HSC - The Truman Show Flashcards
TR - Introduction
(Question) enables composers to reveal the nature of materialistic values which have influenced the nature of identity in the post-modern society. Through the composer’s use of metatheatre, he enables responders to recognise the way in which individuals can be obliviously manipulated through his characterisation of the relationship between Christoff and Truman. This ultimately reflects the way in which individual identity can be influenced by collective social values. Furthermore, the use of Metatheatre is built upon to develop insights into the nature of individual and collective identity within postmodernism, educating viewers on advertising adverting to commodification and commercialism.
TR - Para 1 Idea
Influence from Collective social values – Manipulation
TR - Para 1 Quote 1
“It’s all true, it’s all real, nothing here is fake, it’s just merely controlled.”
TR - P1 Q1 Analysis
A close-up facial shot intends to indicate to the audience that TTR is an authentic lifestyle with integrity and freedom. Weir utilises this with rapid cuts to Truman in his bathroom, in a private space without knowing he is being watched, showcasing how modern media and the internet portray a disjunctive reality, in which everything is seen to be a ‘utopia,’ [contrasting against societal experiences and realities.]
TR - Para 1 Quote 2
“I have given the chance for Truman to lead a normal life. The world, the place you live in, is a sick place. Seahaven is the way the world should be.”
TR - P1 Q2 Analysis
By using a paradox, Christof juxtaposes his creation to be ‘better’ than the real world, breaking the idea of a democratic and ‘free’ society. This educates viewers that a ‘perceived’ utopia is against the moral systems of governing used around the world, showing how media utilises its abilities to support unethical governance if it benefits to them.
TR - Para 1 Quote 3
“You never had a camera in my head.”
TR - P1 Q3 Analysis
Weir uses this setting to emphasise the philosophical idea of moving from ignorance to knowledge, a metaphor for breaking free from societal expectations, norms, and control from others, all of which the media has control of and utilises for their benefit.
TR - Para 2 Idea
Nature of identity in postmodernism – Influence from Commercialisation/Advertising
TR - Para 2 Quote 1
“Why don’t you let me fix you some of this new Mococoa drink?.”
TR - P2 Q1 Analysis
The use of a Zoom in/Close up shot of the product allows it to be displayed fully to the viewer, Dialogue from Truman showcases his anger afterwards. Meryl uses product placement as a strategy to distract Truman from his current thoughts, intending to grab Truman’s attention with something different. [Weir showcases the importance of both capitalism and consumerism within the media, and how it keeps a constant revenue flow by distracting the audience, encouraging a wasteful use of societal resources, educating viewers on commodification]
TR - Para 2 Quote 2
“You know… you really oughta’ throw out that mower. Get one of those new Elk Rotaries.”
TR - P2 Q2 Analysis
A close-up shot of Meryl’s face and a stern facial exerts pressure on Truman, tempting him to buy a new product or item even when the old product is functionally fine. Meryl’s pressure tactics utilise a metaphor, linking modern-day media companies to similar or identical practices. [Weir reveals the immorality of such pressure and can show the façade in promotional material, highlighting the monetisation and commodification of livelihoods]
TR - Para 2 Quote 3
“The show has generated enormous revenues now equivalent to the gross national product of a small country.”
TR - P2 Q3 Analysis
A close-up shot of Christof as well as the use of a dark colour palette as a backdrop helps amplify the ambiguity and contrasts between the perceived persona of Christof and the show. This shows the split nature of a capitalist society, and how such increased consumerism and commodification of products can be as equally detrimental as profitable, [revealing truths on ethics and morals.]
