Key Deities Flashcards
Agni
is a Sanskrit word meaning fire and connotes the Vedic fire deity of Hinduism. He is also the guardian deity of the southeast direction and is typically found in southeast corners of Hindu temples. In the classical cosmology of the Indian religions, Agni as fire is one of the five inert impermanent elements along with space, water), air) and earth (pṛthvī), the five combining to form the empirically perceived material existence
He is conceptualized in ancient Hindu texts to exist at three levels, on earth as fire, in the atmosphere as lightning, and in the sky as the sun. This triple presence accords him as the messenger between the deities and human beings in the Vedic scriptures
Arjuna
one of the chief protagonists of the Hindu epic Mahabharata. In the epic, he is the third among five Pandava brothers, from the royal line of the Kuru Kingdom. In the Mahabharata War, Arjuna was a key warrior from the Pandava side and killed many warriors including his own elder brother Karna unknowingly and his grandfather Bhishma. Before the beginning of the war, his mentor, Krishna, gave him the supreme knowledge of Bhagavad Gita to overcome his moral dilemmas.[1]
Arjuna was the son of Kunti-the wife of Kuru King Pandu-and the god Indra, who fathered him due to Pandu’s inability to bear children. Arjuna excelled in archery from an early age and enjoyed the favour of his preceptor, Drona. Arjuna is depicted as a skilled archer, winning the hands of Draupadi, who became the common wife of the Pandavas. Arjuna is twice exiled, first for breaking a pact with his brothers; and secondly together with them when his oldest brother was tricked into gambling away the throne. During the first exile Arjuna married Ulupi, Chitrāngadā and Subhadra. From his four wives, Arjuna had four sons, one from each wife — Shrutakarma, Iravan, Babhruvahana and Abhimanyu. During his second exile, Arjuna gained many celestial weapons. Despite being a warrior, Arjuna was also skilled in music and dance. At the end of the epic, Pandavas, accompanied by Draupadi, retired to the Himalayas,when everyone slowly died and came into heaven, including Arjuna.
Avatar(s)/Avatara(s) of Vishnu
The concept of avatar within Hinduism is most often associated with Vishnu, the preserver or sustainer aspect of God within the Hindu Trinity or Trimurti of Brahma, Vishnu and Shiva. Vishnu’s avatars descend to empower the good and fight evil, thereby restoring Dharma. Traditional Hindus see themselves not as “Hindu”, but as Vaishnava (Worshippers of Vishnu), Shaiva (Worshippers of Shiva), or Shakta (Worshipper of the Shakti). Each of the deities has its own iconography and mythology, but common to all is the fact that the divine reality has an explicit form, a form that the worshipper can behold.[32] An oft-quoted passage from the Bhagavad Gita describes the typical role of an avatar of Vishnu:[9][28]
Whenever righteousness wanes and unrighteousness increases I send myself forth.
For the protection of the good and for the destruction of evil,
and for the establishment of righteousness,
I come into being age after age.
— Bhagavad Gita 4.7–8
The Vishnu avatars appear in Hindu mythology whenever the cosmos is in crisis, typically because evil has grown stronger and has thrown the cosmos out of its balance.[33] The avatar then appears in a material form, to destroy evil and its sources, and restore the cosmic balance between the ever-present forces of good and evil.[33]
The most known and celebrated avatars of Vishnu, within the Vaishnavism traditions of Hinduism, are Krishna, Rama, Narayana and Vasudeva. These names have extensive literature associated with them, each has its own characteristics, legends and associated arts.[28] The Mahabharata, for example, includes Krishna, while the Ramayana includes Rama.[34]
Brahma
referred to as “the Creator” within the Trimurti, the trinity of supreme divinity that includes Vishnu and Shiva.[2][3][4] He is associated with creation, knowledge, and the Vedas.[5][6][7][8] Brahma is prominently mentioned in creation legends. In some Puranas, he created himself in a golden embryo known as the Hiranyagarbha.
