Historical Context Flashcards

1
Q

What is the biographical context of Othello? (4 points)

A

Shakespeare was born in 1564 in Stratford-upon-Avon

Born early in Queen Elizabeth I’s reign, which epitomised a Golden Age in English literature and culture

Renaissance in the Arts started more than a century earlier in Italy - his works are imbued with its spirit

Remained an active member of the King’s Men theatrical company until shortly before he died in 1616

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2
Q

What is the historical context of Othello?

A

Many of Shakespeare’s plays including Othello were written during the years immediately before and after the change of monarch from Elizabeth I to James I

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3
Q

What is the historical context behind the possible inspiration for Othello? (3 points)

A

Honigmann believes that it was inspired by the visit of the King of Barbary’s ambassador to London in 1600 with his entourage known as the ‘Barbarians’ - was much discussed by Londoners at the time

Also, in 1500, a translation of John Leo’s “A Geographic Historie of Africa” was published

Leo, a Moor brought up in Barbary, wrote about his fellow countrymen with terms similar to Othello’s character traits

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4
Q

What 6 terms did John Leo use to describe Berbers in “A Geographic Historie of Africa”?

A

Honest

Proud

High-minded

Addicted unto wrath

Subject to jealousy

Willing to lose their lives rather than put up with disgrace on behalf of their women

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5
Q

What is the historical context behind Venice? (2 points)

A

It had many foreign residents and visitors in 1600 due to trade links with East and North Africa - simultaneously associated with exotic excitement and dangerous otherworldliness

Also thought of as a pleasure capital - known for its sexual tolerance and courtesans

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6
Q

What is the historical context behind Venice’s government? (3 points)

A

Europe was once ruled by monarchs and feudal lords

However, the northern part of Italy was unique in being organised into ‘city-states’ - Venice was one of the most celebrated of them

Audiences would have been fascinated by its contemporary Republican government - the Tudor era was nearly over and no heir for Elizabeth I led to widespread interest in alternative forms of rule

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7
Q

What is the historical context behind the Venetian Republic? (3 points)

A

Venice began to exploit its position at the head of the Adriatic Sea

Founded a seaboard empire that would eventually stretch to the Levant and the shores of the Black Sea

The Venetian Republic fell into decline from 1570 onwards after the loss of Cyprus to the Turks

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8
Q

How does the play present Venice as corrupt? (8 points)

A

Venice is therefore a less virtuous place than it might appear - its people are obsessed with money and trading in human flesh

Corruption is caused by imperial ambition, wealth and complacency

Othello and Cassio:
Mercenaries who kill for hire - the Senate, however dignified, is engaged in a war for profit and territory

Brabantio:
Imprisons his daughter so he can arrange a good marriage

Roderigo:
Unlawfully solicits Desdemona through the use of monetary bribes

lago:
Has also made money his replacement for morality:
+ Hired ‘three great ones of the city’ to plead his suit for the lieutenancy
+ It is not a position not expected to be awarded on merit

Emilia:
Condones adultery as ‘the world…is a great price / For a small vice’

Bianca (meaning white’):
Buys herself ‘bread and clothes’ by ‘selling her desires’

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9
Q

How is Venetian racism presented in Othello? (5 points)

A

Racism is expressed by four Venetian characters: Roderigo, lago, Brabantio and Emilia

Brabantio falls back on the accusation of witchcraft when faced with something ‘unnatural’ that he can’t rationally undersand

Contributes to the play’s theme of appearance versus reality - underneath the visible white surface lies blackness

Cassio, who is specifically called a Florentine, being the only winner may be significant

Venice is the ideal setting for English anxieties to be projected onto - racism and fear of outsiders in the play are a reflection of English fears and behaviours

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10
Q

What is the historical context behind Cyprus? (3 points)

A

Cyprus was at the crossroads of the eastern Mediterranean - explains why it was invaded and subjugated over 4,000 years

Europeans were brought to it when Christians launched a campaign to win back Jerusalem from the Muslims in 1097 - colonised it as an ideal base for operations in the Levant

It became a dangerously isolated Christian outpost in the Muslim world - invaded by the Ottomans in 1570, allowing them to dominate the eastern Mediterranean

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11
Q

What is the physical significance of Cyprus in Othello? (3 points)

A

Setting is even further removed from English audience both geographically and symbolically

