KC Williams Flashcards

1
Q

“superstructure … acquired a main sense of…

A

…a unitary ‘area’ within which all cultural and ideological ideas could be placed”

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2
Q

“the ‘base’ is the…

A

…real social existence of man”

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3
Q

“we have to revalue ‘determination’ towards…

A

…the setting of limits and the exertion of pressure, and away from a predicted, prefigured and controlled content”

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4
Q

“the most important thing…

A

…a worker ever produces is himself, himself in the fact of that kind of labour, or the broader historical emphasis of men producing themselves, themselves and their history”

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5
Q

“the totality of…

A

…social practices was opposed to this layered notion of a base and a consequent superstructure”

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6
Q

“if we fail…

A

…to see a superstructure element we fail to recognise reality at all”

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7
Q

“[hegemony] saturates the…

A

…society to such an extent … even constitutes the substance and limit of common sense for most people under its sway”

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8
Q

“even more crucially…

A

…some of these meanings and practices are reinterpreted, diluted, or put into forms which support or at least do not contradict other elements within the effective dominant culture”

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9
Q

RESIDUAL CULTURE

A

a culture “which cannot be verified or cannot be expressed in terms of the dominant culture”

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10
Q

EMERGENT CULTURE

A

“new meanings and values, new practices, new significances and experiences are continually being created” and incorporated into the dominant culture, showing just how dominant this dominant culture is

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11
Q

DIFFERENCE BETWEEN ALTERNATIVE AND OPPOSITIONAL

A

ALTERNATIVE
“someone who simply finds a different way to live and wishes to be left alone with it”
OPPOSITIONAL
“someone who finds a different way to live and wants to change society in its light”

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12
Q

“In capitalist practice, if the thing is not…

A

…making a profit, or if it is not being widely circulated, then it can for some time be overlooked, at least while it remains alternative. When it become oppositional in an explicit way, it does, of course, get approached or attacked”

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13
Q

“we cannot separate literature and art…

A

…from other kinds of social practice, in such a way as to make them subject to quite special and distinct laws”

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14
Q

“yet most writing…

A

…in any period, including our own, is a form of contribution to the effective dominant culture”

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15
Q

“the real social conditions…

A

…of production were in any case neglected because they were believed to be at best secondary”

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16
Q

“if we suppose that what is produced…

A

…in cultural practice is a series of objects, we shall, as in most current forms of sociological-critical procedure, set about discovering their components”

17
Q

ESTRANGEMENT

A

Marx’s idea that a worker becomes alienated from himself when realising that he has no control over his future and exists to serve the demands of capital