History Of Arts & Culture Flashcards

1
Q

Who was josquin?

A
  • French composer (15-16c)
  • considered first master of high renaissance style of polyphonic vocal music
  • most famous European composer of his time
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2
Q

Who was guillaume de marche?

A
  • central figure in late medieval ars nova music and poetry (French 14c)
  • mass: Messe de nostre dame
  • secular music: subject almost always courtly love
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3
Q

Important details of baroque era in music?

A
  • 1600-1750
  • started w invention of opera that focused on feelings of single character (vs polyphonic choral and madrigal music preceding)
  • def: overly ostentatious/flamboyant
  • Bach is defining composer (his death closes the era)
  • contemporaneous and reflective of age of reason/science/enlightenment
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4
Q

Plainchant’s role in musical history?

A
  • starting point of vocal music in west
  • origins: daily services in monasteries and nunneries
  • monophonic/single melodic line
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5
Q

What are the characteristics of pitch?

A

Frequency (vibrations/sec) and timbre (subtle overtones unique to instrument)

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6
Q

How did Protestant reformation affect musical development?

A
  • Lutheran choral music syllabic (one pitch per syllable) and sharply articulated, not melisma as German is mostly consonants vs Italian’s vowels
  • instrumental music gained importance and expressiveness
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7
Q

Important facts about symphony

A
  • traditionally 4 parts: sonata=intellectual/challenging=head, minuet=lyric/slow=heart, minuet in trio=dance-like=hips, rondo=playful/fast
  • invented late 18c out of baroque opera
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8
Q

History of opera

A
  • Italians in 1600 (de Medici) as revival of Greek tragedy (eg oldest surviving Eurydice, then Orpheo)
  • Venetian: quickly went commercial/mass market (close to 50 opera houses in the city!) and became cheaply titillating and artistically uninteresting w dynamic m/innovative staging and focus on simple arias and mostly eliminating chorus and recitative
  • seria: centered around Vienna (metastasio) focused on rigor of literary veracity but overly forumaliac of recitative loading gun that is fired by aria … singers gained undue power and made demands that undermined artistic integrity
  • buffa (clowns/comic): 1740s revolution outgrowth of comedia del’arte w social criticism of elites as fools and working people was savvy; flexible/natural in structure (Rousseau’s heavy influence/support in Paris) lively/catchy music, small cast … la serva madeona (maid as master) in 1733 marks transition from baroque to classical eras
  • -
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9
Q

Relevance of Haydn

A

Symphonic genius, first composer to become canonized (his work dominated performances in novelty seeking London market after he moved there from Hungarian Castle)

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10
Q

Classical era

A

Started mid 18c (death of js Bach 1750, serva padrona 1733)

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