Hitchcock - Film Terms and Definitions Flashcards

1
Q

acrophobia, n.

A

fear of being in high places

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2
Q

vertigo, n.

A

A disordered condition in which the person affected has a sensation of whirling

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3
Q

male gaze

A

‘a concept developed by feminist film scholar Laura Mulvey…It refers to the notion that women are always displayed as objects for men’s gaze rather than as independent entities whose value is distinct from how they are viewed by men.’
Gabriele Griffin, A Dictionary of Gender Studies

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4
Q

fetish, n.

A
  1. An inanimate object to which a pathological sexual attachment is formed, or by extension a person who is the object of an obsessive fixation.
  2. An object, the possession of which is believed to procure the services of a spirit lodged within it.
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5
Q

uncanny (unheimlich) - Freud

A

‘That which is unfamiliar–or more literally, un-homely–in the familiar or unhomely. In a famous essay, ‘Das Unheimliche’ 1919, Freud argued that the uncanny is the feeling we get when an experience that occurred by chance suddenly feels fateful and unescapable.’
Ian Buchanan

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6
Q

uncanny - literature

A

Able to create the feeling of ‘unheimlich’ by ‘evoking situations in which a character acts without reason, or, more particularly, returns when they are thought to be gone–the archetype of this is the ghost or the zombie.’
Ian Buchanan

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7
Q

auteur theory

A
  • When film critics began to look at film through the literary prism of authorship, late 1940s.
  • Celebrated the film director as an auteur–an artist whose personality or personal creative vision could be read, thematically and stylistically, across their body of work.
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8
Q

auteur-structuralism

A

figures such as ‘Hitchcock’ are merely names ascribed to the recurrent structures appearing in the films of these directors - allows for unconscious and unintended meanings in films to be identified and decoded

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9
Q

Dolly shot - what is it? What does is represent in Vertigo?

A
  • The camera moves backwards but the zoom moves forwards.
  • a depiction of desire
  • interrupted the spectators absorption in the world of the film
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10
Q

mise-en-scene - what is it? what is its purpose?

A
  • The visual representation of the scene, props, clothing and the set. Also includes visual effects like lighting and iconography aspects.
  • gives visual information about the world of a film’s narrative. Can be full of hidden information as an ironic commentary on the characters and their world.
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11
Q

What does Robin Woods think it is?

A

‘a perfect organism’

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