Intro To Film Studies Flashcards

1
Q

Camera obscura

A

(Latin: “Room darkened”)
Light enters a dark space through a small opening. The image of an object is then projected onto a surface in front of the opening.

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2
Q

Who “discussed” camera obscura first?

A

Aristotle discussed the principle in 4th century BC.

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3
Q

Giovanni Battista della Porta

A

born in Renaissance Europe (16th Century) and was convinved he had perfected the ‘camera obscura’ box.
He used a lens and projected an image of the devil on the wall.

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4
Q

Johannes Vermeer

A

Dutch painter in the 17th century who is thought to have used the camera obscura technique to trace his images.

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5
Q

The Magic Lantern

A

(“Lanterna Magica”)
An early type of image projector developed in the 17th century.
It projected images on painted glass slides onto a screen.
In 18th and 19th centuries it was used by magicians to trick those watching with apparitions of ghosts, the dead, etc.

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6
Q

Principle of “Persistence of Vision”

A

An important film precursor.
The principle that suggests that the human eye perceives motion in a series of images shown in rapid succession, so that we do not observe the “black spaces’ between the images

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7
Q

Phi Phenomenon

A

Replaced the Principle of “Persistence of Vision”

Shares its basic idea, that cinema is founded on the illusion of motion perceived by the fallible human eye.

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8
Q

Phenakistoscope

A

(In Greek “to perceive”)
A 19th century optical toy and an early form of animation.
Consists of two disks.

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9
Q

Zoetrope

A

A 19th century optical toy and a precursor to animation.
Had pictures placed into a mounted cylinder.
(Greek: “zoe: life”,”trope: turning”)

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10
Q

Louis Daguerre

A

Created daguerrotypes that fix images to metal plates in 1839.

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11
Q

When did split second exposure times become possible?

A

In 1878.

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12
Q

George Eastman

A

Devised still camera in 1888 that makes photos on rolls of sensitized paper, called KODAK

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13
Q

KODAK

A

Celluloid film that was used in the film industry until the 1950s

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14
Q

Eadweard Muybridge

A

An English photographer known for his experiment in 1878 where he set up a row of 12 cameras to study the movement of a horse.
The experiment concluded that when the eye is exposed to more than 10-11 frames per second, it perceives motion.

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15
Q

Thomas Edison

A

Patented the kinetograph camera and kinetoscope viewing box in 1891.
(Kinetoscope parlors open in 1894 and are very popular.)

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16
Q

W.K.L Dickson

A

Thomas Edison’s assistant that invented 35mm film with 4 perforations per frame that is still used today.

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17
Q

The Black Maria

A

A studio built by Edison and his assistant Dickson in 1893.
The studio was a black box that let in light in a slanted portion of the roof. Moved on a track to follow sunlight.
Early films shot at the studio were about 20 seconds long of acrobats, wrestlers, etc.

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18
Q

The Cinématographe

A

Invented by the Lumière brothers.
Was the first projection system that was commercially viable.
Very popular.

19
Q

“Workers Leaving the Factory”

A

Was an 1895 film and was the first film made with the cinématographe.

20
Q

Arroseur arossé

A

(First comedy)

Showed a train coming “at the screen” that terrified audiences who mistook it for the real thing.

21
Q

Actualities

A

Nonfiction early-films consisting of clips from everyday life. Included two types, Scenics and Topics.

22
Q

Scenics

A

A type of the actualities.

Views of nature.

23
Q

Topics

A
A type of the actualities
News events (ex: American Spanish War)
24
Q

Birt Acres

A

Showed the first film in England at the Royal Photographic Society in 1896, a scenic film called Rough Sea at Dover.
It was one of the most popular films of the period.

25
Q

George Méliès

A

A magician who built his own camera by studying others’ works.
He made over 500 films, made the first fantasy films and was the first one to use stop-motion effects, hand-applied tinting, elaborate sets, editing and more.

26
Q

The first double exposure

A

A special effect pioneered by George Méliès in La caverne Maudite in 1898.

27
Q

The first split screen.

A

A special effect pioneered by George Méliès in Un homme de têtes in 1898.

28
Q

The first dissolve

A

A special effect pioneered by George Méliès in the movie Cendrillon in 1899.

29
Q

Stop-motion

A

A signature Méliès effect first shown in the Vanishing Lady in 1896

30
Q

Pseudo-tracking

A

A signature Méliès effect.

Shows movement of moon towards camera in A Trip to the Moon in 1902.

31
Q

Edison’s Vitascope

A

Produced in 1896 after the popularity of the Kinetoscope started to fade.
It was a projector and a great success across the US.

32
Q

Mutoscope Company

A

A rival of Thomas Edison. Thy produced the vitagraph as an answer to Edison’s vitascope.

33
Q

Where were films of the early period usually shown?

A

Amusement parks, opera houses and fairs.

34
Q

Edwin S. Porter

A

Edison’s best cameraman. He was a film projectionist and an expert camera builder.
One of the most important innovators of early cinema.
Notable works include The Great Train Robbery in 1903.
He is also said to have made the first story film in 1903.
He used innovative cinematography techniques such as cross-cutting, camera movement and switching between locales.

35
Q

The American Fireman

A

A film made by Edwin S. Porter in 1903 that is said to be the first story film.

36
Q

Genre

A

A french term meaning ‘subject’ or ‘category’ and refers to a group of films with similar characteristics such as plots, themes or styles.

37
Q

Editing

A

A series of assembling a film and joining together a complete film from its various shots and soundtracks.

38
Q

Continuity

A

Seamless editing. A style of editing that develops sequences and structure to ensure clarity of its intended meaning.

39
Q

Cut / Straight-cut

A

A transition from one shot to another.

40
Q

Cutaway

A

A brief shot that momentarily interrupts a continuously-filmed action, by inserting another related action, object or person.

41
Q

Parallel-editing

A

Also called cross-cutting and inter-cutting

An editing that cuts between two sequences taking place at different locations and/or different times.

42
Q

Montage

A

A series of short shots edited together to create emotional effect.

43
Q

Close-up

A

Often taken at close distance or through a telepjoto lens and is supposed to provide detailed aspects of a person’s features or an object.