Hx photo Ia Flashcards
Forty Etchings Made with the Camera Lucida in N. America in 1827 and 1828
An illustrated book by Basil Hall. The etchings were based on camera lucida drawings that documented Hall’s travel. Hall praised the instrument that freed the amateur “from the triple misery of perspective, proportion and form.” [BN.11]
Albumen print
Xxx
Albumen: eggwhite. Used on glass as a medium for light-sensitive emulsions to make finely detailed negatives. Also, albumen positive prints are made on paper or other substances coated with eggwhite and salt solution and sensitized with silver nitrate. The print is made by exposing the negative against the paper to sunlight. NR
Alphonse Giroux
Daguerre’s brother-in-law, who constructed Daguerreotype cameras and accessories for sale. The cameras were beautifully made of wood and fitted with lenses ground by Chevalier, the Parisian optician who had supplied lenses for Niépce and Daguerre’s early experiments. Every camera was signed by both Daguerre and Giroux. [BN.25]
Ambrotype
The name for a glass collodion process patented in 1854 in the United States by James Ambrose Cutting. It produces a glass negative that looks like a positive because of the way the image is develop and backed. (Called collodion positives in Great Britain.) NR
Anastasius Kircher
(1601-18)
Designed a portable, tent-like, collapsible version of the camera obscura. The camera was illustrated in Kircher’s 1646 treatise on light as a suitable instrument for drawing the landscape. [NR.192]
Antiquarian avant-garde
A movement, starting in the 1970s-80s, of contemporary photographers using photographic processes from the 19th century. For example: photograms by Adam Fuss, daguerreotypes by Jerry Spagnoli and Chuck Close, and collodion prints by Sally Mann.
[BOOK REVIEW] Photography’s antiquarian avant-garde: the new wave in old processes. Harry N. Abrams, May 1, 2002, 159 pages.
August 19, 1839
The technical details of Daguerre’s process were described publicly at a joint meeting of the Academy of Sciences and the Academy of Fine Arts. [BN.23]
Basil Hall
(1788-1844)
Traveled to the US in 1827 and created a book of etchings from his camera lucida drawings. [NOTES]
Calotype
(also called Talbotype): The first successful negative/positive process, patented in 1941 by William Henry Fox Talbot. A negative latent image produced by exposing paper sensitized with potassium iodide and silver nitrate solutions in a camera is then developed in acetic and gallic acids plus silver nitrate. Positives (called salt prints) are subsequently made by contact-printing the paper calotype negatives in daylight onto salted paper (paper that has been treated with silver nitrate and salt). In current usage, calotype refers to the negative. NR
Camera ludica
An instrument consisting of a prism supported by a telescoping stand set over drawing paper. Used for copying drawings and tracing views of nature. [NR.glossary]
Invented in 1807 by William Hyde Wollaston, it was another mechanical substitute for artistic skill. [BN.11]
Camera obscura
Forerunner of the photographic camera. Originally a darkened room in which observers could view images of outside subjects projected (upside down) through a pinpoint light source onto a facing wall. Later this evolved into a portable box with an aperture, lens, mirror, and viewing screen. [NR.glossary]
By the 18th century, the camera obscura had become standard equipment for artists. [See also BN.9]
Carte-de-visite
A 3½ by 2½ inch mounted photographic print popular in the late 19th century, usually a portrait and generally made as one of a number of images on a singe photographic plate. Patented by André Adolphe Eugene Disdére in 1854. NR
Charles Chevalier
An optician who provided lenses for Niépce and Daguerre, and who told Daguerre of Niépce. [BN.17]
Claude Niépce de Saint-Victor
(1805-70)
In 1847, proposes using as a negative a glass plate coated with albumen and silver halide. [NR.timeline]
Invented, in 1847, a process using egg whites to attach silver salts to glass. These albumen plates gave excellent negatives with fine detail and could be sensitized long in advance of exposure, but their low sensitivity made them very slow. [BN.59]
Daguerreotype
The first practical photographic process, in which an image is formed on a copper plate coated with highly polished silver that is sensitized by fumes of iodine to form a light-sensitive coating of silver iodide. Following exposure, the latent image is developed in mercury vapor, resulting in a highly detailed image. It’s a unique work, having no negative for replication.
1937 “Still Life” is the earliest surviving example of a daguerreotype. [BN.18]
Diorama
A theatre built for the display of huge paintings on semitransparent theatrical gauze. The gauze was painted on both sides and illuminated by lights that made the images dissolve into one another.
In painting for the diorama, Daguerre used the camera obscura to assure correct perspective. Familiarity with this tool led to his experiments in photography. [BN.15,17]
Excursions Daguerriennes
A series of travel images, issued between 1840 and 1844, based on Daguerreotypes taken in Europe, The Middle East and America for the publisher N.M.P. Lerebours. The images were traced and transferred to copper plates. Figures and traffic were added to please the public, who did not prefer the depopulated aspect of the first daguerreotypes. [BN.27]
February 20, 1839
A second paper on Talbot’s photogenic drawing process was read to the Royal Society. This paper included technical details, specific enough to enable anyone to repeat the results. [BN.20]
Francois Arago
(1786-1853)
Secretary of the French Academy of Sciences and a member of the Chamber of Deputies of the French government. He proposed the French government purchase “both processes” (heliotypes and Daguerreotypes?) and arranged to a meeting of the Academy for Daguerre to present his discovery. [BN.18]
Arago engineered the purchase by France of the process that Daguerre had perfected on his own after the death of his original partner, Joseph Nicéphore Niépce. Then, on August 19, 1839, with the inventor at his side, Arago presented the invention to a joint meeting of the Academies of Sciences and Fine Arts. [NR.16-17]
Gilles Louis Chrétien
(1754-1811)
nted the Physionotrace in 1786. [NR.40, BN.11]
Multiple copies of drawings could be made with etchings. [NOTES]
Francois Gouraud
A Frenchman who came to America and exhibited his high-quality daguerreotypes in New York, Boston, and Providence. He gave demonstrations to packed audiences, offered private instruction, and sold cameras imported from Paris. [BN.33]
January 31, 1839
Talbot’s paper on his photogenic drawing process was read at the Royal Society (England’s top scientific body). It was a general description of the results he obtained. [BN.20]
January 7, 1839
Meeting of the French Academy of Sciences, arranged by Francois Arago, to announce Daguerre’s invention. [BN.18-19]
John Plumbe
(1811-1857)
Was a businessman with Daguerreotype studios and galleries in the US. He sold equipment, supplies, and lessons, and made inexpensive portraits. [NR]

