II. Purposive Communication Flashcards

Evaluating Messages and/or Images of Different Types of Texts Reflecting Different Cultures

1
Q

Application of multiple literacies in one medium

A

Multimodality

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2
Q

Dynamic convergence of two or more communication modes within the same text

A

Multimodal

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3
Q

True or false

In unimodal, all modes are attended to as part of meaning-making.

A

False unimodal -> multimodal

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4
Q

Study of signs and symbols and their use or interpretation

A

Semiotics

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5
Q
The five semiotic systems are the following except:
A. Written or Linguistic
B. Gestural
C. Oral
D. Spatial
E. Visual
F. Gestural
A
C. Oral 
Semiotic systems:
Visual
Spatial
Written or Linguistic
Audio
Gestural
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6
Q

What type of semiotic system is body movement

A

Gestural

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7
Q

Rhythm, volume, pitch

A

Audio

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8
Q

Still and moving images

A

Visual

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9
Q

Use of vocabulary

A

Written or Linguistic

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10
Q

Architectural spaces

A

Spatial

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11
Q

Layout and direction

A

Spatial

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12
Q

Music, spoken language, and written language are examples of multimodal while images and gesture are not multimodal.

A

False. Images, gesture, music, spoken, and written languages are all examples of multimodal.

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13
Q

Which of the following describes cultural sensitivity?
I. Attitude and way of behaving in which you are aware of the cultural differences.
II. Attitude and way of behaving in which you are acknowledging the cultural differences.
III. Crucial for global goals like world peace and economic growth

A I and III only
B II and III only
C I, II, III

A

C all of the above describes cultural sensitivity (Franklin and Mitchell, 1995)

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14
Q

True or false

Cultural sensitivity is essential for effective interpersonal communication.

A

True

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15
Q

Understanding a televised weather forecast is an example of
A Cultural sensitivity
B Multimodality
C Multimedia

A

B Multimodality

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16
Q

True or false

Because a product is widely accepted in a country, it means it will transcend with the global market.

17
Q

Generic structure

18
Q

Sound effects and silence

19
Q

Genre, choices of words, phrases, and sentences

A

Written or Linguistic

20
Q

Gait, demeanor, action sequences, dance acting

21
Q

Conveyed through design of spaces, using choices of its resources

22
Q

facial expression, eye movements​, timing, frequency, ceremony and ritual

23
Q

scale, proximity, boundaries, organisation of objects in a space

24
Q

Conveyed through sound, including choices of music representing different cultures

25
Q

saliency, distance, angles, form, power, involvement/detachment, contrast, lighting, naturalistic/non-naturalistic, camera movement, and subject movement

26
Q

use of rhythm, speed, stillness and angles

27
Q

ambient sounds, noises, alerts, sil​​ence, natural/unnatural sounds

28
Q

design of the page in a book, a page in a graphic novel or comic, a webpage on the screen, framing of shots in moving image, to the design of a room

29
Q

diverse cultural connotations, symbolism and portray different people, cultures and practices

30
Q

: framing, vectors, symbols, perspective, gaze, point of view, colour

30
Q

: framing, vectors, symbols, perspective, gaze, point of view, colour

31
Q

mood, emotion, emphasis, fluency, speed, volume, tempo, pitch, rhythm, pronunciation, intonation, and dialect

A

Written or linguistic

32
Q

Conveyed through written language via handwriting, the printed page, and the screen

A

Written or Linguistic

33
Q

True or false

a film text is a less complex multimodal text ​​than a poster

A

False. less ->more

34
Q

True or false
The complexity of the relationships between the various meaning or semiotic systems in a text increases proportionately with the number of modes involved.

35
Q

Posture

36
Q

Position of layout

37
Q

True or false

Multimodality always uses technology.

38
Q

True or false

Multimodal texts can be paper-based, live, or digital.