Haydn Mvt II

Question 1

What is the overall structure of the 2nd movement?

Answer 1

Variation Form

Question 2

What is the structure of the A section

Answer 2

Rounded Binary form

Question 3

What bar does the A section start in?

Answer 3

Bar 1

Question 4

What key does the A section start in?

Answer 4

G major

Question 5

Section A - What cadence ends the antecedent ‘phrase a’?

Answer 5

Imperfect Cadence

Question 6

Section A - Describes bars 1-8

Answer 6

Consequent and antecedent phrase structure
Double dotted rhythm
Ends in dominant key of D major

Question 7

Tonicisation Section - Describe Bars 9-16 (B)

Answer 7

Bar 9: Cello has figure X
Bar 10: A minor tonicisised
Bar 16: D major pivot chord (V)

Question 8

Describe bars 17-37:

Answer 8

Bars 17-20: same as bars 1-4 but with cello doubling violins
Bars 33-37: Codetta w/ semiquaver motif from bar 14

Question 9

What bar does the B1 section start in?

Answer 9

Bar 38

Question 10

What is the key from bar 38?

Answer 10

G minor

Question 11

Describe bars 38-41:

Answer 11

Textural and tonal contrast
G minor
Bars 40-41: Diminished chords

Question 12

What does the key shift to from br 42?

Answer 12

D minor

Question 13

How does Haydn modulate from D minor to Bb major from bar 46?

Answer 13

Uses Bb as a pivot chord

Question 14

Describe bars 42-45:

Answer 14

Forte Dynamics
D minor - tonic and dominant root position harmony underlined by timpani
Violin tune derives from figure X

Question 15

Describe bars 46-56:

Answer 15

Bar 46: Modulation to Bb major
Bar 48-9: Melody is now an ascending sequence
Bar 51-55: Melody in arpeggio figurations + moving harmony

Question 16

What bar does the B2 section start in?

Answer 16

Bar 57

Question 17

Describe Bars 57-59:

Answer 17

Bb major
Strings only - figure X shortened

Question 18

Where is the dominant 7th chord - 3rd inversion:

Answer 18

Bar 54 beat 4

Question 19

State in full the key in bar 38 and its relation to the mvt

Answer 19

G minor - parallel minor

Question 20

Where is the diminished 7th chord in Bb major?

Answer 20

Bar 66 beat 1

Question 21

Locate the circle of fifths:

Answer 21

Bars 48 beat 1 - 50 beat 1

Question 22

Describe bars 60-69:

Answer 22

Tutti
Bar 60: Bb major to G major
Bar 65-66: descending semiquaver sequence

Question 23

What bar does the link section start in?

Answer 23

Bar 70

Question 24

Section A’ - Describe bars 74-81:

Answer 24

Same as bars 1-8 (figure x) + woodwind
Flute doubles violin 1 an octave up

Question 25

What bar does the A’ section start in?

Answer 25

Bar 74

Question 26

Describe bars 70-73

Answer 26

Link section
Dominant preparation section on D7
4 bars of D7 arpeggios

Question 27

Describe bars 90-97

Answer 27

Phrase ‘b’ based on bars 9-16
Tonicisation used

Question 28

Where is there a dominant 9th chord in the key of D minor?

Answer 28

Bar 43 beat 1

Question 29

Similarities: b.57-60 & 1-8

Answer 29

Same melodic theme and same rhythm

Question 30

Differences: b.57-60 &1-8

Answer 30

57-60: shortened version of the opening theme
^ similar to 1-4 but has a perfect cadence instead of imperfect
Bar 1-8: uses different harmony in second bar

Question 31

KEEP GOING!

Answer 31

hehehe