Individuals / Groups Flashcards

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1
Q

Bach-Abel Concerts

A

J. C. Bach and Abel did concerts in London in 1760s. Made popular chamber music at concerts. JC Bach Symphon #6 in G.

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2
Q

Alessandro Scarlatti

A

Wrote “Telemaco”. Sinfonia (overture) [I-V] [V-V] [(I-V)(V-I)] Used Fortspinnung

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3
Q

Jean-Baptiste Lully

A

Wrote “Amide” Overture is French overture. Fortspinnung. a)dotted rhythm b) G-G fast triple meter c) C-C slow dotted

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4
Q

Handel

A

Wrote “The Messiah”. Overture is a) i-V slow dotted rhythm b)V-i faster, fugal with slow ending.
Dotted rhythm is royal. The KING
Wrote “Water Music” 1717
French Overture, Italian concerto, Hornpipe from England
Doctrine of the affections still

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5
Q

Archangelo Corelli

A

Wrote Sonata da Camera, Trio Sonata 1694. V1, V2, Violone e Organo. Used suspensions?

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6
Q

Vivaldi

A

Trained in priesthood “Red Priest” writes music for orphanage. Concerto Grossos like “The Seasons” 1723 Coup D’Archet (cut of the strings).
Movement framed by move away and return to I (i)
Tonal Form dramatizes the structure
Doctrine of the Affections still

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7
Q

JS Bach

A

Wrote Orchestra Suite #3 1720
overture
aire 4/4
gavotte I
Gavotte II
Gavotte I da capo
Bourre cut time
Gigue (compound double)
French dotted rhythms, stadtpfeifer from Germany, Italia concerto style (ritornello and tutti)
Gavottes are binary (D-A)(A-D) but ABA at large
Fortspinnung

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8
Q

GB Sammartini

A

Wrote “Symphony in G Major” 1735
antecedent consequent short phrases
Galant style
Double Return to I
French overture

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9
Q

Johann Stamitz

A

Wrote “Sinfonia a 8”
Galant style
Used continuo still

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10
Q

JC Bach

A

Wrote “Sinfonia in D” 1746
Credit for helping develop the symphony
The “London Bach”

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11
Q

Haydn

A

Served the Esterhazys
Salomon took to London for paid ticket concerts
Divertimenti - 5-7 mvmts, binary structure
“Farewell” Symphony in F#m 1772
fast - Sonata form
slow - Sonata form
Minuet e trio Horn 5ths - Galant
fast-slow a) Sturm und Drang b) Galant
Compression of thematic material /integration
“Surprise” Symphony in London 1792
High Classic Style

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12
Q

Prince Esterhazy

A

Hungarian prince
Patron of Haydn
Kenner/connoisseur
Played baryton
Kept too long at Esterhaza so “Farewell” symphony

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13
Q

Mozart

A

Child prodigy
High Classical style - all in perfect balance
Wrote Piano Concerto 17 in G 1786
Symphonic concerto form (symph blended with ritornello)
2nd mvmt 5-bar motto
Shows the difficulties Mozart felt struggling with society expectations
Don Giovanni
Romantic or Classical?
Reception -

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14
Q

CPE Bach

A
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15
Q

Johann Peter Salomon

A

Impresario brought Haydn to England

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16
Q

Prince-Archbishop Colloredo

A
17
Q

ETA Hoffmann

A
18
Q

Beethoven

A
19
Q

Napoleon

A
20
Q

Friedrich Schiller

A
21
Q

Franz Shubert

A

Lieder

22
Q

Hector Berlioz

A