Introduction of Dance Flashcards

1
Q

The acronym BASTE helps students remember the elements:

A

Body
Action
Space
Time
Energy

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2
Q

are the foundational concepts and vocabulary that help students develop movement skills and understand dance as an artistic practice.

A

Elements of Dance

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3
Q

In dance, the ____is the mobile figure or shape, felt by the dancer, seen by others.

A

Body

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4
Q

The body is sometimes relatively still and sometimes changing as the dancer moves in place or travels through the dance area.

A

True

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5
Q

may emphasize specific parts of their body in a dance phrase or use their whole body all at once.

A

Dancers

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6
Q

Another way to describe the body in dance is to consider the body systems—

A

muscles
bones
organs
breath
balance
reflexes

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7
Q

The body is the conduit between the inner realm of Intentions, ideas, emotions and identity and the outer realm of expression and communication. Whether watching dance or dancing ourselves, we shift back and forth between the inner/outer sense of body.

A

True

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8
Q

is any human movement included in the act of dancing— it can include dance steps, facial movements, partner lifts, gestures, and even everyday movements such as walking.

A

Action

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9
Q

is made up of streams of movement and pauses, so action refers not only to steps and sequences, but also to pauses and moments of relative stillness.

A

Dance

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10
Q

Dancers may use movements that have been choreographed or traditional dances taught by others who know the dances. Depending on the dance style or the choreographer’s decision, dancers may also revise or embellish movement they have learned from others.

A

True

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11
Q

Dancers interact with _____in myriad ways. They may stay in one place or they may travel from one place to another. They may alter the direction, level, size, and pathways of their movements.

A

space

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12
Q

The relationships of the dancers to each other may be based on geometric designs or rapidly change as they move close together, then apart. Even when a dancer is dancing alone in a solo, the dancer is dynamically involved in the space of the performing area so that space might almost be considered a partner in the dance

A

True

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13
Q

may also orient their movement towards objects or in relation to natural settings. Sometimes dances are created for specific locations such as an elevator or on a raft in a lake for site-based performances.

A

Dancers

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14
Q

between dancers or between dancers and objects are the basis for design concepts such as beside, in front of, over, through, around, near or far.

A

Spatial relationships

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15
Q

The keyword for the element of time is?????

A

WHEN

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16
Q

is naturally rhythmic in the broad sense that we alternate activity and rest.

A

Human Movement

17
Q

are examples of rhythms in nature that repeat, but not as consistently as in a metered rhythm.

A

breath and waves

18
Q

Spoken word and conversation also have rhythm and dynamics, but these timing patterns are characteristically more inconsistent and unpredictable.

A

True

19
Q

may be metered or free rhythm. Much of western music uses repeating patterns (2/4 or 3/4 for example), but concepts of time and meter are used very differently throughout the world.

A

Rhythmic patterns

19
Q

A dancer may step into an arabesque position with a sharp, percussive attack or with light, flowing ease. Energy may change in an instant, and several types of energy may be concurrently in play.

A

True

20
Q

Dance movements may also show different timing relationships such as simultaneous or sequential timing, brief to long duration, fast to slow speed, or accents in predictable or unpredictable intervals

A

True

20
Q

is abouthowthe movement happens.

A

Energy

21
Q

Energy choices may also reveal emotional states. For example, a powerful push might be aggressive or playfully boisterous depending on the intent and situation.

A

True

21
Q

Choices about energy include variations in movement flow and the use of force, tension, and weight. An arm gesture might be free flowing or easily stopped, and it may be powerful or gentle, tight or loose, heavy or light.

A

True

21
Q

Some types of energy can be easily expressed in words, others spring from the movement itself and are difficult to label with language. Sometimes differences in the use of energy are easy to perceive; other times these differences can be quite subtle and ambiguous. Perhaps more so than the other elements, energy taps into the nonverbal yet deeply communicative realm of dance.

A

True

22
Q

in its purest, most basic form, dance is art, the art of body movement

A

dance

23
Q

Dance differs from athletics and other daily activities because it focuses primarily on ______ or even
________ experience

A

aesthetic
entertaining

24
Q

Why do people dance?

A

I. To please the Gods
II. To please others
III. To please themselves or self expression
IV. To build community

25
Q

The first use of dance was as a gesture in order to

A

communicate

26
Q

4 brief history of dance

A

I. as a means of religious expression
II. as an aid to military education
III. way of expressing tribal unity
IV. as an approach for courtship

26
Q

Ancient Greeks believed that a man’s grace in dance equaled his powers in battle, therefore dance was incorporated in their basic education

A

True

27
Q

“Dance is fun! It lifts the spirit, strengthens the body, and stimulates the mind.”

A

By Wayne Sleep

27
Q

Go ka lagay sa index ung benefits

A
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29
Q
A