Joe Flashcards
I dont read the news part any more. It’s more interesting in the want ads
Narrow responsibility- ignorance
Contraction- unedcuated
Juxt Chris
pg 6
She can’t mourn a boy forever
lack of personal pronoun
distance self from events
contrast to mother
different reactions to guilt
pg 11
That’s an arresting gun!
Chekhovs gun
dramatic principle
increases tensions as it is used to foreshadow however audience are unaware of what it is foreshadowing
pg 13
What the hell did I work for then? That’s only for you, Chris. The whole shooting match is for you
DA plea
Narrow responsibility
Self-exculpation- makes family complicit
pg 17
Jail symbol
pg 13
pg 29
The beast i was the beast monologue
30
pauses- dramatises story, enjoys being the centre of attention
exonerated- pre planned, idiolect
mocking tone ‘beast’
animalistic imagery
kid- diminutive
tone of arrogance
Annie, I never believed in crucifying people
not part of his idiolect
pre-planned speech
revels in the story
prioritises his reputation
sets expectation- hopes he isnt crucified if ppl found out
31
The major was whippin us monologue
little man
32
Focuses on business and production
- narrow respinsibility
- Representative of the American Dream
You know Larry never flew a P-40
32
ignorance
The man was a fool… but don’t make a murderer out of him
32
highlights Steve’s human fallibility
juxt between ‘fool’ and ‘murderer’
naive vs malicious
It was a madhouse
32
metaphor and idiom
presents the environmemt as chaotic and frantic
Every half hour the Major callin’ for cylinder heads, they were whippin’ us with the telephone
32
Major= antagonist, villanises him, character who cannot defend his actions, hegemonic figure
every half hour- hyperbole, exculpate Steve
callin’ whippin’- verbs reflect a leack of agency
image of violence and brutality
intensity of factory
hyperbolic language
rejects culpability as he blames the environment
elision ‘callin, whippin’ uneducated- doesn’t just make steve look like a fool
submission to systems in place rather than challenging them and doing what is moral.
A fine, hairline crack
32
Adjectives, hedge
minimise the severity of the crack
All right, so… so he’s a little man, your father…. but that’s what a little man does
32
diminuitive
repetition
victimises steve
exagerates his vulnerability
evokes a sense of sympathy
vs hegemonic figure of the major
Steves fragice masculinity
the monosyllabic tone creates a sense of certainty, lying is second nature to Joe? Sense of ease.
but in a post war audience, probably a lack of sympathy
Annie, the day the news came about Larry he was in a cell next to mine… Dad. And he cried, Annie… he cried half the night.
33
Annie- diminuitive, remind Annie of past, exploit her vulnerablility
…- pauses, crafts his language
‘Dad’- familial language to exploit Ann’s emotions and make her more susceptible to his narrative
‘cried’- repetition of verb
exaggerates steves vulnerability/ fragility
presents him as a figure who needs protection