History to Film Flashcards

1
Q

What is film history

A

The development of moving images from early experiments with image reproduction and photography through the invention of movies in the early 1990s

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2
Q

First known films and directors

A
  1. -Histoire(s) du cinema (1998) by Jea-Lu Godard

2nd. - Mark cousins‘ s The story of film: An Odyssey (2011), ___ of note: a 15hr series made for British television.

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3
Q

Basic Approaches to studying film history

A

Studies of production, regulations, and receptions but the beginner should know the 4 basic approaches.

1- The aesthetics
2- Technological
3- Economic
4- Social

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4
Q

THE AESTHETIC APPROACH also called the MASTERPIECE APPROACH OR GREAT MAN APPROACH.

A

Artistic significance and influence (how historians define it = by asking questions such as: what are the significant works of the cinematic art? Who are the significant directors? Why are they important - movies and directors?

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5
Q

THE TECHNOLOGICAL APPROACH

A

Technology examine the circumstances surrounding the development of each technological advance as well as subsequent improvements. Frequently ask questions by the experts are: when was it made? (The invention) Under hat circumstances, including: economic, aesthetics, and social. Was it a totally new idea ir was linked to an existing one? What were the consequences for the directors, studios, distributors, exhibitors and audiences? REMEMBER THIS : sounds, moving camera, deep focus cinematography, processing, and projection.

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6
Q

THE ECONOMIC APPROACH

A

The motion picture plays a major role in the global economy.
Historians interested in the subject helps us understand why the studio system was founded, how it adapted the changing conditions. ( economic, social, technological, historical) IT AFFECTS THE PRODUCTION AND DISTRIBUTION .
REMEMBER: CENSORSHIP, AND THE RATING SYSTEM.
SIGNIFICANT MOVIES GO ALONG WITH THE NATIONS ECONOMY.

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7
Q

THE SOCIAL HISTORY APPROACH

A

Movies serve as primary sources for studying society. (Writing about movies as social history)
Ian Jarvie suggest that, in undertaking these studies, we ask the following basic questions = who made the movies, and why? Who saw the films how and why? What was seen, how and why? How were the movies evaluated, by who, and why?
REMEMBER : factors such as: religion, politics, and cultural trends and taboos.

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8
Q

WHAT DOES PHOTOGRAPHY MEANS?

A

Literally means “writing with light” and the static representation or reproduction of light”

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9
Q

THE BEGINNINGS OF PHOTOGRAPHY

A

Start in Ancient Greece in the 4th century BCE. The Greek philosopher theorized about a device that later old be known as the CAMERA OBSCURA (Latin for “dark chamber”) (pinhole)

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10
Q

WHEN WAS PHOTOGRAPHY DEVELOPED

A

During the 1st 4 decades of the 19th century by THOMAS WEDGWOOD, WILLIAM HENRY FO TALBOT, and sir John Herschel in England. 1st photographs are not as we know now, they were imprints, engravings. (Negative = negative photographic image on transparent material, is what makes it possible the reproduction f the image.

In 1851, glass-plate negatives replaced the paper plates. More durable but heavy, glass was replaced by gelatin- covered paper in 1881 - a lot faster from 15 minutes to 0.0001 second

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11
Q

SERIES PHOTOGRAPHY

A

Records the phases of an action. 3 important men to remember that contributed to this process were: Pierre-Jules-Cesar Jansen, Eadweard Muybridge, and Etienne-Jules Marey.

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12
Q

Janssen from France 1874

A

Invented the revolver photographique or chronophotographic gun a cylinder - shape camera that creates exposure automatically

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13
Q

Muybridge, English photographer, 1880

A

Used an early projector called the MAGIC LANTERN and his ZOOPRAXISCOPE - he gave the 1st demonstration of photographs in motion.

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14
Q

Marey (French) 1882 physiologist

A

Made the first series of photographs in continues motion using the FUSI PHOTOGRAPHIQUE - another form of the chronophotographic gun.

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15
Q

WHO INVENTED THE MOVIES

A

1891-1903 THE 1S MOVIES
It was the effort of several people in 4 major industrialized countries. U.S, England, France, Germany. In the years just before 1891.

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16
Q

1st MOVIE STUDIO

A

Black Maria

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17
Q

THE KINETOGRAPH 1st motion picture and KINETOSCOPE a peephole viewer

A

The 1st motion picture camera invented by William Kennedy Laurie Dickson and associates working in Thomas Edison’s lab

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18
Q

1st complete film on record?

A

Dickson’s Edison kinetoscopic record of A SNEEZE 1894, popularly known as Fred Ottis Sneeze

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19
Q

1st kinetoscope

A

1894 parlor in NY

20
Q

Most successful device besides the Kinetoscope and Eidoloscope was?

A

The CINEMATOGRAPHE invented by French brothers Augusta and Louis Lumier. The played a short 1 minute video at a local cafe.

