Key Concepts and Terms Flashcards

1
Q

A mass of tiny, randomly oriented crystals.

A

Aggregate

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2
Q

A smooth, flat break in a gemstone parallel to planes of atomic weakness, caused by weak or fewer bonds between atoms, or both.

A

Cleavage

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3
Q

A curved and ridged fracture in a gemstone, extending from the surface inward.

A

Conchoidal fracture

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4
Q

An aggregate made up of individual crystals detectable only under very high magnification.

A

Cryptocrystalline

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5
Q

How heavy an object is in relation to its size.

A

Density

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6
Q

A gemstone’s ability to withstand wear, heat, and chemicals.

A

Durability

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7
Q

Any break in a gem other than cleavage or parting.

A

Fracture

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8
Q

The characteristic external crystal shape or form of a mineral.

A

Habit

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9
Q

How well a gemstone resists scratches. Usually expressed in terms of the Mohs scale, with diamond the hardest (10) and talc the softest (1).

A

Hardness

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10
Q

A characteristic enclosed within a gem- stone, or reaching its surface from the interior.

A

Inclusion

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11
Q

Small pocket in a gem that’s filled with fluids and, sometimes, gas bubbles and tiny crystals. Usually created by environmental changes during crystal growth.

A

Liquid inclusion

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12
Q

How well a gemstone resists breaking and chipping.

A

Toughness

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13
Q

Atoms in a gem that aren’t part of its essential chemical composition.

A

Trace elements

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14
Q

Change in a gem’s crystal direction during or after growth.

A

Twinning

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15
Q

Location of a change in crystal growth direction.

A

Twinning plane

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16
Q

A hollow cavity in a gem, usually filled with a liquid and a gas.

A

Two-phase inclusion

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17
Q

The smallest group of atoms with both the characteristic chemical composition and crystal structure of a mineral.

A

Unit cell

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18
Q

An aggregate made up of individual crystals visible under magnification.

A

Microcrystalline

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19
Q

A flat break in a gemstone caused by concentrated included minerals parallel to a twinning plane.

A

Parting

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20
Q

Ratio of the weight of a material to the weight of an equal volume of water.

A

Specific gravity (SG)

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21
Q

How well a gemstone resists light, heat, and chemicals.

A

Stability

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22
Q

Damage caused by sudden, extreme temperature changes.

A

Thermal shock

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23
Q

A hollow cavity in a gem, filled with a liquid, a gas, and one or more crystals.

A

Three-phase inclusion

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24
Q

Crystalline minerals

A

are classified into seven crystal systems, depending on the symmetry of their unit cells.

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25
Q

The exterior shape of a crystal

A

often indicates its symmetry at an atomic level.

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26
Q

Some gems are rare because they require

A

rare chemical elements or unique geological conditions, or both, to form.

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27
Q

Twinning can result from a change

A

during crystal growth, or from cooling or pressure after the crystal has grown.

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28
Q

Inclusions in a colored stone

A

can help identify it as natural or manmade,untreatedor treated.

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29
Q

Large inclusions can

A

dramatically affect beauty, value, and durability.

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30
Q

Many rough gemstones

A

have recognizable crystal shapes that can help identify them.

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31
Q

The shapes and sizes of rough gem crystals

A

affect the shapes and sizes of finished stones.

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32
Q

A gem’s density and specific gravity

A

depend on the types of atoms it’s made of, and how closely they’re packed together.

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33
Q

The different ways a gem breaks

A

are called cleavage, parting, and fracture.

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34
Q

A gem’s crystal structure determines

A

its reaction to external stress.

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35
Q

Most gems are

A

minerals

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36
Q

To be a gem, a mineral must be

A

beautiful, durable, and rare.

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37
Q

Many colored stones are mined

A

by independent miners using small-scale mining methods.

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38
Q

An appealing name can make a gem

A

much easier to sell.

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39
Q

Changes that take place in a gem’s source country

A

can drastically affect its availability and price.

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40
Q

Treatments improve

A

the marketability and availability of many gems.

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41
Q

In spite of treatment that’s sometimes extensive,

A

emerald is the number one colored stone by value imported into the US.

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42
Q

Most consumers accept gem treatments

A

if they’re ethically disclosed and explained in a positive way.

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43
Q

Lacking a regular crystal structure.

A

Amorphous

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44
Q

The basic structural unit of all matter.

A

Atom

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45
Q

Kinds and relative quantities of atoms that make up a material.

A

Chemical composition

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46
Q

A substance that consists of atoms of only one kind.

A

Chemical element

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47
Q

Regular, repeating internal arrangement of atoms in a material.

