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RCM History 2 > History 2 Composition Traits > Flashcards

History 2 Composition Traits Flashcards

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1
Q

The first movement of this work features a monothematic exposition.

A

Symphony No. 104 in D Major
“London” Symphony
by Haydn

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2
Q

This dance was based on an earlier polyphonic chanson by Josquin des Prez.

A

Pavane “Mile regretz”
from Danserye
by Susato

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3
Q

This work was sung in a responsorial style and was designated as part of the Mass for Easter Day.

A

Haec Dies (chant)

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4
Q

The concertino in this work consists of trumpet, oboe, recorder and violin.

A

Brandenburg Concerto No. 2 in F Major

by Bach

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5
Q

The terzetto in this work is based on sonata form and features vivid musical characterization.

A

The Marriage of Figaro

by Mozart

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6
Q

This work is comprised of twenty-two movements arranged in three suites.

A

Water Music

by Handel

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7
Q

This work for five voices features a highly chromatic opening.

A

Moro lasso, al mio duolo

by Gesualdo

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8
Q

Based on a strophic Latin poem, this work features passages of canonic imitation, voice pairing and homorhythmic texture.

A

Ave Maria…virgo serena

by Josquin des Prez

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9
Q

The fourth movement of this work is based on a Lied by the same composer.

A

Piano Quintet in A Major
“Trout” Quintet
by Schubert

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10
Q

The first movement of this work features a sonata-allegro from with a double exposition.

A

Piano Concerto in G Major

by Mozart

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11
Q

This two-voice work features a newly composed florid counterpoint against the original chant melody.

A

Haec Dies (Organum)

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12
Q

Written for four voices, this work makes extensive use of word painting to convey its light-hearted, pastoral text.

A

Fair Phyllis

by Farmer

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13
Q

This three-voice work utilizes a rhythmic ostinato in the tenor voice and features a different text for each part.

A

O mitissima/Virgo/Haec dies

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14
Q

The overture to this work is in D major, and is written in modified sonata-allegro form without a development.

A

The Marriage of Figaro

by Mozart

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15
Q

This work demonstrates stile concitato.

A

The Coronation of Poppea

by Monteverdi

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16
Q

Performances of this monophonic dance may have included improvised accompaniment.

A

Royal Estampie No. 4

from Chansonnier du Roy

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17
Q

Completed in 1798, this work takes its inspiration from both the Bible and Milton’s “Paradise Lost”.

A

The Creation

by Haydn

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18
Q

This three-voice composition sets a text written by the composer in rondeau form.

A

Puis qu’en oubli

by de Machaut

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19
Q

Considered the first true English opera, this work also incorporates dynamic string writing in the Italian style and the regal character of the French overture.

A

Dido and Aeneas

by Purcell

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20
Q

The contrapuntal clarity of this work embodies the ideals of the Counter-Reformation.

A

Missa Papae Marcelli

by Palestrina

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21
Q

The monophonic melody is based on the Dorian mode.

A

Royal Estampie No 4

from Chansonnier du Roy

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22
Q

This work is one of the earliest examples of Medieval dance.

A

Royal Estampie No 4

from Chansonnier du Roy

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23
Q

This work uses plainchant throughout for its cantus firmus.

A

O mitissima/Virgo/Haec Dies

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24
Q

It is a five-voice a cappella work.

A

Moro lasso, al mio duolo

by Gesualdo

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25
Q

The exaggerated use of word painting is typical of the late Renaissance style.

A

Moro lasso, al mio duolo

by Gesualdo

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26
Q

It has a sectional structure, with open and closed endings.

A

Royal Estampie No 4

from Chansonnier du Roy

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27
Q

It opens with imitative entries from the highest voice to the lowest.

A

Ave Maria…virgo serena

by Josquin des Prez

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28
Q

The descending chromaticism represents grief and death.

A

Moro lasso, al mio duolo

by Gesualdo

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29
Q

The rhythm is unmeasured, following the natural prose rhythm of the text.

A

Haec Dies (chant)

30
Q

The triplum and duplum often overlap.

A

O mitissima/Virgo/Haec Dies

31
Q

It features consonant harmony based on thirds and sixths.

A

Ave Maria…virgo serena

by Josquin des Prez

32
Q

This is a polyphonic work by Guillaume de Machaut.

A

Puis qu’en oubli

by de Machaut

33
Q

This is a 15th-century motet employing a single text.

A

Ave Maria…virgo serena

by Josquin des Prez

34
Q

This work was composed by Giovanni Peirluigi da Palestrina.

