How-To Practice "Interleaved Bits & Pieces" Flashcards
Examples of How To Practice 1-3 minute bite-sized Bits & Pieces to improve technique via Interleaved Practice.
How-To Practice “Interleaved Bits & Pieces”
The Distraction Drill. How do I train myself to stay focused while performing?
The Distraction Drill. Practice while TV or background noise is on. This trains your brain to stay locked in, just like performing in a noisy venue.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The 10x Rule – Small Chunks, Big Gains. How should I break difficult passages into learnable parts?
The 10x Rule – Small Chunks, Big Gains. Play just one bar or one tricky transition 10 times perfectly before moving on. Like building a wall brick by brick, this ensures a solid foundation rather than a wobbly structure.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
Intentional Repetition – The Sculptor’s Chisel. Why should I avoid mindless repetition when practicing?
Intentional Repetition – The Sculptor’s Chisel. Every note you play is like a chisel stroke on marble—mindless strokes lead to a messy sculpture. Instead, focus on precision with each repetition, ensuring that errors don’t embed themselves into muscle memory. Slow down, refine the movement, then build speed later.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
Practice The 2-3 Pattern Diagonal Minor Pentatonic
Practice The 2-3 Pattern Diagonal Minor Pentatonic
How-To Practice “Interleaved Bits & Pieces”
Paul Davids / “Dexterity, C To Shining C”
In the context of fingerstyle guitar, dexterity refers to the skillful and precise use of the fingers on both hands to play complex patterns, melodies, and harmonies. It involves developing strength, coordination, flexibility, and independence in each finger to execute intricate techniques effectively.
How-To Practice “Interleaved Bits & Pieces”
The 3-Minute Loop. How can I build endurance for long songs?
The 3-Minute Loop. Loop a difficult section for exactly 3 minutes. Like a high-intensity workout, this builds stamina without over-fatiguing.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The Whisper Practice – Quiet Finger Strength. What is silent practice, and why is it effective?
The Whisper Practice – Quiet Finger Strength. Mute your strings and focus only on finger movement. Like a dancer practicing steps without music, this eliminates distractions, building precision and finger independence.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
“Make Chords Exciting”
How-To Practice “Interleaved Bits & Pieces”
The Whispered Metronome. How can I develop an internal pulse without a metronome?
The Whispered Metronome. Instead of relying on a click, lightly tap your foot or whisper the beat—this internalizes rhythm naturally.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
Interleaving – The Musical Cross-Training. How does switching between different skills improve learning?
Interleaving – The Musical Cross-Training. Instead of drilling one skill to exhaustion, cycle between fingerpicking, chord changes, and scales. Like a boxer alternating punches, interleaving forces your brain to adapt and recall, making you more flexible and prepared for real-world playing.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The Focused One-String Practice. What’s the benefit of practicing a melody on only one string?
The Focused One-String Practice. It trains your ear, finger control, and string navigation, making later full-range playing effortless.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The George Benson “Sing What You Play” Method. Why should I sing the notes I play?
The George Benson “Sing What You Play” Method. It deepens the connection between ears, fingers, and brain, reinforcing recall and musicality.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The Final Slow Pass – Lock It In. Why should I always end my practice session with a slow, perfect run-through?
The Final Slow Pass – Lock It In. The final thing you play before stopping is like sealing a letter in wax—it locks everything in. Finish by playing slowly and cleanly, ensuring no sloppy habits are stored in muscle memory.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The One-Finger Challenge. How does limiting myself to one finger help?
The One-Finger Challenge. It isolates control and precision, forcing efficiency like a martial artist mastering one strike before adding more.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
Practice The 3-2 Pattern Diagonal Major Pentatonic
Practice The 3-2 Pattern Diagonal Major Pentatonic
How-To Practice “Interleaved Bits & Pieces”
Air Guitar for Real Musicians. How does miming a song without a guitar help?
Air Guitar for Real Musicians. Run through the finger positions and movements in the air. This enhances muscle memory without physical strain—like shadowboxing for guitar.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The Slow Motion Film. Why is ultra-slow playing more beneficial than fast repetition?