A

Crystal structure

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48
Q

A broad gem category based on chemical composition and crystal structure.

A

Gem species

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49
Q

A subcategory of species, based on color, transparency, or phenomenon.

A

Gem variety

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50
Q

A family of gems from several closely related mineral species.

A

Group

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51
Q

Composed of, or arising from, non-living matter.

A

Inorganic

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52
Q

A natural, inorganic substance with a char- acteristic chemical composition and usually characteristic structure.

A

Mineral

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53
Q

Gems produced by natural processes, without human help.

A

Natural gems

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54
Q

Produced by, or derived from, a living organism.

A

Organic

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55
Q

A natural material composed of masses of mineral crystals of one or more kinds.

A

Rock

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56
Q

A mineral that contains the elements silicon and oxygen.

A

Silicate

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57
Q

Rocks are the raw materials of

A

gemstone formation.

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58
Q

Most colored stones form

A

in the earth’s continental crust.

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59
Q

Geological conditions during mountain building

A

are favorable for gem formation.

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60
Q

In igneous rocks, large crystals indicate

A

slow cooling, while small crystals indicate quick cooling.

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61
Q

Some types of volcanic rock

A

can transport existing gems from deep in the crust to the earth’s surface.

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62
Q

Some of the largest and most perfect gem crystals

A

come from pegmatites.

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63
Q

Superheated, pressurized water can

A

transfer minerals in solution and redeposit them in veins to form gems.

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64
Q

Mining economics are affected

A

by demand, political climate, labor costs, environment, accessibility, type of deposit, and mining methods.

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65
Q

An understanding of gemstone formation

A

helps prospectors pick the right places to look for gems.

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66
Q

Thousands of tons of rock may be eroded to yield only a few ounces of gem material.

A

may be eroded to yield only a few ounces of gem material.

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67
Q

Secondary deposits are easier to work than primary ones and might contain greater concentrations of gems.

A

easier to work than primary ones and might contain greater concentrations of gems.

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68
Q

Only the toughest gems survive to become part of secondary deposits.

A

survive to become part of secondary deposits.

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69
Q

A deposit where gems are eroded from their source rock, then transported away from the source and further concentrated.

A

Alluvial deposit

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70
Q

Localized changes caused by an igneous intrusion that takes place where the magma meets the surrounding rock. New minerals may form due to temperature changes or introduction of fluids from the magma.

A

Contact metamorphism

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71
Q

The earth’s innermost layer.

A

Core

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72
Q

The surface and outermost layer of the earth.

A

Crust

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73
Q

A deposit where gems are eroded from the source rock but remain in place close to the source.

A

Eluvial deposit

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74
Q

The wearing away and transport of rock materials by natural forces.

A

Erosion

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75
Q

A spherical, often hollow, mineral-lined cavity in rock.

A

Geode

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76
Q

Minerals dense enough to become concentrated and separated from lighter ones by the action of surface water.

A

Heavy minerals

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77
Q

Hot, high-pressure solution that can dissolve, transport, and deposit minerals from one place to another.

A

Hydrothermal fluid

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78
Q

Rock formed by the crystallization of molten material.

A

Igneous rock

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79
Q

Large mass of igneous rock that crystallizes underground without reaching the surface.

A

Intrusion

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80
Q

General term for any molten rock.

A

Magma

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81
Q

A layer between the earth’s crust and its core.

A

Mantle

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82
Q

Circulation in the mantle that drives the movement of the earth’s plates.

A

Mantle convection

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83
Q

Rock altered by heat and pressure, or by heated fluids from magma.

A

Metamorphic rock

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84
Q

An igneous rock formed from cooling, once-molten granite that follows fractures in its surrounding rock. It may contain very large crystals, and its shape is often thin and contorted.

A

Pegmatite

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85
Q

Workable alluvial deposit of gem minerals with economic potential.

A

Placer

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86
Q

A section of the earth’s rigid outer crust.

A

Plate

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87
Q

Study of the formation, structure, and

movement of the plates of the earth’s crust.

A

Plate tectonics

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88
Q

Crystallization of minerals from a gas.

A

Pneumatolysis

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89
Q

Gems found in the rock that carried them to the surface.

A

Primary deposit

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90
Q

Changes in rock type and minerals over a wide area, caused by heat and pressure of large-scale geological events.

A

Regional metamorphism

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91
Q

A constant formation and recycling process that creates new rock from old.

A

Rock cycle

92
Q

Gems found away from their primary source.

A

Secondary deposit

93
Q

Rock produced from the eroded and weathered remains of existing rocks.

