If, My Darling, Places, Loved Ones and Church Going Flashcards

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1
Q

‘But to jump, like ________, with floating skirt into my head’ (If, My Darling)

A

Alice

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2
Q

What technique is used here: ‘But to jump, like Alice, with floating skirt’ (If, My Darling)

A

simile (this could also be considered an intertextual reference)

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3
Q

Why does Larkin have the speaker in If, My Darling compare his partner to Alice (in Wonderland)?

A

To suggest that he sees her as naive and child-like. He is also portraying how if she saw the real him, like Alice, she would enter an upside-down world of chaos and confusion.

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4
Q

What technique is used here: ‘‘She would find no tables and chairs// She would find no tables and chairs// No mahogany claw-footed sideboards,// No undisturbed embers’ (If, My Darling)

A

anaphoric repetition/anaphora

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5
Q

In If, My Darling why does Larkin use anaphoric repetition: ‘…no tables and chairs// No mahogany claw-footed sideboards, // No undisturbed embers’

A

To convey how the world the ‘darling’ would find would be entirely unfamiliar and deeply uncomfortable.

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6
Q

‘Monkey-__________, fish-__________’ (If, My Darling)

A

brown/grey

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7
Q

In If, My Darling, why does Larkin use colour imagery (‘Monkey-brown, fish-grey’) to describe the speaker’s true self?

A

These colours are dark and have connotations of sickliness, conveying the speaker’s true self as being defined by a sense of bleakness and disease.

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8
Q

What is the semantic field used in If, My Darling via the following: ‘sicken’, ‘unwholesome’, ‘grave’?

A

This is a semantic field of death and decay, which is used to present the speaker’s true self as being unpleasant and corrupted.

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9
Q

In If, My Darling, who or what is the ‘Grecian statue kicked in the privates’?

A

This metaphor represents the speaker. Whereas once his darling may have seen him as noble and admirable (like a ‘Grecian statue’) if she saw the real him she would perceive him to be embarrassing and emasculated (‘kicked in the privates’)

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10
Q

Each one _________ - ___________ with meaning and meaning’s rebuttal’ (If, My Darling)

A

double-yolked

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11
Q

In If, My Darling, why does Larkin say that the ‘darling’ would hear a noise that is ‘double-yoked with meaning and meaning’s rebuttal’?

A

To convey that, were she to face the speaker’s true self, the ‘darling’ would hear a mass of contradictions and lies.

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12
Q

‘unpicks the world like a _________’ (If, My Darling)

A

knot

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13
Q

‘Might knock my darling off her ______________ pivot’ (If, My Darling)

A

unpriceable

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14
Q

What technique is used here: ‘unpicks the world like a knot’ (If, My Darling)?

A

simile

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15
Q

If, My Darling is structured as _____________

A

tercets

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16
Q

Does If, My Darling use a regular rhyme scheme?

A

Yes, it is an ABA rhyme scheme.

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17
Q

Why does Larkin structure If, My Darling using tercets?

A

We might suggest the uneven verse length (3 lines) represents the uneven, chaotic nature of the speaker’s mind. Also, the 3-line structure perhaps represents the three people the poem is about: 1. the darling 2. the speaker’s illusory self 3. The speaker’s real self.

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18
Q

‘__________, I have never found’ (Places, Loved Ones)

A

No

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19
Q

‘This is my _________ / ___________ here I shall stay’ (Places, Loved Ones)

A

proper ground

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20
Q

In Places, Loved Ones what is significant about the language Larkin uses when imitating the voice of society?

A

The language is pompous (self-important) and somewhat cliched - e.g. ‘proper ground’/’special one’. This is done to mock the generic ideas of finding happiness through a person or place.

21
Q

Why does Larkin use multiple negators in Places, Loved Ones, e.g. ‘NO, I have never found’/’NOR met that special one’/’You want NO choice’

A

To convey how the speaker is entirely and forcefully rejecting the cliched expectations of society.