21
Q

Early pioneers did not envision…

A

The power of the movies to shape attitudes and values.

22
Q

DAVID A. COOK

A

Famous for innovating manny technical narrative devices. Best known for his use of special effects. Known films: Trip to the moon (1902) and the imposible voyage (1904)

23
Q

WHAT’S HOLLYWOOD PRINCIPAL BUILT ON?

A

2 strongly managed by the executive office

“INVISIBILITY”
2 part principal
#1 FORM: narrative, cinematography, editing, sound, acting, and so forth should not call attention to itself. ECONOMICAL AND SEAMLESS AS POSSIBLE - cinematic language of which the audience is familiar.

24
Q

Mike-en-scene

A

Cinematography, acting, and editing

25
Q

INITIAL MOVIE LENGHTS

A

In minutes: 2,4,34,44,120,181,80,74,181, 61

26
Q

THE 1ST FEMALE DIRECTOR

A

Alice Blache from France worked with Gaumont Film Company. Feminist message

27
Q

SLIGHT AND SOUND - BRITISH PUBLICATION

A

Still nominates silent films.

28
Q

SILENT ERA YRS

A

1926 - 1930. (The circus with Charles Chaplin and director )

29
Q

THE BIRTH OF A NATION by D.W Griffith

A

One of the most important and controversial movies ever made. (The racial content is repugnant)

30
Q

D.W Griffith

A

He perfected and regularizing if not “INVENTING” styles such as: The 180 degree system - cutting familiar types of shots: close-ups, medium, long, extreme, and soft focus.

Multiple camera setups: accelerated montage, and panning and tilting; and the exploitation of camera angles, in-camera dissolves and fades the flash-back, the iris shot, the mask, and the split screen.

31
Q

Most expensive movie

A

The birth of a nation by D.W Griffith (born in Kentucky) 2.7 million 3 hrs long earning within 5 yrs of opening 178M.

32
Q

MOST SUCCESSFUL SILENT FEATURES WERE:

A

Erich von Stroheim’s Greed, 1924.

King Vidor’s The Big Parade 1925

33
Q

What was a major factor of success for Hollywood?

A

Melodrama and comedies

34
Q

Walt Disney 1st cartoons made?

A

In 1922

35
Q

Who was Otto Messmer?

A

The artist who created Felix the Cat series

36
Q

When did the movie industry made its complete transformation?

A

In 1927.

37
Q

YEARS TO REMEMBER 1919-1931 GERMAN EXPRESSIONISM

A

World war 1914-18
United Kingdom, Russia, U.S, Italy against Germany, Austria-Hungary, the Ottoman Empire, and Bulgaria.

The Russian revolution: overthrown of Czar Nicholas II

38
Q

GOLDEN AGE GERMAN CINEMA

A

New Democratic order in Germany known as the Weimar Republic.

The teman golden age lasted from 1919 to Adolf Hitler’s rise to power in 1933

39
Q

What was the UFA?

A

Universum-Flm AG. The largest and est equipped in Europe

40
Q

GERMAN EXPRESSIONIST WAS?

A

Short films that lasted 10 yrs. (given birth to the horror films)

41
Q

1918 - 1930 French Avant-Garde Filmmaking

A

Paris world’s center of Avant-Garde experimentation in painting, literature, drama, musi, and film.

42
Q

PARIS WAS KNWONW FOR WHAT IN THE YRS OF 1918-1930

A

Philosophical approaches of surrealism, cubism, Dadaism, and expressionism led to an explosion of artistic styles and movements.

43
Q

WHERE DID THE FRENCH AVANT-GARDE TOOK THEIR INSPIRATION FROM?

A

Karl Marx and Sigmund Freud and also experimental French filmmakers such as Georges Melies, Ferdinand Zechariah, Max Linder, Emile Cohl, Jean Durant, and Louis Feuillade.

44
Q

French films tent to fall in which categories:

A

1 - Short Dadaist and surrealist films of an anti conventional, absurdist nature.
2- Short naturalistic psychological studies
3- Feature-length films that also emphasize pure visual form.

45
Q

What were the 2 European movements and what role did they play?

A

Dada and Surrealism - in the arts that sought, provocatively and irreverently to shock the viewer with surprise and unexpected juxta-positions.

46
Q

EXPLAIN DADA AND SURREALISM

A

This type of cinema attacks normal narrative
-it eliminates causality
-emphasizing chance and unexpected occurrences
-creating strange and shocking relationships among images.
RESULTS IN: the world appears neurotic, unnatural and illogical
It attracted painters - visual artist

47
Q

WHO WERE THE KNONW FILMMAKERS THAT CAME OUT OF THE DADA AND SURREALISM ERA?

A

American born Man Ray (emak-Bahia,1926)

Jean Epstein, whose The Fall of the House of usher, 1928 inspired by one of Edgar’s Allan Poe’s most famous tales.