfort and sanctuary and we see the love between the reunited family, the sacrifice of Ofelia, her bravery and her triumph over the obstacles of the world of Franco

A

El cielo da la impresión del consuelo y el santuario y vemos el amor entre la familia reunida, el sacrificio de Ofelia, su valor y su triunfa sobre los obstáculos del mundo de Franco

El laberinto del fauno (2 decks)

Brainscape helps you reach your goals faster, through stronger study habits.
© 2024 Bold Learning Solutions. Terms and Conditions