Whilst Venice sat at the ‘edge of civilisation, Cyprus was even more unknown and dangerous - closer to Arab and Turkish world

The further the play is removed from Western Europe, the more civilisation and honour break down

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12
Q

What is the symbolic significance of Cyprus in Othello? (4 points)

A

Cyprus is described as ‘this war-like isle’ - the antithesis to peaceful Venice

It is a symbol of submission - has never had autonomy due to having always been a colony

Thought to be the birthplace of Aphrodite, goddess of love - it is an island of love dominated by war

It is the battlefield between the forces of Christianity and heathenism - represents actual war and also the figurative thematic battles between:
+ Good and evil
+ Light and darkness
+ Heaven and hell

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13
Q

How does the location of Cyprus relate to Othello and its characters? (3 points)

A

Othello’s mentality following Iago’s machinations mirrors the fright and dependence the Cypriots felt as the last European bastion against the marauding infidels - the ‘Turk’ lago invades Othello’s mind and then subjects him to his rule

It unlocks the primitive side of previously restrained characters, including Othello - it hosts:
+ 2 street fights
+ Drunkenness,
+ Prostitution
+ Murder
+ Verbal and physical attacks on women
+ A general loss of decorum

Not one of the major characters returns from Cyprus to Venice within the play - not a journey that can be made in reverse, just like the loss of virginity, trust and innocence

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14
Q

What is the context behind the Muslim invasion? (4 points)

A

The Christian world (Europe, North Africa, the Levant and Asia Minor) began to be threatened by Islam almost immediately after its creation in the 7th century

Muslims rapidly conquered all the non-European areas and struck deep into Europe before they were defeated in France

The Ottoman Turks mounted increasingly powerful operations against the Christians from the 15th century

Symbolically conquered Constantinople, the capital of the Byzantine Empire, in 1453

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15
Q

What is the context behind the origin of ‘Moors’? (5 points)

A

‘Moor’ and ‘blackamoor’ (a contraction of ‘black as a Moor) were used very loosely in Elizabethan England to indicate any person of dark or black skin, including all people of African descent

However, the term correctly refers to Muslims who originated from Morocco and had conquered and settled in Spain in the 7th century.

Parts of Spain remained Muslim and many Moors from North Africa settled there until the ‘Moorish kingdom’ of Granada was finally defeated by the Spanish kings in 1492

From then on, all remaining Moors were forcibly converted to Christianity as ‘Moriscos’

With his Spanish name, it seems probable that Othello was a Morisco expelled from Spain and hence a converted Christian

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16
Q

What is the context behind the Berbers? (4 points)

A

Original inhabitants of the Barbary coast, the Mediterranean shore of north-west Africa

Much darker skin than Arabs but not as dark as that of central and Southern Africans

In August 1600, the ambassador of the King of Barbary and his entourage visited London and caused a stir with their appearances in public over the next six months

A contemporary audience would have been familiar with Berbers - likely that Othello is being depicted by Shakespeare as being a dark-skinned Berber

17
Q

How were Moors viewed in Elizabethan England? (4 points)

A

Blackamoors were considered a problem in England in 1601 - decreed that too many had ‘crept into the realm” and had become an ‘annoyance’

Elizabeth I ordered two edicts of deportation for their return to Barbary

Black people were either represented as:
+ Savages and monsters only fit to be slaves
+ Mysterious and exotic chieftains

Whether they were menacing heathens or heroic warriors, they were considered dangerous and unnatural because they were foreign

18
Q

What is the significance of religion in Othello? (4 points)

A

Set against the backdrop of the ongoing wars between the Christian Republic of Venice and the Muslim Ottoman Empire which raged throughout the late 16th century

Acts as a subtle reminder of the Islam-Christianity conflict and of how Othello stands apart from society - he is a Muslim-turned-Christian

Him fighting against the Ottomans indicates his dedication to Christianity but his Muslim background is another cause for the Venetians’ subtle distrust of him

Religiously fuelled hatred may be one of Iago’s motives

19
Q

What is the timeline for the historical context of Othello?

A

7th century - Islam is created
1097 - Europeans brought to Cyprus

1453 - Turks conquer Constantinople
1492 - Granada is invaded by the Spanish kings

1500 - John Leo translation
1564 - Shakespeare born
1570 - Turks take over Cyprus

1600 - Barbary ambassador visit
1601 - Blackamoors are considered an issue
1616 - Shakespeare died