Key Aspects Flashcards

1
Q

Narrative Codes

A

Story telling- the way different elements in a story are organised to make it meaningful - Features of the narrative that appeal to a certain group

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2
Q

Narrative Structure

A

The way the story or plot unfolds

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3
Q

Representations

A

Representation is how media texts deal with and present gender, age, ethnicity, national and regional identity, social issues and events to an audience. Media texts have the power to shape an audience’s knowledge and understanding about these important topics.

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4
Q

Selection Representations

A

This refers to what has been selected to include in a media text.

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5
Q

Ideology Representations

A

These are ideas and beliefs, held by media producers, which are often represented in their media texts.

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6
Q

Construction Representations

A

This is the way a media text is put together. In a film or television programme this includes the editing and choice of camera angles, in a magazine or newspaper it includes the layout and writing as well as the choice of images.

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7
Q

Denote

A

Literal description e.g. the dress is coloured flame-red

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8
Q

Connote

A

To explain the meanings of the codes (symbolic) e.g. the red of the dress suggests sex

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9
Q

Montage

A

A series of camera shots which tend to present ideas rather than simple action

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10
Q

Action code

A

An event within the narrative which acts is catalyst for subsequent events

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11
Q

Cultural code

A

A code which is understood within a cultural context e.g. dress, speech

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12
Q

Technical code

A

A code which is created through the use of technology e.g. camerawork, editing, lighting, soundtrack

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13
Q

Anchorage

A

When two or more signs are used together to make the meaning clear

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14
Q

Polysemy

A

The polysemy of codes is the overall understanding of the signs in a text

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15
Q

Diegesis / diegetic

A

Sound that comes from the story itself

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16
Q

Non Diagetic

A

Music/ Sound effects that are added to the editing

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17
Q

Enigma

A

The questions to which the audience wants to know the answer

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18
Q

Binary opposites

A

Extreme opposites in ideas e.g. good and evil, life and death, love and hate, Communism/Capitalism, theism/atheism

19
Q

Institutions

A

Internal Constraints & External Constraints

20
Q

Technical Code- Long shot

A

Characters entire bodies (good for showing more than one character)

21
Q

Long shot

A

Characters entire bodies (good for showing more than one character)

22
Q

Establishing shot

A

Usually of a place/ outside to establish setting

23
Q

Medium shot

A

Waist up/torso (good for showing conversation between characters/ common in sit-coms)

24
Q

Close up

A

Object/ Face, with some background (good for emphasising facial expressions)

25
Q

Extreme Close Up

A

One Feature/ Part of object fills the screen

26
Q

High Angle Shot

A

Looking down on a subject, making it seem smaller/vulnerable/isolated

27
Q

Low Angle Shot

A

Looking up at a subject, making it seem bigger/ more powerful

28
Q

POV shot

A

Shot from perspective of a character

29
Q

Tracking/ Dolly Shot

A

Used for Action Shots

30
Q

Birdseye/ Ariel Shot

A

Shot from the sky

31
Q

Editing

A

Continuity Editing & Parallel Editing

32
Q

Lighting -High Key

A

Bright lights- Normality or happy/ lighthearted

33
Q

Lighting- Low Key

A

Dim Lights- Dark/evil, sinister

34
Q

Target Audience

A

Who the text was made for

35
Q

Mode of Address

A

How the text communicates with the audience

36
Q

Preferred Reading

A

The intended meaning

37
Q

Differential Decoding

A

How the audience interprets the text based on their individual backgrounds, values, ethnicity, age, gender etc)

38
Q

Categories

A

The type of text and features of it

39
Q

Access

A

Which people have access to the text e.g. channel/time/age group

40
Q

Intertextual References

A

Does the text refer to other texts?

41
Q

Discourses

A

Comments made by the text that would appeal to a certain group

42
Q

Awards

A

Best Picture
Best Actor
Best Adapted Screenplay

43
Q

Major Credits:

A
Producer: Albert S. Ruddy
Director: Francis Coppola
Writer: Mario Puzo
Cast: 
Vito- Marlon Brando
Michael- Al Pacino
Sonny- James Caan