Haydn 104 Movement 2 Flashcards

1
Q

What is the overall form/structure of the piece?

A

Ternary form

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2
Q

What form are both Ternary A sections in?

A

Rounded Binary form

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3
Q

Where does Ternary section A start?

A

Bar 1

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4
Q

How is Ternary A structured with bar numbers?

A

A= 1antecedent and consequent
B=9
A’=17 antecedent and 3 phase consequent- phase 1, 2 and close

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5
Q

What keys are in Ternary A? What is the mnemonic? Where are these?

A

Gandpa Dropped A Donut Again! Gross!
Only change in rounded binary A and B
Gmajor, Dmajor, Aminor, Dminor, Aminor, Gmajor

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6
Q

What cadence sits between the theme bar 2 (and equivalent tune later throughout the piece)?

A

Interrupted cadence

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7
Q

What changes in texture between A and B of the rounded binary section?

To do with where the melodic line is

A

The texture is inverted

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8
Q

What shape does the Rounded Binary B take?

A

Ascending melodic shape

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9
Q

What ornamental feature happens in Rounded Binary B?

A

Descending sequence of appoggiaturas

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10
Q

Where is the simultaneous false relation that adds tension harmonically in Rounded Binary A’?

A

Bar 21

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11
Q

Where does the PAC occur in ternary A before going to Ternary B?

A

Bar 32 which is extended in the coda

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12
Q

Where does ternary B start?

A

Bar 38

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13
Q

In Ternary B how is the original theme used and how is this structured?

A

Theme is played for 4 bars then interrupted by Episode 1. This repeats in a new key.

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14
Q

In Ternary B what is the key the first time the theme is used?

A

G minor

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15
Q

In Ternary B what is the key the second time the theme is used?

A

Bb major

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16
Q

What keys are Ternary B in? What is the mnemonic?

A

Gminor, Dminor, Bbmajor, Gminor, Chord V in Gmajor as a retransition
Good Dads Bring Gifts (v)

17
Q

What tension adding feature occurs through the minor tonality here?

A

Sturm und Drang

18
Q

What instrumentation section is added in Ternary B?

19
Q

Where is there a sequence?

A

Bar 48 onwards

20
Q

Where is there a dominant pedal?

21
Q

What happens harmonically at the cadence at bar 55?

A

It is uncertain
- could be an interrupted presuming nothing (MC) isn’t chord I
-could be a delayed pc
- imperfect cadence chord I to V

22
Q

Where does Ternary A’ start?

23
Q

What is different about the rounded binary section A in this repeat?

A

The repeat is realised and written with some variations

24
Q

What bar is rounded binary B in this repeat? How does it differ rhythmically?

A

Bar 90
Triplet rhythms

25
Q

In Ternary A’, what is different about the Rounded Binary A’ section?

A

The first time the consequent is expanded then the immediate written repeat does the same but with 2 failed cadence points before a PAC

26
Q

What changes rhythmically in Ternary A’ melodies?

A

More dotted rhythms, triplets and implied grace notes

27
Q

Where are the perfect cadences in A’?

A

Bar 140 at the end of the consequent phrase and at bar 152, the final bar

28
Q

In ternary A’ describe coda bars?

A

Phase 1 at bar 141 then phase 2 at bar 149

29
Q

Keys in Ternary A’ are the same as Ternary A with what addition?

A

F sharp major, then modal mix to F sharp minor, then G major are added

30
Q

Where is there modal mixture between F sharp major and minor?

31
Q

Where is the ambiguous harmony?

32
Q

What is happening if it is in G major

A

A normal progression then Neapolitan 6th at bar 107

33
Q

What is happening if it is in C minor? How is this more limited?

A

V:V - only possible to be c minor between 102 and 106

34
Q

What is happening if it is in F sharp minor

A

A German 6th chord then a secondary dominant