History 1 Composer Traits Flashcards

Musical style traits of the required composers for RCM History 1 examination.

1
Q

Innovations found in his symphonies include the use of the scherzo, cyclical structure, programmatic elements, and the inclusion of vocal soloists and chorus.

A

Beethoven

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2
Q

His harmonic approach includes parallel chord streams, unresolved dissonance and quartal harmonies.

A

Debussy

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3
Q

His choruses often alternate homorhythmic passages with imitative textures.

A

Handel

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4
Q

He took a vivid and original approach to orchestration, expanding the size and make-up of the orchestra, often specifying grandiose performing forces.

A

Berlioz

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5
Q

He carried the vocal lyricism of his operas into his instrumental compositions.

A

Mozart

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6
Q

This composer cultivates a pan-ethnic perspective combining traditional Asian music with Western influences.

A

Louie

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7
Q

He composed works in every genre of his day with the exception of opera.

A

Bach

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8
Q

The detailed ornamentation of his melodic lines recalls the bel canto vocal style.

A

Chopin

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9
Q

His early works are characterized by driving rhythms, primal energy, and a percussive approach.

A

Stravinsky

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10
Q

His instrumental works reflect the spirit of the Classical era, while his vocal works are more Romantic in nature.

A

Schubert

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11
Q

He contributed to the development of the Baroque solo concerto and was a leader in establishing ritornello form.

A

Vivaldi

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12
Q

He was a master of the contrapuntal art who dedicated his works “to the glory of God”.

A

Bach

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13
Q

He was regarded as the “father” of the symphony and string quartet because of his significant contributions to both.

A

Haydn

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14
Q

He exemplified Viennese Classical ideals such as elegance, balance and refinement.

A

Mozart

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15
Q

He wrote almost exclusively for the piano.

A

Chopin

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16
Q

Musical nationalism is demonstrated in his polonaises and mazurkas.

A

Chopin

17
Q

He increased the role of the piano in his art songs; the piano accompaniment often depicts specific elements of the poem.

A

Schubert

18
Q

He explored orchestral writing unrestricted by pianistic conventions, and invented new orchestral effects such as col legno.

A

Berlioz

19
Q

As an avid reader, he was influenced by Shakespeare as well as leading writers of his day, including Goethe, Byron and Hugo.

A

Berlioz

20
Q

He integrated American, Hispanic and Jewish elements in his compositions, and absorbed popular, jazz, and musical theatre elements.

A

Bernstein

21
Q

This composer varied harmonic language, embracing tonality, modality and extreme dissonance, and injects humour into operas and stage works.

A

Louie

22
Q

His brilliant and idiomatic writing for strings is demonstrated in the virtuosity of his solo concertos.

A

Vivaldi

23
Q

He drew inspiration from the work of Impressionist painters and Symbolist poets.

A

Debussy

24
Q

He set forth his innovative ideas on orchestral colour and instrumental colour in a treatise on orchestration.

A

Berlioz

25
Q

Known first for his Italian operas, his later dramatic works were English oratorios.

A

Handel

26
Q

He employed widely spaced accompaniment patterns and sweeping arpeggiation sustained with the damper pedal.

A

Chopin

27
Q

He often used monothematic expositions in his sonata-form movements, and was influenced by folk songs and dances.

A

Haydn

28
Q

Musical playfulness and dramatic elements are demonstrated by sudden accents or dynamic changes, abrupt silences, and bold changes of chords or keys.

A

Haydn

29
Q

He was influenced by the Mannheim orchestra, with the expanded use of wind instruments in his orchestral writings. His piano concertos were influenced by J. C. Bach.

A

Mozart

30
Q

Opera was central to his career, creating compelling, realistic characters dramatically and musically.

A

Mozart

31
Q

Extended embellishments and ornamental passages are prominent in his nocturnes and other lyrical works. Improvisatory qualities exist in many of his works, such as Preludes and Impromptus.

A

Chopin

32
Q

He preferred large-scale forms, such as symphonies and oratorios. He embraced programmatic writing in program symphonies and concert overtures. He wrote few small works and character pieces.

A

Berlioz

33
Q

Some of his later works embraced Schoenburg’s twelve-tone method and sparse textures inspired by Webern.

A

Stravinsky

34
Q

In his early years, he was influenced by the rich orchestration of Rimsky-Korsakov, and expressed Russian nationalism through use of folk song and dance.

A

Stravinsky

35
Q

In his middle years, he showed emotional restraint, balance and discipline, as he adopted a neo-Classical style with emphasis on formal design.

A

Stravinsky

36
Q

This composer’s influences include Stravinsky, Debussy, and Canadian First Nations music.

A

Louie