History Flashcards

1
Q

Years Johann Sebastian Bach

A

1685-1750

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2
Q

Polyphonic/contrapuntal texture

A

The combination of two or more melodic lines

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3
Q

Invention

A

A keyboard compisition in polyphonic texture based on imitation

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4
Q

Motive

A

A short melodic or rhythmic fragment used to build a melody

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5
Q

Imitation

A

Repetition of the same motive, in another voice(or part)

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6
Q

Sequence

A

A motive or phrase that is represented at a higher or lower pitch in the same voice

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7
Q

What genre is invention in C major, BWV 772?

A

Solo keyboard work

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8
Q

What performing forces does invention in C major, BWV 772 use?

A

Originally in harpischord or clavichord, now often performed on piano

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9
Q

What texture is invention in C major, BWV 772?

A

Polyphonic texture woth imitative counterpoint

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10
Q

What compositional devices does invention in C major, BWV 772 use?

A

The invention is based on a seven note motive, treated using imitation, inversion, transposition, and sequence

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11
Q

Brandenburg Concerto No. 5, first movement year

A

1721

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12
Q

Concerto grosso

A

Three movements(fast-slow-fast)
Baroque orchestral work
A group of solo instruments(concertino) is contrasted with a full string orchestra(ripieno)

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13
Q

ritornello form

A

a form often used in the first and third movements of concerto grosso
the opening passage(ritornello or “refrain”) is repeated throughout the movement

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14
Q

Brandenburg Concerto No. 5, first movement genre

A

concerto grosso

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15
Q

Brandenburg Concerto No. 5, first movement key

A

D major

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16
Q

Brandenburg Concerto No. 5, first movement tempo

A

allegro

17
Q

Brandenburg Concerto No. 5, first movement structure

A

ritornello form

18
Q

Brandenburg Concerto No. 5, first movement performing forces

A

concertino consisting of harpischord, violin, flute; ripieno consisting of string orchestra

19
Q

What does the ritornello in Brandenburg Concerto No. 5, first movement open with

A

the violins outlining the tonic chord

20
Q

In meseaurs 1-9 of Brandenburg Concerto No. 5, first movement, what roles do the harpischord and violin fulfill?

A

members of the ripieno(they blend in with the orchestra rather than staanding out)

21
Q

In measures 9-12 of Brandenburg Concerto No. 5, first movement, what does Bach focus on?

A

three solo instruments: the flute and violin have an imitative dialogue

22
Q

What does the harpischord exhibit in Brandenburg Concerto No. 5, first movement?

A

Breathtaking virtuosity with rapid scale runs and sweeping arpeggios

23
Q

Cadenza

A

a solo passage, in an improcisatory style , demonstrating the virtuosity of the performer.

24
Q

What is the last measures(153-219) of Brandenburg Concerto No. 5, first movement?

A

a harpischord cadenza

25
Q

Years Wolfgang Amadeus Mozart

A

1756-1791

26
Q

chamber music

A

music for a small ensemble with one part per player that is usually performed without a conductor

27
Q

homophonic texture

A

a single line of melody supported by a harmonic accompaniment

28
Q

sonata form

A

the most important musical form invented in teh Classical era
consists of three sections: ex[position, development, and recapitulation
may be understood as a musical journey, consisting of statement, departure, and return

29
Q

exposition

A

first section of sonata form

the main themes are stated; this often consits of two contrasting themes

30
Q

development

A

middle section of sonata form

the return of main themes stated in teh exposition =

31
Q

What genre is Eine kleine Nachtmusik, K 525, first movement?

A

chamber music

32
Q

what are the performing forces of Eine kleine Nachtmusik, K 525, first movement?

A

scored for two violins, viola, cello, and optional double bass; often performed by small string orchestra

33
Q

Key of Eine kleine Nachtmusik, K 525, first movement

A

G major

34
Q

Tempo of Eine kleine Nachtmusik, K 525, first movement

A

Allegro

35
Q

Form of Eine kleine Nachtmusik, K 525, first movement

A

sonata

36
Q

measures 1-55 of Eine kleine Nachtmusik, K 525, first movement

A

exposition
opens with a lively unison melody
The opening theme outlines the tonic and dominant chords
An ascending bridge passage leads away from the tonic twoard the dominant key