ISMS, Epic and Absurd Theatre Flashcards

1
Q

What is the Realism SoPoCo? (5)

A

1850s – 1900s
* Scientific Revolution
- objective, cause and effect, observation)
* Industrial Revolution -class divide, urbanisation, mechanisation
* Colonisation
- territorial expansion
* Victorian society
- conservative morality, class divide
* Compte, Darwin, Nietzsche, Freud, Marx

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2
Q

What are Realism Intentions?

A

To solve social problems by showing an objective slice of life on stage. Challenged moral values and social norms.

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3
Q

Realism Chracteristics (10)

A

4th wall
- Proscenium Arch +
box set
- Intensive structure
Linear and chronological
- Cause and effect (Compte)
- 3D characters
- Subtext (Freud)
- Detail in set and set
dressing
- Contemporary
themes
- Problem play
- Unity of time, place
and action
- Stanislavski

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4
Q

Symbolism Year and place

A

1880s – 1900s France

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5
Q

Symbolism SoPoCo (7)

A

First anti-realist movement
- Heightened theatricality
- Move back to subjective
- France
- Darwin, Nietzsche,
Einstein, Freud
- Industrial rev
- Capitalism

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6
Q

Symbolism Intention

A

Substitute direct statement for suggestion through use of symbols (subjective). Dramatise thoughts, feelings and impressions, plays penetrate surface reality and become metaphors. No attempt to solve social problems.

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7
Q

Symbolism Characteristics (8)

A

Simplicity
- Mood and atmosphere NB and created by lighting and colour
- Vague plots, poetic language
- Actors like puppets: shows effects of fate
- Movement dance-like
- Stock type characters
- Stage space still a proscenium but has a 3D fluidity
- Impressionistic sets

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8
Q

Expressionism SoPoCo (4)

A

1910s Germany
- WWI 1914 - 1918 Technology used in war
- Russian Revolution 1917
- Industrial Age

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9
Q

Expressionism Intentions

A

Protest against materialism, industrialism and effects of Capitalism – destroyers of human spirit. Said industrial age had turned humans into machines with conditioned responses and souls shrivelled by materialistic values. Wanted social change, so themes strongly represented

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10
Q

Futurism SoPoCo (4)

A

1910s Italy
- WWI 1914 - 1918 Technology used in war
- Russian Revolution 1917
- Industrial age

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11
Q

Futurism Intention

A

Saw machine age as key to enlightened future. Rejected the past as it stood in the way of progress. Glorified machines.

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12
Q

Futurism Characteristics (8)

A

Synthetic drama (compressed time and space)
- Simple unrelated scenes shown simultaneously
- Amalgamate the arts
- Confrontations with
audience
- Mix of forms
- Broke 4th wall and
performed in
auditorium
- Multimedia
- Multiple focuses in
performance

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13
Q

Dadaism SoPoCo (7)

A

1910s/1920s Switzerland
* Post WWI
* Roaring Twenties
* Economic prosperity * Rise of communism * 1929 Stock Market Crash: worldwide economic recession

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14
Q

Dadaism Intentions

A

Anti-art, Nihilism: rejection of all certainties, in response to war. Disgust with war and artistic traditions. Spat in the eye of the world. Brought the nature of art into question. Protest against senseless brutality of war.

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15
Q

What are 6 Dadaism Characteristics?

A

Calculated madness
- Variety of forms
- Simultaneity and
multiple focuses
- No order, no logic, no meaning, no
optimism
- Shock audiences
- Rejected
proscenium arch and all forms of traditional staging

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16
Q

What is the Surrealism SoPoCo? (4)

A

1930s France
- Great Depression
- Rise of dictators in
Italy (Mussolini) and Germany (Hitler)
- Freud and psychoanalysis: importance of the subconscious

17
Q

What are the Surrealism Intentions?

A

Believed truth can be found in subconscious dream-state of the mind. Explore imaginative images of dreams and expose inner truths.

18
Q

What are some Surrealism characteristics?

A

Mixed familiar with the strange
Used dissonant images to subvert the subconscious mind
Words and images had free reign on stage to break natural censorship of the mind
- New spaces replaced traditional theatre buildings
- Theatre of Cruelty: Antonin Artaud
- Stark lighting, shrill sound effects
Looking for an instinctive reaction that goes beyond social conditioning
Words and images had free reign on stage to break natural censorship of the mind
- New spaces replaced traditional theatre buildings
- Theatre of Cruelty: Antonin Artaud
- Stark lighting, shrill sound effects
Looking for an instinctive reaction beyond social conditioning
Play with language - Assaulted
audience’s senses

19
Q

What is the Epic theatres SoPoCo?
(3)

A
  • WWI, Great Depression,
    Weimar Republic,
    rise of Nazis, WWII
  • Divide between left
    and right thinking
  • Brecht: Marxist and
    Pacifist
20
Q

What are the intentions of Epic theatre? (7)

A

promote Marxist morality and concepts
- Didactic – links morals to class
- Social Action
- Engaged, objective
and active
audience
- Entertainment
(spass)
- Dialectics – thesis, antithesis, synthesis (seen in structure)
- Flux: working class can change their fate

21
Q

Why did Brecht make Epic theater?

A

Brecht blamed Capitalism and greed for war – had created social, economic and political divides
- Epic Theatre: Marxist theatre intended to create social change

22
Q

Name 5 Characteristics of acting in epic theater

A

Acting is role- playing – I am playing, not I am being
Masks and stilts
- Gestus in
costumes and
props
- Multi-rolling
- Split-role

23
Q

Describe the structure of Epic Theater (8)

A

Episodic structure
and montage
- Historification
Gestus
- Spass
- Stok characters
- Songs and music
- Narration
- Meta-theatre

24
Q

Describe staging of Epic Theater (9)

A

Projections
- Placards
Theatre in the round/thrust
- Revolving stage
- Half-curtain
- 1D backdrops
- Scaffolding
- Harsh, white, bright, light
V-effekt

25
Q

Describe Absurd Theatre SoPoCo (13)

A

1940s + 50s Europe
- Post-WWII
- Existentialism
- Vacuum/void
- Man’s inhumanity to man
- Angst, anxiety, fear (atomic
bomb, Holocaust)
- Disillusionment
- Futility
- Hostile universe
- Womb to tomb
- Paradigm shift (Religion –
Science – nothing)
- Insignificance of human life

26
Q

Describe Absurd Theatre’s Intentions

A

Theatre of situation, gives audience a heightened feeling of absurdity, makes a point about the chaotic world and meaninglessness of life. Explores human condition in a post-WWII context. Expresses feelings of helplessness and futility in a hostile universe that seems to have no purpose. Point out emptiness of daily life and futility of existence.

27
Q

Describe the structure of an Absurd play. (5)

A

Tragicomedy
- Cyclical structure
- No conflict
Time: double sense of time, aimless continuity/climax
- No plot

28
Q

Describe Staging of an Absurd Play

A

Space: setting and staging – either vacuum/void/empty or cluttered – both show isolation and metaphor for the world
Everywhere and nowhere
at the same time

29
Q
A