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1
Q

Kinetoscope

A

1893-1897
Chicago expedition
An early motion-picture device in which the images were viewed through a peephole

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2
Q

Cinema of Attractions

A

Phycological investment
New perception
Monstrative attraction
Narrative Integration

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3
Q

Narrative Integration

A

A system which the cinema followed an integrated process of narrativeization

The basics of cinema and the techniques

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4
Q

MPPC

A

Created in 1908
First case of vertical integration
Eastman Codac could only supply MPPC

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5
Q

GFC

A

General Film Company
Produced films from the Trust
Unable to rapidly adjust to audiences needs for feature length films

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6
Q

IMP

A

Indépendant Motion Pictures
Created by Carl Lammle
Becomes Universal Studios

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7
Q

“Thé Indépendants”

A

Indépendant film production companies that went against the Edison Company.
1909-1915: independents fight back
Carl Lammle started IMP

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8
Q

AM&B

A

American Mutescope and Biograph (1895-1916)

Edison company with William Kennedy Dickson

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9
Q

Biograph

A

A camera invented by AM&B to shoot films

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10
Q

Serpentine Dance

A

Iconic association of color with the feminine body is also a shared visual traction across a variety of media
Implicit and explicit sensuality of the female body
Cinema of attractions
By Annabelle 1896

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11
Q

“Burden of Representation”

A

Idea of being represented in a media platform to promote issues going on in black communities
Oscar Micheaux

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12
Q

WLK Dickson

A

Invented cinema and the kinetoscope
Leaves American Mutiscope and Bioscope
Edison sure for parents, loses because of sprockets

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13
Q

Thomas Edison

A

Inventor of camera
Edison Co. controls via litigation (1907-08)
Never patented vita or kino in Europe
Trust dissolves (1915)

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14
Q

Vitascope

A

WKL Dickson and Edison’s projection screen

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15
Q

Nickelodeon

A

Theatres that cost a nickel
Round time films/ never stop
1903/1905-1908

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16
Q

Edwin S. Porter

A 
Film pioneer
Worked w/ Edison Manufacturing Company and Famous Player Film Company
Created The Great Train Robbery
  No development or contrast in the film
  About the idea of the concept
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17
Q

Pathé

A

Largest producer of films and equipment(French) (1896)

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18
Q

Gaumont

A 
French studio (1895)
Dominated Russian film industry
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19
Q

Star Films and Melies

A

(1911) French film company by Georges Melies (1861-1938)

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20
Q

French Impressionism

A

1918-1929

Camera and editing techniques argumentés the beauty of the image and evoked characters phycolocial states

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21
Q

German Expressionism

A

(1920-22)
Internal thoughts expressed through mise-en-scene
Urban madness
Visual distortion

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22
Q

Photogenie

A

By not filming something, you give it a new life

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23
Q

FW Murnau

A

German film director

Joined Fox Studios (1926)

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24
Q

UFA

A

Largest production company created by the government
(Dec 18, 1917)
Helped country after WWI