22
Q

What are the connotations of the word ‘claim’ and ‘prove’ used in Places, Loved Ones?

A

These words have formal, legal connotations - this conveys the speaker’s view that romantic relationships are actually just a form of restrictive contract.

23
Q

What is the correct term for the 8-line stanzas, like those used in Places, Loved Ones?

A

octaves

24
Q

Why does Places, Loved Ones begin with the speaker saying, ‘No….’?

A

He is responding (and rejecting) the expectations of society - that we should all find happiness through a person or place.

25
Q

‘you’re __________ none the less, to act’ (Places, Loved Ones)

A

bound

26
Q

In the final verse of Places, Loved Ones, why does the speaker say the speaker is ‘bound’?

A

To convey ideas of restriction. The speaker suggests that ‘having missed them’ - the person you hoped to meet and love - you are trapped by having to pretend you are happy with what you ‘settled for’.

27
Q

Does Places, Loved Ones use a regular rhyme scheme?

A

Yes, a regular AB rhyme scheme.

28
Q

Places, Loved Ones was written just as Larkin was moving from Belfast to ___________?

A

Hull

29
Q

How might Places, Loved Ones be linked to events in Larkin’s own life at the time?

A

He was leaving Belfast after working as a librarian there. Therefore, like the speaker in the poem, he had no solid sense of home at the time.

30
Q

‘Once I am sure there’s nothing _________ / __________’ (Church Going)

A

going on

31
Q

What is the significance of the opening line from Church Going? ‘Once I am sure there’s nothing going on’

A

The phrase ‘nothing going on’ perhaps suggests the speaker views the church with suspicion - almost as a place of strange, cultish practices.

32
Q

sprawlings of flowers, cut // For Sunday, ___________ now; (Church Going)

A

brownish

33
Q

In Church Going, what is the significance of the ‘brownish’ flowers and the ‘musty’ silence?

A

Both ideas have connotations of something stale and past its best. This is perhaps what Larkin is suggesting about the church and the role of religion.

34
Q

‘some brass and _________’ (Church Going)

A

stuff

35
Q

What is the significance of Larkin referring to the sacred items in the church as ‘some brass and stuff’?

A

It suggests that the speaker sees the church, and the objects in it, as insignificant and dull.

36
Q

What technique is used in the title of Church Going?

A

A pun

37
Q

How does Larkin employ a pun in the title of Church Going?

A

‘Church Going’ could literally refer to the practice of ‘going’ to (attending) church. However, it could also be describing how the relevance of the church is ‘going’ from society.

38
Q

In Church Going, what worthless currency does the speaker donate to the church?

A

‘An Irish sixpence’

39
Q

In Church Going, why does the speaker donate ‘an Irish sixpence’?

A

This currency is worthless, so this gesture is used by Larkin to convey how, initially at least, the protagonist sees the church as having no value.

40
Q

Where does Larkin employ a volta in Church Going?

A

At the beginning of the third stanza. After previously commenting that the church was ‘not worth stopping for’, the speaker then admits ‘Yet stop I did: in fact I often do’

41
Q

What is a volta?

A

The turning point in a poem

42
Q

‘__________ what to look for; _______________, too…’ (Church Going)

A

wondering

43
Q

Why is repetition used in Church Going as the speaker describes: ‘Wondering what to look for; wondering, too,// When churches fall completely out of use// What we shall turn them into?’

A

To show a more reflective and less dismissive tone. The speaker contemplates the future of the church.

44
Q

In the penultimate stanza of Church Going, the narrator describes the church as a ‘special ____________’

A

shell

45
Q

What adjective is repeated in the final stanza of Church Going to describe the church and its role in society?

A

serious.

46
Q

Which word is used in the final stanza of Church Going to convey how the church will always have an unexplainable power to attract people?

A

‘gravitating’

47
Q

What did Larkin’s father tell him about religion?

A

‘Never believe in God!’

48
Q

How did Larkin refer to religion?

A

‘absolute balls’