History Of Arts & Culture Flashcards
1
Q
Who was josquin?
A
- French composer (15-16c)
- considered first master of high renaissance style of polyphonic vocal music
- most famous European composer of his time
2
Q
Who was guillaume de marche?
A
- central figure in late medieval ars nova music and poetry (French 14c)
- mass: Messe de nostre dame
- secular music: subject almost always courtly love
3
Q
Important details of baroque era in music?
A
- 1600-1750
- started w invention of opera that focused on feelings of single character (vs polyphonic choral and madrigal music preceding)
- def: overly ostentatious/flamboyant
- Bach is defining composer (his death closes the era)
- contemporaneous and reflective of age of reason/science/enlightenment
4
Q
Plainchant’s role in musical history?
A
- starting point of vocal music in west
- origins: daily services in monasteries and nunneries
- monophonic/single melodic line
5
Q
What are the characteristics of pitch?
A
Frequency (vibrations/sec) and timbre (subtle overtones unique to instrument)
6
Q
How did Protestant reformation affect musical development?
A
- Lutheran choral music syllabic (one pitch per syllable) and sharply articulated, not melisma as German is mostly consonants vs Italian’s vowels
- instrumental music gained importance and expressiveness
7
Q
Important facts about symphony
A
- traditionally 4 parts: sonata=intellectual/challenging=head, minuet=lyric/slow=heart, minuet in trio=dance-like=hips, rondo=playful/fast
- invented late 18c out of baroque opera
8
Q
History of opera
A
- Italians in 1600 (de Medici) as revival of Greek tragedy (eg oldest surviving Eurydice, then Orpheo)
- Venetian: quickly went commercial/mass market (close to 50 opera houses in the city!) and became cheaply titillating and artistically uninteresting w dynamic m/innovative staging and focus on simple arias and mostly eliminating chorus and recitative
- seria: centered around Vienna (metastasio) focused on rigor of literary veracity but overly forumaliac of recitative loading gun that is fired by aria … singers gained undue power and made demands that undermined artistic integrity
- buffa (clowns/comic): 1740s revolution outgrowth of comedia del’arte w social criticism of elites as fools and working people was savvy; flexible/natural in structure (Rousseau’s heavy influence/support in Paris) lively/catchy music, small cast … la serva madeona (maid as master) in 1733 marks transition from baroque to classical eras
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9
Q
Relevance of Haydn
A
Symphonic genius, first composer to become canonized (his work dominated performances in novelty seeking London market after he moved there from Hungarian Castle)
10
Q
Classical era
A
Started mid 18c (death of js Bach 1750, serva padrona 1733)