In The Snack Bar Flashcards

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1
Q

Cup capsizes

A

The poem opens with alliteration ‘cup capsizes’ the word choice of ‘capsizes’ is an early indication of the sense of helplessness that will come up throughout the poem.

It is this sudden noise that first attracts the poets attention

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2
Q

Clatter

A

The word ‘clatter’ further emphasises the noise of the cup when it is dropped

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3
Q

A few heads turn

A

The identification of ‘a few heads turn’ highlights that very few people noticed what was going on in this busy cafe, also maybe a comment on how we often fail to notice important things in society

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4
Q

Trying to get to his feet

A

Morgan begins to project the message of the poem here. The word ‘trying’ suggests that the old man is struggling to do the most simple of things to get on his feet

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5
Q

Low round stool fixed to the floor

A

Morgan’s description of the ‘low round stool fixed to the floor’ empathises the fact that the cafe is not designed to make life easy for the disabled. The fixed stool is difficult to move and get off

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6
Q

Levers

A

The word choice of ‘levers’ shows that everything the man does takes a huge amount of effort

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7
Q

His hands have no power

A

The expression ‘hands have no power’ likens him to a machine that is broken

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8
Q

Dismal hump

A

Personification is used here to explain the way the mans hunched back (the ‘dismal hump’) pushes him down physically and leaves him feeling upset and vulnerable

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9
Q

Stained beltless gaberdine

A

The poet builds a sense of revulsion at the man through the description of his dirty clothes and untidy appearance

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10
Q

Like a monstrous animal caught in a tent in some story

A

The simile used here compares the man to an ‘animal caught in a tent’ this makes him sound like a kind of circus attraction or a monster. The sense that he appeared ‘in some story’ makes him seen beyond our understanding. All of this adds to the sense he is like a monster

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11
Q

Face not seen

A

This is a powerful line. His face is not seen because it’s pointed downwards, yet it is also not seen because many choose not to see it

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12
Q

If he could see

A

The poet reveals further details of his disability suggesting that he is also blind

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13
Q

Once painted white

A

He carries a white stick has he is blind, but the fact that it is so scuffed and muddy suggests that nobody is looking after him or helping him

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14
Q

Long blind, hunchback born, half paralysed

A

The poet gives a list of the disabilities that affects the man, building to the fact that he is ‘half paralysed’ the list helps to empathise just how difficult his life must be

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15
Q

He stands

A

The structure here and the single line ‘he stands’ emphasises his determination despite the difficulties that he is faced with. There is a sense of defiance here

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16
Q

I want - to go to the - toilet

A

Despite this, he must announce his most basic needs to strangers in a public place. This is both humiliating and degrading for him

17
Q

Down two flights of stairs, but we go

A

The fact that the toilet is down ‘two flights of stairs’ once again highlights how difficult life is for the man because of his disabilities. He must rely on the poet to help him

18
Q

Inch by inch we drift

A

The poets word choice helps to empathise how slowly they make their way through the cafe. It is done ‘inch by inch’ suggesting shuffling steps while the word ‘drift’ indicates that it is not a straight path

19
Q

A few yards of floor are like a landscape

A

The poet goes on to describe how the floor of the cafe becomes ‘like a landscape’ which once again highlights how even the most simple tasks require great effort from the man

20
Q

Slow…time has almost stopped

A

The slow pace of the man is explored when the poet states that time has almost stopped, suggesting how long it takes for him to move. Morgan also suggests that he must give the man his full attention in this moment

21
Q

Crunch of split sugar

A

The following section of the poem sees Morgan use description of the senses to examine how the cafe is full of potential hazards to the blind man.

Here he uses both onomatopoeia and sibilance

22
Q

table edges, people’s feet, hiss of the coffee machine, voices and laughter, smell of a cigar, hamburgers, wet coats steaming, and the slow dangerous inches to the stairs

A

The list that follows of seemingly everyday sights, sounds and smells of the cafe take on a new meaning when you imagine how they would be understood by the man as he makes ‘the slow dangerous’ journey to the stairs

23
Q

clings

A

The word choice of ‘clings’ indicates that the man is putting total trust in Morgan and is holding on tightly to him for protection.

This word also implies the danger that is involved in this journey to the bathroom

24
Q

I guide his arm and tell him the steps. And slowly we go down. And slowly we go down

A

The poet takes charge and guides the man like a parent teaching a child to walk.

The repetition of ‘and slowly we go down’ indicates just how slowly each step is taken

25
Q

White tiles and mirrors

A

The description of the ‘white tiles and mirrors’ indicates a change in the setting and highlights how fresh the toilet of the cafe appears in contrast to the man

26
Q

Uncouth into the clinical gleam

A

The poet creates a contrast here. He contrasts the dirty and untidy appearance of the man with the ‘clinical’ and clean toilet.

This helps to make his disabilities and his struggle even clearer

27
Q

Brooding reflection darkens the mirror

A

The word choice of ‘brooding’ suggests that the man is reflective and sad and the suggestion that it darkens and the misery that seems to surround the man and his daily struggle to live

28
Q

Apology for living

A

The poet uses a bitter tone in these lines to depict the struggle that the man must endure simply to survive

29
Q

Painful ages

A

The word choice of ‘painful ages once again highlights the slow speed of the mans movements.

In contrast to our own fast paced lives, we see how difficult life is for the man

30
Q

Doubtfully

A

The mans pitiful position is made clear by Morgan as he is forced to ask permission to do the most simple things, relying on the kindness and patience of other people he also requires a great deal of help in the most private of tasks