ID's #1

Question 1

Pisa Baptistery Pulpit

Answer 1

Nicola Pisano
1260
Marble

Question 2

Coppo

Answer 2

Crucifix
Second half of thirteenth century
Panel

Question 3

Cimabue

Answer 3

Enthroned Madonna and Child with Angels and Prophets
1280
Panel

Question 4

Annunciation, Nativity, Annunciation of the Shephards

Answer 4

Nicola Pisano
1260
Marble

Question 5

Mary, Sister of Moses

Answer 5

Giovanni Pisano
1284-99
Marble

Question 6

Raising of Lazarus

Answer 6

Giotto
Fresco
1305

Question 7

Taddeo Gaddi

Answer 7

Annunciation to the Sheperds
1328
Fresco

Question 8

South Doors

Answer 8

Andrea Pisano
Bronze with Gilding
1452

Question 9

Madonna and Child

Answer 9

Duccio
1285
Panel

Question 10

Simone Martini

Answer 10

Maesta
1311
Fresco

Question 11

Last Supper

Answer 11

Pietro Lorenzetti
1320
Fresco

Question 12

Presentation in the Temple

Answer 12

Ambrogio Lorenzetti
1342
Panel

Question 13

Allegory of Good Government in the City and the Country

Answer 13

Ambrogio Lorenzetti
1338-39
Fresco

Question 14

Last Judgement

Answer 14

Lorenzo Maitani
1310-30
Marble

Question 15

Enthroned Christ with Madonna and Saints

Answer 15

Andrea Orcagna
1354-57
Panel

Question 16

Triumph of the Heraclius over Chosroes

Answer 16

Agnolo Gaddi
1388-93
Fresco

Question 17

Coronation of the Virgin

Answer 17

Paolo Veneziano
1324
Tempera on Panel

Question 18

Crucifixion

Answer 18

Altichiero
1375
Fresco

Question 19

Psalm 118:81

Answer 19

Giovannino De’ Grassi
1395
Tempera and gold on parchment

Question 20

Funernary Monument of Cansignorio della Scala

Answer 20

Bonino Da Campione
1376
Marble and mixed materials

Question 21

Pazzi Chapel

Answer 21

Brunelleschi

1423-24

Question 22

Cathedral Dome

Answer 22

Brunelleschi

1420

Question 23

Ospedal Degli Innocenti

Answer 23

Brunelleschi

1419

Question 24

Sacristy

Answer 24

Brunelleschi

1421-28

Question 25

Library Monastry of S. Marco

Answer 25

Michelozzo Di Bartolommeo

1442-44

Question 26

International Gothic

Answer 26

A Style from Northern Europe, from the late 14th and early 15th cent., featuring attenuated poses and sweeping curves in drapery, and elongated figures. This style is significant because it swept through northern Europe, and it’s a pre-renaisssance style that artists from everywhere picked up on.
Ex. Lorenzo Manaco’s Coronation of the Virgin, 1413, panel. Important because you see this change in style here.

Question 27

Nicola Pisano

Answer 27

An artist active from 1258-78, a sculptural innovator from Pisa. His style works were considered to have classicizing qualities, like those of the classical Greece. He is significant becasue he was a spectacular sculpture and the greatest architect of his century. Having studies Roman corinthian capitols. Ex. Pisa Baptistry Pulpit 1260 Marble, its the best example because it shows how he must have studied classical style. Shows his ability to show close realism, ability to articulate space, it aslso shows his architectual talent.

Question 28

Fresco Secco

Answer 28

A fresco painting style used fro colors that were not water soluble. In this process they would mix pigmets with water and egg yolk and apply it to wet plaster. This is important becasue its not permanent, it explains why so many frescos over time have been peeling.

Question 29

Della Pittura

Answer 29

A method of creating an illusion of space becasue creating a composition. Brunelleschi is responsible for this method which he devised after losing the Bronze doors competition. This method allows the artist to capture a figure or subject in correct scale and get exact measurement of its various components. This is important because they is a method used to show correct perspective in Renaissance art.