IMAGES: Minimalism, conceptual art, arte povera Flashcards
1
Q
A
- Vladimir Tatlin, Selection of Materials:
Iron, Stucco, Glass, Asphalt, 1914 - Minimalism
2
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A
- Robert Morris, Untitled, 1965
- Minimalism
3
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A
- Robert Morris, Untitled (L-Beams), 1965
- Minimalism
4
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A
- Anne Truitt, First, 1961
- Minimalism
5
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A
- Ann Truitt Sculpture 1962–2004, installation view,
Matthew Marks Gallery, New York, 2010 - Minimalism
6
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A
- Carl Andre, Last Ladder, 1959
- Minimalism
7
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A
- Carl Andre, Squaw Rock, 1964
- Minimalism
8
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A
- Carl Andre, 144 Magnesium Square, 1969
- Minimalism
9
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A
- Donald Judd, Untitled, 1968
- Minimalism
10
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A
- Donald Judd, Untitled, 1968
- Minimalism
11
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A
- Donald Judd, Untitled, installation view, Dia Foundation, Beacon, NY, 1976
- Minimalism
12
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A
- Donald Judd, Untitled, installation view, Dia Foundation, Beacon, NY, 1976
- Minimalism
13
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A
- Dan Flavin, Untitled (to Katharina and Christoph), 1966–1971
- Minimalism
14
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A
- Dan Flavin, Untitled, installation view, Dia Foundation, Beacon, NY, 1970
- Minimalism
15
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A
- Robert Morris, Box with the Sound of Its Own Making, 1961
- Process art
16
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A
- Robert Morris, Untitled, 1969
- Process art
17
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A
- Robert Morris, Bodyspacemotionthings, Tate Gallery, London, 1971
- Process art
18
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A
- Richard Serra, To Lift, 1967
- Process art
19
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A
- Richard Serra, Verb List, 1967–1968
- Process art
20
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A
- Richard Serra, Splashing, Leo Castelli Gallery, New York, 1968
- Process art
21
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A
- Richard Serra, One Ton Prop (House of Cards), 1969
- Process art
22
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A
- Richard Serra, Ellipses, since the 1990s
- Process art
23
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A
- Sol LeWitt, Modular Cube, 1965
- Process art
24
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A
- Sol LeWitt, Cube Structures Based on Five Modules, 1971–1974
- Process art
25
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A
- Sol LeWitt, diagram and instructions for Wall drawing #337 and Wall drawing #338, 1971
- Process art
26
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A
- Sol LeWitt, Wall Drawing #260, On Black Walls,
All Two-Part Combinations of White Arcs
from Corners and Sides, and White Straight,
Not-Straight, and Broken Lines, 1975 - Process art
27
Q
A
- John Cage, 4’33”, 1952 (“performed” by David Tudor)
- Conceptual art
28
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A
- Joseph Kosuth, One and Three Chairs, 1965
- Conceptual art
29
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A
- Joseph Kosuth, Titled (Art as Idea as Idea) The
Word “Definition”, 1966–1968 - Conceptual art
30
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A
- René Magritte, The Treachery of Images, 1929
- Conceptual art
31
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A
- Joseph Kosuth, Four Colors Four Words (Orange-Violet-Green-Blue), 1966
- Conceptual art
32
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A
- John Baldessari
- Tips for Artists Who Want to Sell,
- 1966–1968
33
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A
- John Baldessari, The Cremation Project, 1970
- Conceptual art
34
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A
- John Baldessari, I Will Not Make Any More Boring Art, 1971
- Conceptual art
35
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A
- John Baldessari
- Throwing Three Balls in the Air to Get a Straight Line, 1973
- Conceptual art
36
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A
- Lawrence Weiner, A 36” X 36” REMOVAL TO THE
LATHING OR SUPPORT WALL OF PLASTER OR
WALLBOARD FROM A WALL, 1968 - Conceptual art
37
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A
- Lawrence Weiner, Statement of Intent, Dia Foundation,
Beacon, NY, 1969 - Conceptual art
38
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A
- Lawrence Weiner, EARTH TO EARTH ASHES TO ASHES DUST TO DUST, 1970
- Conceptual art
39
Q
A
- Iannis Kounellis, Untitled, 1969
- Arte Povera
40
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A
- Luciano Fabro, L’Italia rovesciata, 1968
- Arte Povera
42
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A
- Michelangelo Pistoletto
- Standing Man, 1962
- Arte Povera
43
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A
- Michelangelo Pistoletto
- Venus of the Rugs, 1967
44
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A
- Mario Merz, Igloo di Giap, 1968
- Arte Povera
45
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A
- Mario Merz, Sit-in, 1968
- Arte Povera
46
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A
- Protest in Piazza San Marco, Venice, 1968
- Arte Povera
47
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A
- Iannis Kounellis, Margherita con fuoco, 1967
- Arte Povera
48
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A
- Iannis Kounellis, Senza Titolo (12 Cavalli), Galleria L’Attico, Rome, 1969
- Arte Povera
49
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A
- Alighiero Boetti, Io che prendo il sole a Torino, 1969
- Arte Povera
50
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A
- Alighiero Boetti, Oggi è venerdì ventisette marzo millenovecentosettanta, 1970
- Arte Povera