Brahma is frequently identified with the Vedic god Prajapati.[9] During the post-Vedic period, Brahma was a prominent deity and his sect existed; however, by the 7th century, he had lost his significance. He was also overshadowed by other major deities like Vishnu, Shiva, and Mahadevi[10] and demoted to the role of a secondary creator, who was created by the major deities.[11][12][13]
Brahma is commonly depicted as a red or golden-complexioned bearded man with four heads and hands. His four heads represent the four Vedas and are pointed to the four cardinal directions. He is seated on a lotus and his vahana (mount) is a hamsa (swan, goose or crane). According to the scriptures, Brahma created his children from his mind and thus, they are referred to as Manasaputra.
Buffalo Demon
Mahishasura is a bovine asura in Hinduism. He is depicted in literature to be a deceitful demon who pursued his evil ways by shape-shifting.[1][2][3] Mahishasura was the son of Mahisi (Buffalo) and the great-grandson of Brahmarshi Kashyapa. He was ultimately killed by goddess Durga with her trishula (trident) after which she gained the epithet Mahishasuramardini (“Slayer of Mahishasura”).
The Navaratri (“Nine Nights”) festival eulogises this battle between Mahishasura and Durga, culminating in Vijaya Dasami, a celebration of his ultimate defeat. This story of the “triumph of good over evil” carries profound symbolism in Hinduism, particularly Shaktism, and is both narrated as well as reenacted from the Devi Mahatmya at many South and Southeast Asian Hindu temples.[4][5][6]
Durga
major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars.[5][6][7]
Durga’s legend centres around combating evils and demonic forces that threaten peace, prosperity, and dharma, representing the power of good over evil.[6][8] Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed, and entails destruction to empower creation.[9] Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons.[3][10][11][12] She is widely worshipped by the followers of the goddess-centric sect, Shaktism, and has importance in other denominations like Shaivism and Vaishnavism.[8][13]
Gandh
Non-violence taken against the British in india
Ganesha
also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon[4] and is the Supreme God in Ganapatya sect. His image is found throughout India.[5] Hindu denominations worship him regardless of affiliations.[6] Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and includes Nepal, Bangladesh, Sri Lanka, Indonesia, Thailand, Myanmar, China, and Japan and in countries with large ethnic Hindus populations including United States,[7] Fiji, Guyana, Mauritius, and Trinidad and Tobago.[8]
Although Ganesha has many attributes, he is readily identified by his elephant head.[9] He is widely revered, more specifically, as the remover of obstacles and thought to bring good luck;[10][11] the patron of arts and sciences; and the deva of intellect and wisdom.[12] As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as a patron of letters and learning during writing sessions.[2][13] Several texts relate mythological anecdotes associated with his birth and exploits.
Hanuman
a Hindu god and a divine vanara companion of the god Rama. Hanuman is one of the central characters of the Hindu epic Ramayana. He is an ardent devotee of Rama and one of the Chiranjivis. Hanuman is regarded to be the son of the wind-god Vayu, who in several stories played a direct role in Hanuman’s birth.[6][9] Hanuman is considered to be an incarnation of Vayu in Sadh Vaishnavism and few other Vaishnava traditions, while in Shaivism he is considered to be a partial incarnation of Shiva. Hanuman is mentioned in several other texts, such as the epic Mahabharata and the various Puranas.
