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CPAR 2 Reviewer > Insights No. 1 > Flashcards

Insights No. 1 Flashcards

1
Q

The distinctive character or nature of the medium determines the technique:
- Stone is _____
- Wood is _____
- Clay is _____ and _____
- Metal is _____
- Thread is _____

A
  • chiseled
  • carved
  • modeled and shaped
  • cast
  • woven
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1
Q

_____ Is how artists use and manipulate materials to achieve the desired formal effect and communicate the desired concept or meaning according to their style

A

Technique

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2
Q

Traditional Techniques Used in Philippine Arts

The technique of shaping liquid or pliable material such as clay. Traditional pottery making in the Philippines involves the method of molding. Pottery making in the Philippines is one of the longest traditions in Philippine art.

A

Molding

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2
Q

Traditional Techniques Used in Philippine Arts

A technique encompassing any form of working wood with a tool into some sort of aesthetic object.

A

Wood Carving

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3
Q

Traditional Techniques Used in Philippine Arts

Unglazed clay pottery of Vigan

A

Burnay

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4
Q

Traditional Techniques Used in Philippine Arts

What are the two purpose of Manunggul Jar?

A
  • Funerary purpose
  • Historical purpose
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5
Q

Traditional Techniques Used in Philippine Arts

  • The Manunggul Jar is a burial jar that was used by the ancient Tagalog people to hold the remains of their deceased loved ones.
  • The intricate carvings on the jar, which depict _____, are believed to represent the journey of the deceased to the afterlife.
A
  • Manunggul jar, Funerary purpose
  • two figures in a boat
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6
Q

Traditional Techniques Used in Philippine Arts

  • The Manunggul Jar is an important _____ that provides insight into the burial practices of the ancient Tagalog people.
  • It is also a testament to the advanced level of _____ and _____ that existed in the Philippines during that time.
A

Manunggul jar, historical purpose
- historical artifact
- craftsmanship and artistry

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7
Q

Traditional Techniques Used in Philippine Arts

  • Is a textile production technique that involves interlacing two sets of yarns or threads, called the _____ and the _____, to create a fabric.
  • There are several different _____ techniques, each of which produces a unique texture and pattern in the fabric.
A
  • Weaving
  • warp, weft
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7
Q

Traditional Techniques Used in Philippine Arts

Basketry Technique

  • There are four different types of basketry methods: _____, _____, _____, and _____.
  • Some of the terms that are specific to basket weaving include _____, _____, _____, and _____.
  • The common raw materials (12) used in making baskets are _____, _____, _____, _____, _____, _____, _____, _____, _____, and _____, _____, and _____. Several baskets use combined raw materials.
A
  • coiling, plaiting, wickering, and twining
  • loops, twining, ribs, and spokes.
  • rattan, abaca, nito, tikog, buri, bamboo, pandan, coconut leaves and sticks, palm leaves, and beeswax
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7
Q

Traditional Techniques Used in Philippine Arts

Weaving
- The Ilocano still practice hand-weaving using the _____.

  • _____ is a fabric customarily made of cotton fiber
  • _____ Is the Sacred cloth woven by the T’boli people
A
  • pedal loom
  • Inabel
  • T’nalak
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8
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

It belongs to the banana family. Its fibers have a natural luster with colors ranging from white to ivory dark brown.

A

Abaca

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9
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Clothes, Decoration & Basket

A

OUTPUT/PRODUCT of Abaca

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10
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

  • came from a bamboo tree
  • Its use in creating a product
  • It is used in construction, textile, musical instrument & etc.
A

Bamboo

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10
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Hard exoskeleton of marine mollusks such as snails, bivalves, and chitons that serves to protect their bodies. This Local material is commonly used in making personal ornaments and house decorations.

A

Sea Shells

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11
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Product/Craft
- Dream Catchers, Pot & Accessories

A

Sea Shells

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12
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Belongs to the palm family.

A

Rattan

13
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Rattan
There are different types of rattan palms:

A
  • high or low climbers
  • single-stemmed
  • clustered rattan species
14
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Output/Product
- Furniture, Ball of Sepak Takraw, Pageant Costume

A

Rattan

15
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

These are translucent to allow light to pass through but still allow privacy.

A

Capiz Shells

16
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

The Capiz Shells come from the _____ (_____) found in the coastal water of the Philippines and are known for their beautiful mother-of-pearl look.

A

window pane oyster (Placuna Placenta)

17
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

OUTPUT/PRODUCTS
- Plates, Window Pane and Chandelier

A

Capiz Shells

18
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

It is extracted from matured leaves of _____. The fiber is durable and resistant to moisture.

A
  • BURI
  • Buri Palm
19
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

OUTPUT/PRODUCTS
- Hand Fans, Banig & Bilao

A

BURI

20
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Beautify or decorate with the use of coconut leaf. Coconut leaves are fashioned by folding, plaiting braiding and simple weaving, which may be both functional and visually aesthetic.

