Harmony 8 Flashcards

1
Q

How are non harmonic tones figured?

A

Like chord tones

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2
Q

How are voices that change after the initial track of the chord figured

A

Which a change of numeral

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3
Q

When does figured bass not represent the true position if the chord?

A

When non harmonic tones are in the initial attack of the chord(suspensions, etx)

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4
Q

Diatonic passing tone

A

Between two chord tones a third apart in a weak rythm

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5
Q

Accented passing tone

A

A non chord tone in a strong rythmic position

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6
Q

Chromatic passing tone

A

Fills the interval between two chord tones that are a second apart in a weak rhytmic position

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7
Q

Cross relation

A

When a chromatically altered chord tone in one voice is next to the same diatonic scale degree in another voice.

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8
Q

Double passing tones

A

Fill a fourth between two chord tones in a weak rythmic position

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9
Q

Chromatically altered passing tone

A

Between two chord tones

Most often over the V chord in a minor key

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10
Q

Upper auxillary

A

A tone a step above two chord tones of the same pitch in a weak rhytmic position

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11
Q

Lower auxillary

A

A tone a step below two chord tones of the same pitch in a weak rythmic position

May be chromatically altered

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12
Q

Changing tones

A

Two non chord tones approaching a chord tone

One above and one below
First must be in a weak rythmic position

If the chord tone is g then the tones are f then a landing on g

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13
Q

Can changing tone be preceded by the note they resolve to?

A

Yes

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14
Q

Nota cambia

A

Changing tones precede by a note a third from Target note

ie target g: b a f g

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15
Q

Cambiata

A

A non chord tone approached by disjunct motion in one direction and resolved by conjunct in the opposite direction

A leap in one direction and a step in the other to Target

Target g: d(above) f#(below) g(target)

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16
Q

Echappee

A

Non chord tone approached by conjunct motion and left by disjunct motion in the opposite direction

Opposite shape of a cambiata

A step then a leap in the opposite direction to the chord tone

Target g : c(above) d(above) g( target)

17
Q

Suspension

A

A non harmonic tone when a melodies natural progression is delayed

18
Q

A chord tone from a first chord that is sustained or repeated in the second chord as a non harmonic tone

A

Suspension

19
Q

Three parts of a suspension

A

Preparation
Suspension
Resolution

20
Q

Upward resulotion of a suspension

A

Retardation

21
Q

Appoggiatura

A

A non harmonic tone a step above or below a chord tone that resolves to the chord tone

Like a suspension with no preparation

22
Q

Anticipation

A

A non chord tone that becomes a.chord tone in the following chord

23
Q

Pedal

A

A non harmonic tone that lasts for three or more chords

24
Q

What voice do peedals usually occur in?

A

Bass or tenor

25
Q

Inverted pedal

A

Pedal in the soprano voice

26
Q

When the octave occurs when two passing tone move in contrary motion

A

Passing through the octave

27
Q

Two ways simultaneous non harmonic tones can be figured

A

Linearly and vertically

28
Q

Most common no harmonic tones

A

Passing tone and auxillaries

29
Q

Appoggiatura six four

A

Not at a cadence point

I64 to V and IV64 to I

30
Q

What voice can non harmonic tones occur in ?

A

Any

31
Q

What is a non harmonic tone?

A

Occur with chord but are not chord members.