Japanese Culture, QT2 Flashcards

1
Q

Japanese national sport

A

Sumo

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2
Q

Japanese name for Japan

A

Nipon/Nippon

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3
Q

Japanese sword

A

Katana

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4
Q

Period of Peace and Prosperity

A

Heian Age

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5
Q

contains vivid sketches of people and place, anecdotes and witticism

A

The Pillow Book

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6
Q

Who wrote The Pillow Book?

A

Sei Shonagon

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7
Q

dominated by the samurai class, the band of warriors,

A

Feudal Era

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8
Q

an empire, in the late 1500s, it crushed the warring feudal lords and controlled all of Japan

A

Tokugawa Shogonate

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9
Q

the old name of Tokyo

A

Edo

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10
Q

“the way of gods”

A

Shintoism

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11
Q

It emphasized the importance of meditation, concentration, and self-
discipline as the way to enlightenment.

A

Zen Buddhism

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12
Q

connotes duty, justice,
honor, face, decency,
respectability, courtesy,
charity, humanity, love,
gratitude, claim.

A

Giri

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13
Q

suggests a sense of
obligation or
indebtedness which
propels a Japanese to
act.

A

On

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14
Q

Poems are consisting of
alternate lines of five and
seven syllables with an
additional syllable line at
the end.

A

Choka

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15
Q

It consists of five lines 0f
5-7-5-7-7 syllables.
Used as means of
communication in ancient
Japan

A

Tanka

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16
Q

Japanese linked-verse poetry in which two or more poets supplied alternating sections of a poem. The renga form began as the composition of a single tanka (a traditional five-line poem) by two people and was a
popular pastime from ancient times, even in remote rural areas.

A

Renga

17
Q

developed from hokku, three lines 5-7-5

A

Haiku

18
Q

Emerged during 14th century as
the earliest form of Japanese
drama, The Noh performers’ subtle
expression of inner strength,
along with the beauty of
costumes

A

Noh Play

19
Q

Is farce traditionally performed
between the noh tragedies

A

Kyogen

20
Q

It is performed with the
accompaniment of orchestra
and generally focus on the lives
of common people rather than
aristocrats

A

Kabuki

21
Q

Jōruri (music), a type of song
narrative with shamisen
accompaniment, typically found
in bunraku, a traditional
Japanese puppet theatre

A

Jorori

22
Q

was the first great poet of haiku in the 1600s

A

Matsuo Basho

23
Q

Greatest haiku poet

A

Matsuo Basho

24
Q

In their time, poets were
beginning to take the hokku’s form
as a template for composing small
standalone poems engaging
natural imagery

A

Matsuo Basho

25
Q

Their haiku are as attentive to the
small creatures of the world—
mosquitoes, bats, cats—as they are
tinged with sorrow and an awareness
of the nuances of human behavior.

A

Kobayashi Issa

26
Q

wrote pieces that intertwined prose and poetry, including Journal of My Father’s Last
Days and The Year of My Life

A

Kobayashi Issa

27
Q

was a Buddhist monk and haiku writer

A

Kobayashi Issa

28
Q

is known as one of the great
haiku masters, and their work is
generally regarded as more
sensuous and, reflecting his dual
career as a painter

A

Yosa Buson

29
Q

second greatest haiku poet

A

Yosa Buson

30
Q

was a poet and a painter

A

Yosa Buson

31
Q

Influenced by Chinese poetry

A

Yosa Buson

32
Q

used for those qualified to supervise the training of priests-to-be

A

Shike

33
Q

is an honor title given to older monks and Zen teachers

A

Roshi

34
Q

is a simple word for a Zen teacher

A

Sensei

35
Q

is used for trainees in the basic level of priesthood

A

Osho