The Slow Motion Film. Playing at half speed forces your brain to examine every detail, just like slow-motion replay in sports. This prevents errors from creeping in at full speed.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
Reverse Engineering – Play Backward. How can practicing in reverse help with muscle memory?
Reverse Engineering – Play Backward. Start at the last measure, play it, then work backward. This removes the habit of always starting strong and finishing weak, reinforcing the entire piece.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The Fretboard
“Natural Notes”
A note is referred to as ‘natural’ when the letter-name note (A, B, C, D, E, F, or G) is not modified by flats or sharps from a key signature or an accidental. These notes correspond to the white keys on the keyboard of a piano or organ.
How-To Practice “Interleaved Bits & Pieces”
“This Will Make You Want To Practice”
How-To Practice “Interleaved Bits & Pieces”
The “First Take” Challenge. How can I simulate performance pressure during practice?
The “First Take” Challenge. Only give yourself one chance to play someth
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
Let it Rest Like a Master Chef. Why is taking short breaks during practice essential?
Let it Rest Like a Master Chef. Just as a chef lets dough rest so it ris
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The Closing Bow. What’s the last thing I should do in a practice session?
The Closing Bow. Play a two measure segment flawlessly and with full musical expression, three times, as if you were on stage—this imprints a positive ending to your practice.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
“A better way to practice the Pentatonic Scale”
How-To Practice “Interleaved Bits & Pieces”
Mental Rehearsal – The Shadow Practice. How can I practice without touching the guitar?
Mental Rehearsal – The Shadow Practice. Close your eyes and imagine your fingers playing the passage—see the fretboard, feel the motion. This activates the same neural pathways as real playing. Just as athletes visualize their performance, guitarists can mentally rehearse to reinforce memory without strain.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The Power of Micro-Sessions. How can short, focused practice sessions improve my guitar playing?
The Power of Micro-Sessions. Treat each 3-minute micro-session like a brisk walk, not a run. Focus on one skill (e.g., fingerpicking, a tricky transition) and give it 100% focused attention before pausing for a one minute breather. Why? Just like a blacksmith forging steel, intense bursts followed by cooling periods solidify skills faster than continuous hammering. Your brain and fingers need this rhythmic cycle to harden skills into muscle memory.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
Play Blindfolded – Trust Your Fingers. Why should I practice without looking at my hands?
Play Blindfolded – Trust Your Fingers. It forces your fingers to rely on feel, rather than visual cues, strengthening muscle memory like a blindfolded swordsman refining his strikes.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
The Whisper Count – Internal Rhythm Mastery. How can I improve timing and groove?
The Whisper Count – Internal Rhythm Mastery. Count aloud in a whisper while playing. This keeps your internal metronome strong, preventing reliance on an external click track.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
“Time Solo”
How-To Practice “Interleaved Bits & Pieces”
Record, Reflect, Refine How does recording my practice help me improve?
Record, Reflect, Refine. Hearing yourself from a listener’s perspective exposes mistakes you might not notice while playing, allowing for more focused corrections.
How-To Use “Punctuated Practice” * Do a skill specific, timer limited, 3-Minute practice routine, followed by a 1-minute breather. Some Examples: practice vibrato, a 3 chord progession loop forward and backward, scale slides, a 1-2-3 or 4 measure segment, a strumming pattern, a fingerpicking pattern, hammer-ons, a three chord triad progression, pull-offs, etc.
How-To Practice “Interleaved Bits & Pieces”
Practice The Natural Notes of Each String
Practice The Natural Notes of Each String
How-To Practice “Interleaved Bits & Pieces”
Practice The 2-3 Pattern Diagonal Minor Pentatonic
Practice The 2-3 Pattern Diagonal Minor Pentatonic
How-To Practice “Vibrato” to Play With Feeling
An essential method & technique for “Playing With Feeling”.