A

Sedimentary rock

94
Q

A process that occurs when two of the earth’s plates collide, forcing one under the other.

A

Subduction

95
Q

A mineral deposit that occupies an existing fissure or fracture in the rock.

A

Vein

96
Q

Pertaining to igneous activity at the earth’s surface, where magma erupts through a volcano or a fissure.

A

Volcanic

97
Q

A “foreign crystal” that formed in unrelated rocks and was brought to the surface as a passenger in magma.

A

Xenocryst

98
Q

Color is the most important factor in determining a colored gemstone’s

A

desirability, marketability, and value.

99
Q

Light is a form of energy that

A

travels in waves.

100
Q

Most gemcolor is caused by selective absorption, which is influenced by

A

chemical composition and crystal structure.

101
Q

Some colored gems can be identified by the way they

A

absorb visible light.

102
Q

Because of differences in crystal structure, the same transition element can

A

cause different colors in different gems.

103
Q

Chromium causes the most desirable

A

red and green gem colors.

104
Q

Iron causes a greater variety of gem colors

A

than any other transition element.

105
Q

Charge transfer is responsible for most

A

blue and yellow gem colors.

106
Q

Treatment can alter or initiate some

A

color-causing charge transfer reactions.

107
Q

Without exposure to natural or artificial radiation,

A

color centers can’t cause color in gems.

108
Q

Only doubly refractive gems can be

A

pleochroic.

109
Q

Interference produces either darkness

A

or the brightening of one or more colors.

110
Q

Opal’s play-of-color is produced by the interaction of light with the gem’s microscopic internal structure of

A

stacked silica spheres.

111
Q

Light reflecting from inclusions

A

causes several phenomenal effects in gems.

112
Q

A pattern of dark vertical lines or bands shown by certain gems when viewed through a spectroscope.

A

Absorption spectrum

113
Q

The cloudy bluish white light in a moonstone, caused by scattering of light.

A

Adularescence

114
Q

A gem colored by trace elements in its crystal structure.

A

Allochromatic

115
Q

Crossing of chatoyant bands, creating a star in the dome of a cabochon.

A

Asterism

116
Q

A glittery effect caused by light reflecting from small, flat inclusions within a gemstone.

A

Aventurescence

117
Q

A process where the electrons that selectively absorb light are passed back and forth between neighboring impurity ions.

A

Charge transfer

118
Q

Bands of light in certain gems, caused by reflection of light from many parallel, needle-like inclusions or hollow tubes.

A

Chatoyancy

119
Q

A small defect in the atomic structure of a material that can absorb light and give rise to a color.

A

Color center

120
Q

A distinct change in gem color under different types of lighting.

A

Color change

121
Q

A special kind of interference phenomenon that breaks up white light into its spectral hues.

A

Diffraction

122
Q

When a gem’s crystal structure splits light into two rays that each travel at a slightly different speed and direction.

A

Double refraction

123
Q

Emission of visible light by a material when it’s stimulated by ultraviolet radiation.

A

Fluorescence

124
Q

A gem colored by an element that is an essential part of its chemical composition.

A

Idiochromatic

125
Q

Interaction of two light rays traveling in the same path.

A

Interference

126
Q

A process where two impurity atoms separated by another atom can still exchange electrons to selectively absorb light.

A

Intervalence charge transfer

127
Q

A rainbow effect created when light is broken up into spectral hues by thin layers.

A

Iridescence

128
Q

A broad flash of color in labradorite feldspar that disappears when the gem is moved.

A

Labradorescence

129
Q

A two-toned effect seen when a chatoyant gem is positioned at right angles to a light source.

A

Milk and honey

130
Q

Direction of single refraction in a doubly refractive gem.

A

Optic axis

131
Q

Iridescence seen in some natural and cultured pearls and mother-of-pearl.

A

Orient

132
Q

An unusual optical effect displayed by a gem.

A

Phenomenon

133
Q

The flashing rainbow colors in opal.

A

Play-of-color

134
Q

When a gem shows different body-

colors from different crystal directions.

A

Pleochroism

135
Q

Change in speed and possible change in direction of light as it travels from one material to another.

A

Refraction

136
Q

Process by which a material absorbs some components of visible light and transmits others.

A

Selective absorption

137
Q

When a gem’s crystal structure doesn’t change incoming light other than by refraction and absorption.

A

Single refraction

138
Q

Elements that can selectively absorb some wavelengths of visible light and produce color in gems.

A

Transition elements

139
Q

Knowing whether a gem is natural or synthetic is

A

crucial when buying or selling colored stones.

