Isabella; or, the pot of basil Flashcards

1
Q

‘Fed it with thin tears…beautiful it grew’

A

Extended metaphor encapsulates how Lorenzo’s death has led to such sadness in Isabella that she becomes psychologically consumed with the last remains of him.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

‘and she forgot the stars, the moon and the sun’

A

anaphoric, highlights how her grief is all-consuming and emphasizes her tragic isolation from the outside world/reality.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

‘O Melancholy, linger here a while!’
‘O, melancholy turn thine eyes away!’

A

Personification of melancholy (capital letter). Keats interjection. Parallel stanzas indicating that Isabella’s situation has now become so dire that Melancholy is instructed to look away (imperative verbs). Could symbolise her ultimately low point in the poem. Foreshadowing of death - which is soon to be her fate. Evokes pathos.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

‘contrived to steal the basil pot’

A

The brothers’ feeling of guilt was superficial, secrecy and stealing is a characterisation of the. Adds to them as tragic villains and also emphasises that they feat that the basil serves as evidence of their crimes which could expose them.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

‘and so she pined, and so she died forlorn’

A

Parallelism within the lines insinuates the connection between her grief in ‘pined’ and her death in ‘died’.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

‘his image in the dusk’

A

The truth has been revealed to Isabella in dream states showing Lorenzo as a ghost-like figure. Peripeteia of the tragedy.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

‘the breath of winter’
‘thou leadest me to summer clime’

A

Pathetic fallacy. Initially their love has metaphorical powers to be able to change seasons. But winter manifests a foreboding tone connoting death and isolation.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

‘that paleness warms my grave’

A

Her loss has made her ill yet her presence warms him. Juxtaposition suggests she is able to give him a sense of mortality in death.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

‘upon the murderous spot she seem’d to grow’

A

Her grief had sparked a sense of vitality within her giving her the power to be close with Lorenzo once again.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

‘its eyes, though wild, were still all dewy bright’

A

Enjambed line emphasises the elongated, continuing nature of their love, his eyes are able to bring her back to her love and he has the power to enchant her.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

‘by gradual decay from beauty fell’

A

Isabella pines and grows ill. She loses her beauty, which is what her brothers plan to use to gain a dowry from marrying her to a rich man, when they lose this they begin to feel suffocated by their crimes, evoking guilt. Almost serves as anagnorisis for them.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

‘poor simple isabel!’

A

Pathos built up from the outset. The epithetical description is foreshadowing as it becomes evident that this is a tragedy.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

‘a young palmer in loves eye!’

A

This creates an undesirable distance between the lovers. Gap is because of Lorenzo’s lower class, he is aware of this.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

‘sick longing’

A

Their obsessive yearning and minds anguish has an unhealthy aspect, bringing physical pain to both of them. Semantic field of illness.
A
Seemingly they are entrapped in a passionate love, yet the pessimistic language used here implies some impediment that will eventually be revealed.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

‘sweet isabella’s untouched cheek fell sick within the rose’s just domain’

A

The rose symbolises romance and passion, but also their transient love. Flowers wither and eventually die, the roses ‘just domain’ portrays its ability to stimulate and nurture love until its tragic end.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

‘love and misery’

A

Keats’ utilises juxtaposition to remind us of the tragedy. Love and tragedy are conflicting causes.

17
Q

‘better had it been for ever so’

A

Keats interjects to remind us of the tragedy and heighten tragedy to break any aspects of dramatic relief and regain the tension.

18
Q

‘the little sweet doth kill much bitterness’

A

Even though love often ends in tragedy, the ‘little sweet’ makes it worthwile.

19
Q

‘hollow eyes’
‘a thousand men with troubles wide and dark .. they turned an easy wheel’

A

Workers are robbed of life and vitality, foreboding this will soon happen to Lorenzo and Isabella. The metaphor conveys that the brothers are torturing the workers and are in charge of the brutality. Sets up the tragic villains.

20
Q

‘why were they proud?’
‘hungry pride and gainful cowardice’

A

Interrogative sentence. Hypophora contrasts with Keats’ frustration. His criticism of the brothers.

21
Q

‘servant of their trade’

A

Lorenzo is the object of their evil plans.

22
Q

‘dipped their swords in water’

A

Water is symbolic of purity - ironic. Attempting to be rid of their crimes and clean themselves of the murder.

23
Q

‘like a smoke from Hinnom’s vale’

A

Lorenzo’s death triggers suffering in the form of culpability within the brothers.

24
Q

‘died in drowsy ignorance’

A

Isabella appears to be ignorant of what has truly happened and therefore seeks to return to her love instead of processing her emotions of desolation.

25
Q

‘distant in humanity’

A

Life is slipping away from him but the solidity of their devotion causes Isabella to be enthralled in some magic delirium where Lorenzo is still a part of the mortal world.

26
Q

‘like a native lily’

A

Lily’s are often associated with funerals. Keats draws an analogy of the natural world. Natural imagery.

27
Q

‘with death, as life’

A

Binary opposites.