How-To Practice “Vibrato” to Play With Feeling
- Description: Vibrato involves slightly bending and releasing the string repeatedly, creating a fluctuation in pitch. It adds emotion and expressiveness to sustained notes.
- Instructions: Apply gentle pressure to bend the string, and use your wrist or fingers to create a smooth, controlled oscillation.
How-To Practice “Bending” to Play With Feeling
An essential method & technique for “Playing With Feeling”. How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Bending” to Play With Feeling
- Description: Bending involves pushing or pulling the string to raise its pitch, often to a target note. This technique can express tension and release.
- Instructions: Use your fingers to bend the string upward or downward while keeping the note in tune. Practice bending to specific pitch intervals, like a full step or half step.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Slides” to Play With Feeling
An essential method & technique for “Playing With Feeling”.
How-To Practice “Slides” to Play With Feeling
- Description: Sliding smoothly between two notes on the same string adds a fluid, connected feel to your playing.
- Instructions: Start by playing a note and, without lifting your finger, slide up or down to the next note, maintaining contact with the string.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Legato (Hammer-ons, Pull-offs, Slides, Bending)” to Play With Feeling
How do you practice to master these techniques and create a rich and emotionally resonant guitar playing style?
How-To Practice “Legato (Hammer-ons, Pull-offs, Slides, Bending)” to Play With Feeling
- Description: Legato playing connects notes smoothly, creating a flowing sound. Hammer-ons, pull-offs, slides and bending are key techniques for legato.
- Instructions: For hammer-ons, firmly press a higher note with a fretting finger after plucking a lower note. For pull-offs, pluck the string with a fretting finger and then quickly release it to sound a lower note.
Integrating these techniques into your practice routine will help you make considerable progress in mastering the guitar.
How-To Practice “Dynamics” To Play With Feeling
How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Dynamics” To Play With Feeling
• Description: Varying the volume of your playing (from soft to loud) can evoke different emotions and add depth to your music.
• Instructions: Use lighter or heavier picking or plucking, and adjust the intensity of your fretting hand to control dynamics.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Palm Muting” to Play With Feeling
An essential method & technique for “Playing With Feeling”.
How-To Practice “Palm Muting” to Play With Feeling
- Description: Palm muting dampens the strings with the side of your picking hand, creating a percussive, muffled sound. It can convey a sense of tension or control.
- Instructions: Rest the side of your palm lightly on the strings near the bridge and pick the strings. Adjust the pressure for the desired muting effect.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Raking” to Play With Feeling
An essential method & technique for “Playing With Feeling”.
How-To Practice “Raking” to Play With Feeling
- Description: Raking involves muting all but the target note and dragging the pick across the strings, creating a percussive buildup.
- Instructions: Mute the strings with your fretting hand, except for the target note, and rake the pick across the strings toward the target note.
Integrating this technique into your practice routine will help you make considerable progress in mastering the guitar.
How-To Practice “Harmonics” to Play With Feeling
An essential method & technique for “Playing With Feeling”.
How-To Practice “Harmonics” to Play With Feeling
- Description: Harmonics produce bell-like tones by lightly touching the string at specific points, dividing the string into segments.
- Instructions: Gently touch the string at the 12th, 7th, or 5th fret without pressing down, and pick the string to produce a harmonic.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Pinch Harmonics” to Play With Feeling
An essential method & technique for “Playing With Feeling”. How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Pinch Harmonics” to Play With Feeling
- Description: Pinch harmonics create a high-pitched, squealing sound by striking the string with both the pick and thumb.
- Instructions: After picking a note, quickly brush the string with your thumb to produce the harmonic. Experiment with different picking hand positions for various harmonics.
Integrating this technique into your practice routine will help you make considerable progress in mastering the guitar.
How-To Practice “Phrasing” to Play With Feeling
An essential method & technique for “Playing With Feeling”. How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Phrasing” to Play With Feeling
- Description: Phrasing is the way you structure and articulate your musical ideas. It’s essential for conveying emotion and storytelling in your solos and melodies.