Monkey
Indra
is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war.[4][5][6][7] Indra’s myths and powers are similar to other Indo-European deities such as Jupiter, Perun, Perkūnas, Zalmoxis, Taranis, Zeus, and Thor, part of the greater Proto-Indo-European mythology.[7][8][9]
Indra is the most referred deity in the Rigveda.[10] He is celebrated for his powers, and as the one who killed the great evil (a malevolent type of asura) named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his “deceiving forces”, and thereby brings rains and sunshine as the saviour of mankind.[7][11] He is also an important deity worshipped by the Kalash people, indicating his prominence in ancient Hinduism
Indra’s iconography shows him wielding a lightning thunderbolt weapon known as Vajra, riding on a white elephant known as Airavata.[32][33] In Buddhist iconography, the elephant sometimes features three heads, while Jain icons sometimes show the elephant with five heads. Sometimes, a single elephant is shown with four symbolic tusks.[32] Indra’s abode exists in the capital city of Svarga, Amaravati, though he is also associated with Mount Meru (also called Sumeru)
Kali
is a Hindu goddess who is considered to be the goddess of ultimate power, time, destruction and change in Shaktism.[1] In this tradition, she is considered as a ferocious form of goddess Adi Shakti, the supreme of all powers, or the ultimate reality. She is the first of the ten Mahavidyas in the Hindu tantric tradition.[2]
Kali’s earliest appearance is when she emerged from Durga. She is regarded as the ultimate manifestation of Shakti, the primordial cosmic energy, and the mother of all living beings. The goddess is stated to destroy evil in order to defend the innocent. Over time, Kali has been worshipped by devotional movements and Tàntric sects variously as the Divine Mother, Mother of the Universe, Principal energy Adi Shakti.[3][4][5] Shakta Hindu and Tantric sects additionally worship her as the ultimate reality or Brahman.[5] She is also seen as the divine protector and the one who bestows moksha, or liberation.[3]
Krishna
is a major deity in Hinduism. The name comes from a Sanskrit word (कृष्ण, kṛṣṇa) that means “black”, “dark”, “dark blue” or “the all attractive”.[13] He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right.[14] He is the god of protection, compassion, tenderness, and love;[15][1] and is one of the most popular and widely revered among Indian divinities.[16] Krishna’s birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar.[17][18]
Lakshmi
one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity,[13] and associated with Maya (“Illusion”). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses.[14]
Within the goddess-oriented Shaktism, Lakshmi is venerated as the prosperity aspect of the Mother goddess.[15][16] Lakshmi is both the consort and the divine energy (shakti) of the Hindu god Vishnu, the Supreme Being of Vaishnavism; she is also the Supreme Goddess in the sect and assists Vishnu to create, protect, and transform the universe.[9][16][17][18] She is an especially prominent figure in Sri Vaishnavism, in which devotion to Lakshmi is deemed to be crucial to reach Vishnu.[19] Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu’s avatars Rama and Krishna, respectively.[12][16][20] The eight prominent manifestations of Lakshmi, the Ashtalakshmi, symbolise the eight sources of wealth.[21]
Lakshmi is depicted in Indian art as an elegantly dressed, prosperity-showering golden-coloured woman standing or sitting in the padmasana position upon a lotus throne, while holding a lotus in her hand, symbolising fortune, self-knowledge, and spiritual liberation.[22][23] Her iconography shows her with four hands, which represent the four aspects of human life important to Hindu culture: dharma, kāma, artha, and moksha.[24][25] The Lakshmi Sahasranama of the Skanda Purana, Lakshmi Tantra, Markandeya Purana, Devi Mahatmya, and Vedic scriptures describe Lakshmi as having eight or eighteen hands, and as sitting on Garuda, a lion, or a tiger.[26][27][28] According to the Lakshmi Tantra, the goddess Lakshmi, in her ultimate form of Mahasri, has four arms of a golden complexion, and holds a citron, a club, a shield, and a vessel containing amrita.[29] In the Skanda Purana and the Venkatachala Mahatmayam, Sri, or Lakshmi, is praised as the mother of Brahma.[30]
Mahadevi
supreme goddess in the Shaktism sect of Hinduism.[3][4] According to this tradition, all Hindu goddesses are considered to be manifestations of this single great Goddess, who is comparable to the deities Vishnu and Shiva as Para Brahman.[5] Vaishnavas consider her to be Lakshmi,[6] Shaivas consider her to be Parvati, Durga, and Mahakali,[7] while Shaktas consider her to be Durga, Tripura Sundari, Bhuvaneswari, and Kali. Author Helen T. Boursier says: “In Hindu philosophy, both Lakshmi and Parvati are identified with the great goddess — Mahadevi — and the Shakti or divine power”.[8]
Nataraja
depiction of the Hindu god Shiva as the divine cosmic dancer. His dance is called the tandava.[3][4] The pose and artwork are described in many Hindu texts such as the Tevaram and Thiruvasagam in Tamil and the Amshumadagama and Uttarakamika agama in Sanskrit and the Grantha texts. The dance murti featured in all major Hindu temples of Shaivism,[5] and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture,[6][7] as one of the finest illustrations of Hindu art.[8][9] This form is also referred to as Kuththan (Tamil: கூத்தன், romanized: Kūththaṉ), Sabesan (Tamil: சபேசன், romanized: Sabēsaṉ), and Ambalavanan (Tamil: அம்பலவாணன், romanized: Ambalavāṇaṉ) in various Tamil texts