A

Missa Papae Marcelli

by Palestrina

35
Q

The cantus firmus presents the original chant in very long notes.

A

Haec Dies (Organum)

36
Q

It was composed in the style of Leonin.

A

Haec Dies (Organum)

37
Q

This is a 13th century motet.

A

O mitissima/Virgo/Haec Dies

38
Q

When performing this three-voice chanson, musica ficta was usually employed.

A

Puis qu’en oubli

by de Machaut

39
Q

This work demonstrates characteristics of the Ars nova.

A

Puis qu’en oubli

by de Machaut

40
Q

This work was written by the Franco-Flemish composer Josquin des Prez.

A

Ave Maria…virgo serena

by Josquin des Prez

41
Q

This is an example of music from the Notre Dame School.

A

Haec Dies (Organum)

42
Q

This work is scored for SATTBB.

A

Missa Papae Marcelli

by Palestrina

43
Q

This work opens with an upward leap of a perfect 4th, which is imitated in subsequent entries.

A

Ave Maria…virgo serena

by Josquin des Prez

44
Q

It was first performed on a barge on July 17, 1717.

A

Water Music

by Handel

45
Q

It is from the collection, “Escercizi per gravicembalo”

A

Sonata in D Major, L463/K430

by Scarlatti

46
Q

Examples of word painting occur on “up and down” and “O, then they fell a-kissing”.

A

Fair Phyllis

by Farmer

47
Q

The final couplet is entirely homorhythmic, ending on open 5ths.

A

Ave Maria…virgo serena

by Josquin des Prez

48
Q

Repetition of music and text occurs because of the rondeau structure.

A

Puis qu’en oubli

by de Machaut

49
Q

The solo exposition contains a new theme introduced by the piano.

A

Piano Concerto in G Major, K 453

by Mozart

50
Q

It opens with a monophonic intonation sung by the priest or cantor.

A

Missa Papae Marcelli

by Palestrina

51
Q

In the opening, trumpets play ascending triadic figures answered by descending scales.

A

“Allegro” from Water Music

by Handel

52
Q

It displays continuous imitation, opening with an ascending perfect 4th

A

Ave Maria…virgo serena

by Josquin des Prez

53
Q

Organal, discant, and monophonic sections alternate

A

Haec Dies (Organum)

54
Q

This dance for couples from the Middle Ages has a stately, noble character.

A

Royal Estampie No. 4

from Chansonnier du Roy

55
Q

The duplum praises Mary and the Immaculate Conception.

A

O mitissima/Virgo/Haec Dies

56
Q

The fifth movement features a unison chorus in 6/8.

A

Cantata No. 80
A Mighty Fortress is our God
By J.S. Bach

57
Q

Characters include a teenage page boy and a gossipy music teacher.

A

The Marriage of Figaro

by Mozart

58
Q

The cadenza is placed at the end of the recapitulation section.

A

Piano Concerto in G Major, K 453

by Mozart

59
Q

It is a five-movement sonata cycle.

A

Piano Quintet in A Major
“Trout” Quintet
by Schubert

60
Q

The Allegro from the D major suite features brass and stings in dialogue.

A

Water Music

by Handel

61
Q

The fourth movement is a theme and variations.

A

Piano Quintet in A Major
“Trout” Quintet
by Schubert

62
Q

It is one of a set of six concerti grossi.

A

Brandenburg Concerto No. 2 in F Major

by Bach

63
Q

The first theme of the exposition has a folk-like quality.

A

Symphony No. 104 in D Major
“London” Symphony
by Haydn

64
Q

The opening ritornello is restated throughout the first movement.

A

Brandenburg Concerto No. 2 in F Major

by Bach

65
Q

The first movement features a double exposition.

A

Piano Concerto in G Major, K 453

by Mozart

66
Q

It was originally composed for an outdoor performance.

A

Water Music

by Handel

67
Q

It begins with a slow introduction in the tonic minor key.

A

Symphony No. 104 in D Major
“London” Symphony
by Haydn

68
Q

Many of the movements are in ternary form.

A

Water Music

by Handel

69
Q

The performing forces are piano, violin, viola, cello, and double bass.

A

Piano Quintet in A Major
“Trout” Quintet
by Schubert

70
Q

The ripieno consistsof string orchestra and continuo.

A

Brandenburg Concerto No. 2 in F Major

by Bach

71
Q

It was composed for Barbara von Ployer, one of the composer’s most gifted students.

A

Piano Concerto in G Major, K 453

by Mozart

RCM History 2 (2 decks)

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