140
Q

Imitations can be made of a variety of materials

A

including natural or synthetic versions of other gems.

141
Q

The process used to produce a synthetic gem can

A

determine its value.

142
Q

Most synthetic gem crystals are produced by either

A

a melt or a solution process.

143
Q

Solution processes are generally

A

slower and more expensive than melt processes.

144
Q

Solution processes can synthesize gems that closely

A

resemble natural gems.

145
Q

Internal and external characteristics can help trained observers

A

separate natural from synthetic gems.

146
Q

Gemologists play an important role in ensuring that disclosure

A

becomes the industry standard.

147
Q

Two or more separate pieces of material joined to form a unit.

A

Assembled stone

148
Q

A cylindrical synthetic crystal produced by the flame-fusion process.

A

Boule

149
Q

A process in which finely ground powder is heated, sometimes under pressure, to produce a fine-grained solid material.

A

Ceramic process

150
Q

Clearly and accurately informing customers about the nature of the goods they buy.

A

Disclosure

151
Q

Two separate pieces of material fused or cemented together to form a single assembled stone.

A

Doublet

152
Q

A process in which powdered chemi- cals are dropped through a high-temperature flame onto a rotating pedestal to produce a synthetic crystal.

A

Flame fusion

153
Q

A melt process where a heating unit passes over a rotating solid rod of chemicals until it forms a synthetic crystal.

A

Floating zone

154
Q

A process in which nutrients dissolve in heated chemicals, then cool to form synthetic crystals.

A

Flux growth

155
Q

A process in which nutrients dissolve in a water solution at high temperature and pressure, then cool to form synthetic crystals.

A

Hydrothermal growth

156
Q

Any material that looks like a natural gem and is used in its place.

A

Imitation gem

157
Q

A synthetic-crystal growth method in which the chemical mixture is melted, then recrystallized.

A

Melt process

158
Q

A process in which the synthetic crystal grows from a seed that is dipped into a chemical melt, then pulled away as it gathers material.

A

Pulling

159
Q

A tiny crystal used as a template to control the size, speed, or direction of growth and the shape of a growing synthetic crystal.

A

Seed crystal

160
Q

A synthetic-crystal growth method that uses cooling pipes around an interior of melted chemical ingredients.

A

Skull melt

161
Q

A growth method in which the synthetic crystal grows from a dissolved chemical mixture, sometimes at high temperature and pressure.

A

Solution process

162
Q

A synthetic-crystal growth method that starts without a seed crystal.

A

Spontaneous nucleation

163
Q

A laboratory creation with essentially the same chemical composition, crystal structure, and properties as its natural counterpart.

A

Synthetic gem

164
Q

A single assembled stone made from three separate pieces of material fused or cemented together, or from two pieces and a colored cement layer.

A

Triplet

165
Q

Treatments that improve gem appearance and quality increase the supply of

A

commercially important gems.

166
Q

Treatments that make gems more available and affordable are an important part of

A

today’s gem and jewelry market.

167
Q

All treatments—even suspected or probable treatments

A

should be disclosed as part of every transaction.

168
Q

Gems that are commonly heat treated include corundum, tanzanite, zircon, topaz, aquamarine, and amber.

A

aquamarine, and amber.

169
Q

Heat treatment can alter color and create or eliminate

A

phenomena and inclusions.

170
Q

Lattice diffusion with titanium produces a shallow layer of color

A

that can be removed with minor re polishing.

171
Q

The color resulting from lattice diffusion with beryllium might

A

penetrate the entire stone.

172
Q

Almost all emeralds on the market today are

A

fracture filled.

173
Q

Irradiated color is not always stable, and exposure to heat or light can

A

destroy it.

174
Q

Commonly irradiated gems include topaz, tourmaline, and

A

cultured pearl.

175
Q

Bleaching is a fairly common

A

pearl treatment.

176
Q

Jadeite is often treated with a combination of bleaching and

A

impregnation.

177
Q

Dyeing is one of the

A

oldest gem treatments.

178
Q

Commonly dyed gems include cultured pearl, lapis lazuli,

A

chalcedony, and coral.

179
Q

A treatment that uses chemicals to lighten or remove color.

A

Bleaching

180
Q

Filling of pores or other openings with melted wax, resin, polymer, or plastic to improve appearance and stability.

A

Colorless impregnation

181
Q

A treatment that adds color or affects color by deepening it, making it more even, or changing it.

A

Dyeing

182
Q

Using a filler to conceal fractures and improve the apparent clarity of a gem.

A

Fracture (fissure) filling

183
Q

A chemical that treaters mix with some resins to cause them to solidify.

