Important Works Flashcards
Giotto
Lamentation
Arena Chapel, Padua
1305
Pieta; empathy: human interaction (expression, movement); cangianti
Andrea da Firenze
The Triumph of the Church
Spanish Chapel, Santa Maria Novella, Florence,
c. 1370.
Dominican ideology; includes local landscape
Donatello
Feast of Herod
Siena Baptistery,
1430
complex space; continous narrative; perspective (2 vanishing points, grid)
Masaccio
Enthroned Madonna and Child
1430
Cloak is cast in real shadow (chiaroscuro); she overcomes the space
Masaccio
The Tribute Money
Brancacci Chapel, Santa Maria del Carmine, Florence, 1420s.
Perspective is used to tell a story: con. Narrative; natural light source; landscape (Giotto, Donatello- aerial perspective)
Masaccio
The Trinity
Santa Maria Novella, Florence,
1430.
Truths of religion are as clear as the axiums of math; first monumental perspectival painting; momento mori
Paolo Uccello
Battle of San Romano
1440.
Over does it with the math- no longer relatable
Fra Angelico
Annunciation,
1430
modular/cubic; hortus conclusus (ties virgin and christ with adam and eve); perspective
Ambrogio Lorenzetti
Allegory of Good Government
Effects of Good Government
Palazzo Communale, Siena,
1340
inspiration for what the gov’t should strive for (justice, etc.); first cityscape; represents the movement away from feudalism towards communes
Fra Angelico,
Annunciation
San Marco, Florence,
1440
Reminder of religious duties; modular recession; conflation of space
Fra Filippo Lippi,
Bartolini Tondo
1450.
Continuous narrative; first example of a tondo; motherhood
Fra Filippo Lippi,
Martelli Annunciation
c. 1440.
First squared altarpiece; commentator figure; Netherlandish influence in the vase
Domenico Veneziano,
Saint Lucy Altarpiece
c. 1450
Sacrae conversazione; commentator figure; suffused with light (new)- light as a measurement
Andrea del Castagno,
Last Supper
Refectory, Sant’ Apollonia, Florence,
1450
Heavy line and modeling; emotional imperitive; halos are lit for the first time
Piero della Francesca
Baptism of Christ
1450s.
Varieta; rhyme scheme between figures and nature (Christ’s legs and the tree); no shadow