Joe Flashcards

1
Q

I dont read the news part any more. It’s more interesting in the want ads

A

Narrow responsibility- ignorance
Contraction- unedcuated
Juxt Chris
pg 6

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2
Q

She can’t mourn a boy forever

A

lack of personal pronoun
distance self from events
contrast to mother
different reactions to guilt
pg 11

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3
Q

That’s an arresting gun!

A

Chekhovs gun
dramatic principle
increases tensions as it is used to foreshadow however audience are unaware of what it is foreshadowing
pg 13

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4
Q

What the hell did I work for then? That’s only for you, Chris. The whole shooting match is for you

A

DA plea
Narrow responsibility
Self-exculpation- makes family complicit
pg 17

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5
Q

Jail symbol

A

pg 13
pg 29

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6
Q

The beast i was the beast monologue

A

30
pauses- dramatises story, enjoys being the centre of attention
exonerated- pre planned, idiolect
mocking tone ‘beast’
animalistic imagery
kid- diminutive
tone of arrogance

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7
Q

Annie, I never believed in crucifying people

A

not part of his idiolect
pre-planned speech
revels in the story
prioritises his reputation
sets expectation- hopes he isnt crucified if ppl found out
31

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8
Q

The major was whippin us monologue
little man

A

32

Focuses on business and production
- narrow respinsibility
- Representative of the American Dream

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9
Q

You know Larry never flew a P-40

A

32

ignorance

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10
Q

The man was a fool… but don’t make a murderer out of him

A

32
highlights Steve’s human fallibility
juxt between ‘fool’ and ‘murderer’
naive vs malicious

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11
Q

It was a madhouse

A

32
metaphor and idiom
presents the environmemt as chaotic and frantic

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12
Q

Every half hour the Major callin’ for cylinder heads, they were whippin’ us with the telephone

A

32
Major= antagonist, villanises him, character who cannot defend his actions, hegemonic figure

every half hour- hyperbole, exculpate Steve

callin’ whippin’- verbs reflect a leack of agency
image of violence and brutality
intensity of factory
hyperbolic language
rejects culpability as he blames the environment
elision ‘callin, whippin’ uneducated- doesn’t just make steve look like a fool

submission to systems in place rather than challenging them and doing what is moral.

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13
Q

A fine, hairline crack

A

32
Adjectives, hedge
minimise the severity of the crack

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14
Q

All right, so… so he’s a little man, your father…. but that’s what a little man does

A

32
diminuitive
repetition
victimises steve
exagerates his vulnerability
evokes a sense of sympathy
vs hegemonic figure of the major
Steves fragice masculinity
the monosyllabic tone creates a sense of certainty, lying is second nature to Joe? Sense of ease.

but in a post war audience, probably a lack of sympathy

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15
Q

Annie, the day the news came about Larry he was in a cell next to mine… Dad. And he cried, Annie… he cried half the night.

A

33
Annie- diminuitive, remind Annie of past, exploit her vulnerablility

…- pauses, crafts his language

‘Dad’- familial language to exploit Ann’s emotions and make her more susceptible to his narrative

‘cried’- repetition of verb
exaggerates steves vulnerability/ fragility
presents him as a figure who needs protection

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16
Q

I want a clean start for you, Chris…
I’m going to build you a house…

A

38
topic shift to business
Ignorant to Chris’ dreams
ideology of Am Dream

17
Q

He grips Chris by the back of the neck, and with laughter between his determined jaws

A

38
Paralinguistics
Closy proximity to initimidate- desperate
only way to show urgency- lacks intellect

18
Q

Everybody’s gettin’ so Goddam educated in this country

It’s a tragedy: you stand on the street today and spit, you’re gonna hit a college man

A

48

diatribe ab education

taboo lang

gettin- contraction

inescurity

Post-war Americans prioritise education- post WW2 funding for college increased

Gonna- ellision

19
Q

A daughter is a daughter, and a father is a father

A

49

Narrow responsibility

Repetition- remind Ann of family duty

20
Q

A little man makes a mistake and they hang him by the thumbs; the big ones become ambassadors

A

63

Masculinity- exculpates

Miller uses Joe as a construct to criticise the govt

Joe understand the hierarchical nature os society, and takes issue with it, yet he does not reject it and deconstruct it throughout the play, he seeks to become the “big man”.