- pInstructions: Focus on the rhythm, timing, and dynamics of your playing. Use pauses, bends, and vibrato to shape your phrases.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Expression through Note Length” to Play With Feeling
How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Expression through Note Length” to Play With Feeling
- Description: The duration of each note can convey different emotions. Short, staccato notes can feel sharp and aggressive, while longer notes can feel more contemplative or intense.
- Instructions: Experiment with holding notes longer or cutting them short to match the emotion you want to express.
Integrating this technique into your practice routine will help you make considerable progress in mastering the guitar.
How-To Practice “Melodic Embellishments” to Play With Feeling
How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Melodic Embellishments” to Play With Feeling
- Description: Adding grace notes, trills, and other melodic ornaments can enhance the expressiveness of your playing.
- Instructions: Incorporate quick slides, hammer-ons, pull-offs, or grace notes into your melodies to add texture and emotion.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Arpeggios” to Play With Feeling
How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Arpeggios” to Play With Feeling
- Description: Arpeggios break up chords into individual notes, creating a flowing and lyrical sound that can be very expressive.
- Instructions: Pick each note of a chord in sequence, either ascending or descending, while maintaining a smooth, connected sound.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Fingerpicking” to Play With Feeling
How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Fingerpicking” to Play With Feeling
- Description: Fingerpicking allows for a more nuanced and dynamic control over the guitar strings, often used in softer, more intimate music.
- Instructions: Use your thumb for bass notes and your fingers for the higher strings. Practice different fingerpicking patterns to develop control and fluidity.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “String Skipping” to Play With Feeling
An essential method & technique for “Playing With Feeling”.
How-To Practice “String Skipping” to Play With Feeling
- Description: String skipping adds unpredictability and variety to your playing by jumping over strings, creating a wider intervallic leap.
- Instructions: Practice scales or arpeggios while skipping strings, focusing on accuracy and timing to keep the melody flowing.
Integrating this technique into your practice routine will help you make considerable progress in mastering the guitar.
How-To Practice “Double Stops” to Play With Feeling
How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Double Stops” to Play With Feeling
- Description: Double stops involve playing two notes simultaneously, often adding harmony and richness to your playing.
- Instructions: Practice playing intervals (like thirds or sixths) on adjacent strings, ensuring both notes are in tune and well-balanced.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Chromatic Passing Notes” to Play With Feeling
An essential method & technique for “Playing With Feeling”.
How-To Practice “Chromatic Passing Notes” to Play With Feeling
- Description: Chromatic notes that don’t belong to the key can add tension and release, enhancing the emotional impact of your playing.
- Instructions: Incorporate chromatic notes between scale tones in your melodies or solos, resolving them back to a diatonic note for a smooth finish.
Integrating this technique into your practice routine will help you make considerable progress in mastering the guitar.
How-To Practice “Sustain” to Play With Feeling
How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Sustain” to Play With Feeling
- Description: Holding a note longer can emphasize its emotional weight, especially in solos or lead lines.
- Instructions: Focus on maintaining pressure on the fret and applying vibrato as needed to let the note ring out with full resonance.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Pedal Tones” to Play With Feeling
An essential method & technique for “Playing With Feeling”.
How-To Practice “Pedal Tones” to Play With Feeling
- Description: Pedal tones involve sustaining or repeating a single note while other notes or chords change around it, adding tension or a droning effect.
- Instructions: Choose a note to sustain and play it while moving other notes or chords, creating a dynamic contrast between the moving parts and the static pedal tone.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
How-To Practice “Rhythmic Variation” to Play With Feeling
How do you practice to master this technique and create a rich and emotionally resonant guitar playing style?
How-To Practice “Rhythmic Variation” to Play With Feeling
- Description: Changing the rhythm within a phrase can bring new life to a melody and express different emotions.
- Instructions: Experiment with syncopation, changing the timing of notes, or varying the pace within your phrases to add interest and emotion.
By mastering this technique, you will be able to convey a wide range of feelings and connect deeply with the music and instrument, and with your listener.