A

Puni or Palm Folding

21
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Puni or Palm Folding
- It originated in _____

A

Bulacan

22
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

  • Takaan
A

Taka

22
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Singkaban or Bamboo Art
It is widely used as decoration during _____ in _____ or some provinces of the Philippines.

A

town fiestas in Bulacan

22
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

bamboo archer signage of a town, city, or village.

A

Singkaban or Bamboo Art

23
Q

VARIOUS LOCAL MATERIALS IN THE PHILIPPINES USED FOR CRAFT & ART

Taka
- This originated in _____
- A _____ is used as a mold in making taka. _____is used as a final layer for taka made for export. This provides a thicker base and smoother finish product.

A
  • Laguna
  • carved wooden sculpture
  • Brown craft paper
23
Q

As art critics, when we look at an art, we don’t approach it as something that (1) _____ or _____. We view it in a (2) _____ way.

In approaching art criticism, just think of yourself as a (3) _____. In other words, what makes art art’?

A

(1) we like or dislike
(2) business-like
(3) detective

24
Q

Is analyzing and evaluating works of art.

A

Art criticism

24
Q

STEPS IN CRITIQUING

It is the sort of stuff on the label of a museum or gallery, or in an art book.
Knowing the history of a piece will make a major difference in the way you view and
understand it.

  1. Description

- _____ of the work
- _____ name
- _____ the piece was created
- _____ it was made
- The types of _____ used to create the work (e.g., oil paint on canvas)
- The exact _____ of the work

A

A. DESCRIBING THE WORK

  • Title
  • Artist’s
  • When
  • Where
  • media
  • size
25
Q

STEPS IN CRITIQUING

  1. Describe how to use the line.

Lines in a piece of art may be either (1) _____ or _____. Different types of lines may produce various moods or effects.

The (2) _____, _____ lines build a sense of movement and independence, while the (3) _____, _____ lines sound more still and carefully designed.

A

A. DESCRIBING THE WORK

(1) explicit, symbolic
(2) rough, sketchy
(3) smooth, firm

25
Q

STEPS IN CRITIQUING

  1. Describe what you see.

Describe the artwork using _____. “Avoid using words like “beautiful,” “ugly,” “good” or “evil.”

A

A. DESCRIBING THE WORK

  • fair words
26
Q

A. DESCRIBING THE WORKA. DESCRIBING THE WORK

  1. Discuss the work’s elements.

Describe the work in details. Talk about how art uses these five basic elements in art and design: _____

A

A. DESCRIBING THE WORK

- line, color, space, light, and form

27
Q

STEPS IN CRITIQUING

  1. Speak about how color is used.
  • Note characteristics such as hue (red, green, blue, etc.), color (lightness or darkness) and strength. Look at the overall _____ and think about how colors fit together.
  • For example, do the colors clash, or are they harmonious? Does the work use a variety of colors, or is it monochromatic?
A

A. DESCRIBING THE WORK

  • color scheme
28
Q

STEPS IN CRITIQUING

  1. Describe the use of space in the work.

“_____” refers to the areas around and within objects inside a job. When thinking about space, concentrate on issues like depth and perspective, overlapping objects, and using empty space versus space filled with details.

–When you present a two-dimensional piece of art, like a painting, think about whether the piece produces the impression of three-dimensional space and depth.

A

A. DESCRIBING THE WORK

  • Space
28
Q

STEPS IN CRITIQUING

B. Interpretation (Interpreting the work)

  • Try to identify the _____ of the work.
  • Describe your _____ to work.
  • Back up your interpretation/ definition with _____.
A
  • purpose
  • own approach
  • examples
28
Q

STEPS IN CRITIQUING

  1. Describe the use of light in the work.
  • Light in a work of art may be warm or cold, bright or dark, natural or artificial. Take some time to think about the role of light and shadow in the work.
  • _____ - how the artist creates the illusion of light.
  • _____ - how real light interacts with the work. Is the surface reflective.
A

A. DESCRIBING THE WORK
- two-dimensional
- three-dimensional

28
Q

STEPS IN CRITIQUING

  1. Make note of the way shape is used in the work.
  • Were the _____ linear, straight lines and perfect curves or natural. Is the work dominated by some single form of shape, or different shapes?
A

A. DESCRIBING THE WORK

  • shapes
28
Q

STEPS IN CRITIQUING

C. Judgment (Judging the work)
- Decide whether you think the work is _____. Your aim here is not simply to determine if the art is “good “or “bad.”
- _____ how you judge the job.
- _____ why you think the work has been successful or ineffective.

A
  • good
  • Explain
  • Summarize

CPAR 2 Reviewer (1 decks)

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