Identity Flashcards
‘A shape, red with white wings around the face, a shape like mine’ (pg.18)
Handmaids self expression is restricted by the required dress code - red symbolises their fertility this reminding them of their only role
‘Doubled, I walk the street’ (pg.23)
‘’The door of the room - not my room’
refusing to admit it is hers and this would mean she belongs to the house
her later acceptance of this room as hers could be her resigning to her her role
‘No twin went with me, on these occasions I’m solitaire’
he idea of the other handmaids being her twin again suggests the lack of differentiation and also links to the uncanny
‘I don’t want to look at something that completely determines me’
The fact the her body is her only determiner is dehumanising and also depicts her sole purpose is to reproduce
‘We grip each others hands, we are no longer single’ ‘we are one smile’
The pronoun ‘We’ shows the collective nature of the Handmaids in this moment and the breaking down of the separation between human connection in the Gilead regime. The collective pronoun also shows how Offred and the other Handmaids have lost any sense of individuality
‘I must forget about my secret name’
Offred’s identity is being erased by Gilead meaning that she is losing her individuality
‘I am thirty three years old. I have brown hair. I stand five seven without shoes’
This is the only physical description Atwoof gives of Offred and is very vague again stripping her of a lot of individuality
‘I have viable ovaries. I have one more chance’
Offred using it as one of her descriptors shows the importance placed on fertility by society
‘He was actually looking at me and I didn’t like it’/ ‘He was no longer a thing to me’
The Commander and Offred are beginning to see each other as individuals which makes the Ceremony more awkward for both of them
‘Siamese twins’
This engages with the idea of the double
‘If your dog dies, get another’
This is dehumanising to the Handmaids as they are not seen as real humans just objects that can be replaced
‘The wreath on the ceiling floating above my head, like a frozen halo, a zero’ (p.200)
The zero is reminiscent of Offred’s previous metaphor to the bodies on the wall, she, like them, have become nothing as they have lost their individuality
‘We must look good…picturesque, like Dutch milkmaids’ (p.214)
This juxtaposes the real injustices going on in Gilead - never judge a book by its cover - Atwood has also said she was inspired by her childhood fear for a Dutch milkmaid on a cleaning product logo
‘He slips around my wrist a tag…like the tags for airport’ (p.235)
Offred is being objectified as almost the Commander’s belonging again stripping her of her identity