Key concepts, critics, groups Flashcards

1
Q

Abstract expressionism

A

1940s-50s.

A term applied to new forms of abstract art. Gestural brush strokes. Developed by Mike Rothko & Jackson Pollock. Spread modernist traditions.

Impression of spontanity.

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2
Q

Clement Greenberg

A

An American essayist who was mainly known as an art critic closely associated with American modern art of the mid-20th century.

Advocated for formalist aesthetics and championed abstract expressionism.

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3
Q

Museum of Modern Art

A

November, 1929; Lille P. Bliss, Mary Quinn Sullivan, and Abby Aldrich Rockefeller set out to create a hotspot of modern art in New York. This reformed art history and created a new capital of the art world.

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4
Q

Modernism

A

A rejection of historically popular art/conservative values. (less realistic)

Innovation and experimentation with form.

Emphasis on materials, techniques, and processes.

Key figures: Jackson Pollock

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5
Q

Modernity

A

Is the product of modernism. This work describes the qualities of art being modern.

And a departure from previous traditions and doctrines.

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6
Q

Contemporary Art

A

No hard constraints to define contemporary art; however, it is art that evolves with artists and their perception of modern/ancient issues.

Art that it intertwined with society, hence creating a global village. Engages action with performance art and abstraction.

Notioned in the 1960s, boomed in the 1970s.

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7
Q

Gutai Art Association

A

Group of avant-garde Japanese artists.
Known for experimental art, combining painting with performance, interactive, conceptual, site-specific, installing, and theatrical artworks.

Key figures: Jirō Yoshihara, Atsuko Tanaka

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8
Q

Fluxus

A

An international, interdisciplinary community of composers, artists, designers, and poets during the 1960s-70s.

Fluxus engaged in conceptualism and performance art.

Key figures: Joseph Beuys, Ben Vautier

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9
Q

Documenta

A

An exhibition that focuses on abstract art from the 1920s-30s. Takes place every five years in Kassel, Germany.

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10
Q

Performance art

A

Artworks created by actions performed by the other or other participants. It can be live, recorded, spontaneous, or scripted.

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11
Q

Pop art

A

Art is based on modern popular culture and mass media. It is a critical and ironic comment on traditional fine art values.

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12
Q

Conceptualism

A

A broad label of contemporary art in which the ideas prioritize the process of creation more so than the finished piece.

1960s-70s.

Key figure: Jackson Pollock

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13
Q

Minimalism

A

Extreme abstraction; prioritizing minimal elements, functionality, and form.

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14
Q

Land Art

A

A branch of minimalism that inserts sculpture/material or removes environmental materials to assert art into nature.

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15
Q

Linda Nochlin

A

An instrumental figure in the effort to decrease the disparity of representation of male and female artists.

She did this by changing the language that surrounds how we speak of artistic development.

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16
Q

Video art

A

Installation works project video/images to an exhibition space, may include props or sculpture.

Key figure: Jeff Wall

17
Q

“Painting is dead”

A

Paul Delaroche after seeing a photograph declared, “…” This was because he believed technology would exceed any medium without technological involvement.

Shared anxieties around development.

18
Q

Neo-expressionism

A

Late modernist movement and early post-modern painting. Reaction to minimal and conceptual art.

A major revival of expressionism, a style in which the artist seeks to express emotional experience rather than the impression of the world itself.

Key figure: Anselm Kiefer, George Baselitz, S. Sudjojono

19
Q

Neo-conceptualism

A

1980s-90s AKA: neo-geo.

A movement that continued conceptual arts questioning of the art object within the art institution. Themes of social landscape, urban environment, isolation, and community.

Influenced by pop art and minimalism.

Derived from the conceptual art movement of the 1960s-70s

Key figures: Peter Halley

20
Q

Street art

A

Fast-paced graffiti, chalk, or other drawing medium that is a public display of artwork. Typically on buildings, streets, trains, and publically accessible.

Key figures: Keith Haring, Jean-Michel Basquiat

21
Q

Pictures Generation

A

A loose-knit group of artists that set out to make art that makes relationships with popular culture and mass media.

22
Q

Appropriation art

A

The practice of transforming ready-made material/found objects as art.

23
Q

Social sculpture

A

a performative/interaction sculpture that engages with the public.