“Hang him by his thumbs” suggests cruelty, physical and emotional punishments, almost medieval form of torture = clear disregard for those without power and status.

“Ambassador” suggests furthered political power.

21
Q

I mean like in 1973…

Im just mentioning it. Because this is just another one of a lot of things

Like when he gave Frank that money to invest in oil stock

A

64

Anecdotes- pre planned, adds credibility to human fallibity- self-exculpation

DA Rep ‘You remember that’- manipulation, intimidate

weaken georges argument

22
Q

There are certain men in the world who rather see everyone else hung before they’ll take the blame

A

64

Dramatic irony

tone of superiority

23
Q

[cruelly] Three and a half years you been talking like a maniac

A

68

Stage direction/ prosodic- Keller’s true nature is revealed, absence of sympathy for mother

24
Q

[ the beggining of a plea in his voice] He never flew a P-40 x2

A

68/69

prosodic- vulnerability

Repetition- filler, not pre-panned

symbolic of his narrow responsibility

Specific plane ‘P-40’ is contextually significant. Curtiss P-40 Warhawk was the third most-produced American fighter of World War II- and it was produced by the Curtiss- Wright who had conspired with army inspection officers to approve defective aircraft engines destined for military use

juxt pg 32 C ‘So who flew those P-40s, pigs?’

25
Q

business…business..business

A

69

rep ‘business’

Narrow responsibility

Capitalist mindset

Arrogance- hubris

Blinded by his economic status

26
Q

Let them take my life away

A

69

Irony- did the same to steve

Let- passive verb= still doesnt take responsibility

27
Q

Chris… Chris I did it for you

A

70

DA- Shift blame- self-exculpation- chris is complicit

Narrow responsibility

Pause- considers speech

28
Q

What happened to my family

A

75

interrogative

Myopic

Reiterates commitment to family

Desire to fullfill AD

Places blame on family

Wants a sympathetic reaction

29
Q

[almost an outburst]

A

75

prosodic feature

symbolises physical frustration- sickof emotional turmoil

30
Q

then what do i do? tell me, talk to me, what do i do?

A

76

imperatives + interrogatives- lost his patriachal purpose

31
Q

He would forgive me! For what?

A

76

Family intervention fails to catalyse moral redemption- th

Blinded by his ignorance and lust for status

Contradicts his role as ‘family man’- mitigates excuse

32
Q

I spoiled the both of you… Then he’d know how a buck is made in this world. Fogiven! I could live on a quarter a day myself, but i got a family so I …

A

76

Irony: K’s money is immoral

Narrow responsibility at a cost to society- defkection from soldiers death to family

War profiteering- unpatriotic

Tone of sarcasm and disbelief

33
Q

Im his father and he’s my son and if there’s something bigger than that i’ll put a bullet in my head!

A

77

Family still comes first despite everything- narrow responsibility

Tone of anger and violence- evoke a reaction

Foreshadowing his moral awakening- significance of Larry’s letter

34
Q

It’s dollars and cents, nickles and dimes, war and peace., its nickles and dimes, whats clean? Half the Goddam country gotta go if i go!

A

82

taboo lang
Exclamative
nickles and dimes- capitalist mindset

Miller admonishes war profiteering

35
Q

[Pleading] Chris, a man can’t be a Jesus in this world!

A

83

Biblical allusion- ironic bc jesus took blame
Prosodic- voice of desperation
Doesnt understand ethical crime
DA- blames Chris

36
Q

But to him they were all my sons. And i guess they were, I guess they were

A

83

Voice of realisation

Acknowledges failure of paternal duties

Reference to soliders as people

Collective responsibility

Saying he should have valued all life equally - valued it to the level he valued his sons

However, there is a lack of introspection, he only talk is about this through the eyes of “him” (Larry), and the hesitation, suggested through the repetition and tentative verbs, the capitalist values are so “imprinted” he is unable to change. Or perhaps he is still in shock over the news of his sons death.

37
Q

“arresting gun” / a “hunting gun” (Act One)
“a shot is heard in the house” (Act Three)

A

Does Joe take responsibility?

“Arresting gun” = Police as an infallible symbol of justice would suggest consequences are appropriate and fitting. However, is is only an “arresting gun” in the infantile world and childish game with Bert.

In reality = “hunting gun” = Joe killed by a symbol of unfair killing. Final suggestion that he’s the tragic hero, the prey to a predatory and cruel society. Also killed by a symbol of his own wealth.