Home - Miriam Wei Wei Lo Flashcards

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1
Q

What does Miriam capture throughout her free verse poem?

A

Wei Wei Lo captures the complexity of having a hybrid identity

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2
Q

Where where her parents from?

A

her mother was of Anglo-Irish lineage, while her father was Malaysian Chinese

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3
Q

How does Wei Wei Lo view her home?

A

Not necessarily a phyiscal space but rather an abstract idea that means different things to different people

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4
Q

What does the poet dream of her home to be?

A

A faraway place where her eastern and western heritages don’t clash and she is able to see her true self.

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5
Q

What does she hope to be protected from when she finds her home?

A

the negative impacts of the poverty associated with her Malaysian Chinese heritage and the historical and contemporary exploitation done by her Western ancestors to people throughout the world.

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6
Q

What is the second section called?

A

Without Warning

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7
Q

What does she draw upon in the second section?

A

intense and evocative Christian imagery to demonstrate the awesome power of language

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8
Q

Why does Wei Wei Lo use christian imagery?

A

It is inspired by her own personal faith

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9
Q

What does the poet depict in section two?

A

the poet depicts the experience of repairing her connections to her ancestral and cultural heritage through language as a spiritual experience – one that is removed from the real world.

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10
Q

What is the third section called?

A

A place to return to

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11
Q

What happens in section three?

A

The poet returns from her spiritual world to her family in Australia

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12
Q

What does the section three language contrast and how?

A

It contrasts section two being grounded by realism and reality. Showing how she has found a stable sense of home.

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13
Q

“and the mulberry tree, that foreigner / so completely at home, growing taller each year.”

A

Technique(s): Visual imagery, Juxtaposition Idea(s): Negotiation with and establishing of a physical connection to home

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14
Q

“An image so bright and complete / it can only be seen with eyes tight shut. As in prayer. / As in sleep - a dream that outlives reality.”

A

Technique(s): Simile, Anaphora, Religious imagery
Idea(s): Individual’s relationship with home, Connection and physical disconnection from home

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15
Q

“No children are raped there. / No one eats while others go hungry.”

A

Technique(s): Simile, Anaphora, Religious imagery
Idea(s): Individual’s relationship with home, Connection and physical disconnection from home

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15
Q

“Into the pure language of that other place”

A

Technique(s): Juxtaposition, Anaphora
Idea(s): Instability of home

15
Q

“‘We’re going home!’ They must mean this place.”

A

Technique(s): Metaphor Idea(s): Role of poetry and language in forming cultural identity/understanding and home

16
Q

“It will be a skyscraper, fifty storeys tall. / It will be the smallest, most picturesque cottage.”

A

Technique(s): Exclamatory tone, Juxtaposition
Idea(s):Paradoxical image of home

17
Q

“One day I will find it / I’ll follow the smell of food: fried ikan balls, roast lamb, mangoes”

A

Technique(s): Anaphora, Juxtaposition, Visual imagery
Idea(s): Disconnection with home and culture