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25
Parufamet
German distributor that founded between Paramount, MGM and UFA
26
Erich Pommer
Founder of UFA
27
GW Pabst
Australian film director | Focused on interrelationships between social conditions and the individual
28
Decla-Bioscope
Decla Film, à German production studio, joined with Edison’s Bioscope production studio (1920)
29
New Objective/ Street Films
class divide, impoverishment, social realism, characters driven toward an unsentimental reality
30
Kammerspiel
Domestic dramas Subjectivity Unchained camera
31
“Russian Ending”
Everyone dies
32
Kuleshove Effect
Associate cause to images based on knowledge | Form of montage
33
Eisenstein
Dynamic/ movement Montage is conflict Dialectic: Marxism’s explication for change
34
Vertov
Documentarian Ciné-eye: sees world as machine sees it Takes things apart and puts them back together Man with a movie camera
35
Kino-eye
Mechanical eye improves biology | Sees a new
36
Montage
The process to piece together images to create a whole new meaning (Eisenstein)
37
Dadaism
Parody of enlightenment | About the nonsensical *
38
Surrealism
Odd or uncanny Unconscious potential of the art movement Shouldn’t make sense
39
Abstraction
Non narrative films Don’t attempt to reference reality or concrete subjects Rely on unique qualities of motion, rhythms, light and composition to create an emotional response
40
Cubism
All about perception Style of art including geometric shapes and planes Vision subjective
41
Avant Garde
Non narrative New and unusual or experimental Against traditional cinema
42
Irving Thalberg
Helped manage MGM Leader in 1925 MGM became the most successful studio
43
Louis B. Mayer
Co founder of MGM
44
Adolf Zukor
Founder of Paramount Pictures
45
Famous Players-Lasky
1916- formed by Zukor Creation of the Star System (1915) Merged FPC with 12 independents Mary Pickford- first modern film star
46
Carl Laemmle
Founder of Universal Created IMP Left the Trust because of restrictions
47
Nick Schenck
1923: new leader of MGM Wanted to be more vertically integrated Focused on stock
48
Joe Schenck
Partnered with MGM Nick Schenck brother President of United Artists Turned united Artists into Twentieth Century Fox (1935)
49
Marcus Loew
Vaudeville actor Buys Metro pictures (1920) Owner of Lowe’s/ MGM
50
United Artists
A studio run by artists (Charlie Chaplin, Mary Pickford, DW Griffith) to be able to produce their own art
51
Balaban and Katz
A theater in 1916 | Became a part of the United Paramount Theatres (1948)
52
Technicolor Process
2 color process: used prisms to project 2 beam of light (1926) Red, green, crane 3 color process Black and white film Cyan, magenta, yellow + strips soaked in wash and glued together
53
The Black Pirate
By Douglas Fairbanks (1926) | First technicolor film
54
Universal City
Longest lasting studio | Carl Lammle
55
Paramount
Owner: Adolf Zukor
56
Universal
``` Founded by Carl Lammle Constant competition with Zukor Struggling to keep up with the “Big 5” Bad place after the Great Depression J Cheever Cowdin took over in 1939 ```
57
RKO
``` Created to work with Radio Corporation of America’s (RCA) RCA worse than WE Last vertically integrated studio Founder David Sarnoff 1928 Floyd Odlum took over in 1935 ```
58
Warner Brothers
``` Harry, Albert, Jack and Sam Warner founders (1923) Vitaphone-1926 Fathers of sound (the jazz singer) 1925: global distribution 1930s: 360 theatres Cartoons WE incorporated ```
59
Vitaphone
``` Sound-on-disk system Warner Brothers (1926-31) Last analog sound on disk system which was widely used and commercially successful ```
60
Fox Movietone News
1928-63 A newsreel in the US Produced silent news reels
61
Sound-on-film
Sound that is on the strip of film itself, where light reads the sound waves on the strip
62
Western Electric
Sound recording company Worked with Warner Brothers Sound on film vs vitaphone a sound on disk
63
Fox Studios
William Fox: owner (1919) 1920: worldwide studio issues 1924: opens larger studio 1925: failed so work w/ WE 1929: worked w/ WE And Fox buys socks from Lowe’s
64
Loew’s/ MGM
Vertically integrated Many theatres 1922- radio Signed w/ WE
65
Vertical Integration
Monopolistic practice where you own everything (execution, distribution, exhibition spaces)
66
1920s Big Three & Little Five
All three vertically integrated Paramount- Publix Lowe’s/ MGM First National ``` Fox Universal Warner Brothers Producer’s Distributing Co Film Booking Office ```
67
1930s Big Five & Little Three
``` Big Five (vertically integrated) Paramount Warner Brothers Fox RKO Lowe’s/ MGM ``` Little Three Columbia United Artists Universal
68
MPPDA
Motion Picture Producers and Distributors Association of America (1922) Hays Code- censorship A way to keep Hollywood Financially stable
69
Will Hayes
Issues in the early 1922 MPPDA Will Hayes was the first leader (1922-45) Dealt with reformers who wanted govt censorship and foreign govts To maintain power: 1. Government censorship 2. International/ distribution restrictions 3. Threat of labor unrest
70
Abel Gance
French Director | La Roue

Film history (1 decks)

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