A

Hardener

184
Q

Exposing a gem to rising tempera- tures for the purpose of changing its appearance.

A

Heat treatment

185
Q

Exposing a gem to radiation to change or improve its color.

A

Irradiation

186
Q

A treatment in which a gem is exposed to high temperatures and chemicals to allow penetration of color-causing elements.

A

Lattice diffusion

187
Q

An oxygen-rich environment that surrounds a gem during heat treatment, causing it to absorb oxygen.

A

Oxidizing environment

188
Q

A liquid filling material that’s very durable when it dries.

A

Polymer

189
Q

A rapid heating and cooling process that produces fractures in a stone so it will accept dye.

A

Quench crackling

190
Q

An oxygen-poor environment that surrounds a gem during heat treatment, causing it to lose oxygen.

A

Reducing environment

191
Q

A clear, viscous substance that’s used to fill fractures in gemstones.

A

Resin

192
Q

Heating a wrapped opal until smoke or ash penetrates its surface to darken it and bring out its play-of-color.

A

Smoke treatment

193
Q

Soaking an opal in a hot sugar solution and then in sulfuric acid to darken it and bring out its play-of-color.

A

Sugar treatment

194
Q

Altering a gem’s appearance by applying backings, coatings, or coloring agents like paint.

A

Surface modification

195
Q

Any human-controlled process, beyond cutting and polishing, that improves the appearance, durability, or value of a gem.

A

Treatment

196
Q

Different buyers require different goods to suit their customers’ needs.

A

customers’ needs.

197
Q

The highest demand is for

A

mass-market-quality gem rough.

198
Q

Many gems leave their source countries through

A

unofficial channels.

199
Q

Stones pass through many hands before they reach the consumer, and there’s a

A

price increase at every step.

200
Q

Many conditions threaten the stability of the

A

colored stone market.

201
Q

Commercial-quality stones are generally

A

calibrated, and judged more by the price per stone than by their individual quality factors.

202
Q

Cutting standards are generally looser for

A

low-end goods.

203
Q

Color, cut, and clarity are important factors for

A

middle-market gems.

204
Q

A parcel typically contains a range of qualities, and the best stones often sell for a

A

lot more than the remainder of the parcel.

205
Q

Because retailers deal directly with consumers, they must have

A

complete confidence in their wholesalers.

206
Q

Main attributes of a fine stone

A

rarity, exceptional color, and large size.

207
Q

The documented origin of a fine-quality gem can be a powerful sales tool and have an impact

A

on its value.

208
Q

Gemstone sizes cut to fit standard mountings.

A

Calibrated sizes

209
Q

A document that indicates a stone’s geographic origin, based on its inclusions and trace element chemistry.

A

Certificate of origin

210
Q

Market sector where average- quality gemstones are used in mass-market jewelry.

A

Commercial market

211
Q

A unique piece designed and created for a particular customer, often around specially chosen stones.

A

Custom-made jewelry

212
Q

A gem dealer’s term for a random sample from a parcel of gemstones, often used to assess the parcel’s overall quality.

A

Cut

213
Q

A manufacturer who produces faceted stones, cabochons, or carvings.

A

Cutter

214
Q

A city, region, or country with a large number of gemstone manufacturers.

A

Cutting center

215
Q

Gemstone rough that’s transparent enough and of high enough quality to produce faceted gems.

A

Facet grade

216
Q

Non-standard cutting, usually applied to large, important stones for use in expensive jewelry where standard size is not a consideration.

A

Free-size

217
Q

A specific rough gemstone quality range, usually determined by color, size, clarity, and price.

A

Grade

218
Q

Market sector where fine - quality, expensive gemstones are used in unique, handcrafted jewelry pieces.

A

High-end market

219
Q

In mining terms, theft of a mine’s production by its workers.

A

High grading

220
Q

A discounted price for buying an entire parcel or a substantial part of it.

A

Lot price

221
Q

Market sector where better-quality gemstones are used in well-finished, moderately priced jewelry pieces.

A

Middlemarket

222
Q

A mixture of gem qualities that represents unsorted production from a particular mine.

A

Mine lot (mine run)

223
Q

The geographical place where a gem was mined.

A

Origin

224
Q

A quantity of stones, sometimes of similar size and quality, perhaps from a single mine, but often from various sources, that’s offered for sale together.

A

Parcel

225
Q

A premium price for selecting stones from a parcel.

A

Pick price

226
Q

A gem-producing area, or a particular mine in that area.

A

Source

227
Q

A company or individual that supplies gems to jewelry manufacturers and retailers.

A

Wholesaler