Harmony 8

Question 1

How are non harmonic tones figured?

Answer 1

Like chord tones

Question 2

How are voices that change after the initial track of the chord figured

Answer 2

Which a change of numeral

Question 3

When does figured bass not represent the true position if the chord?

Answer 3

When non harmonic tones are in the initial attack of the chord(suspensions, etx)

Question 4

Diatonic passing tone

Answer 4

Between two chord tones a third apart in a weak rythm

Question 5

Accented passing tone

Answer 5

A non chord tone in a strong rythmic position

Question 6

Chromatic passing tone

Answer 6

Fills the interval between two chord tones that are a second apart in a weak rhytmic position

Question 7

Cross relation

Answer 7

When a chromatically altered chord tone in one voice is next to the same diatonic scale degree in another voice.

Question 8

Double passing tones

Answer 8

Fill a fourth between two chord tones in a weak rythmic position

Question 9

Chromatically altered passing tone

Answer 9

Between two chord tones

Most often over the V chord in a minor key

Question 10

Upper auxillary

Answer 10

A tone a step above two chord tones of the same pitch in a weak rhytmic position

Question 11

Lower auxillary

Answer 11

A tone a step below two chord tones of the same pitch in a weak rythmic position

May be chromatically altered

Question 12

Changing tones

Answer 12

Two non chord tones approaching a chord tone

One above and one below
First must be in a weak rythmic position

If the chord tone is g then the tones are f then a landing on g

Question 13

Can changing tone be preceded by the note they resolve to?

Answer 13

Yes

Question 14

Nota cambia

Answer 14

Changing tones precede by a note a third from Target note

ie target g: b a f g

Question 15

Cambiata

Answer 15

A non chord tone approached by disjunct motion in one direction and resolved by conjunct in the opposite direction

A leap in one direction and a step in the other to Target

Target g: d(above) f#(below) g(target)

Question 16

Echappee

Answer 16

Non chord tone approached by conjunct motion and left by disjunct motion in the opposite direction

Opposite shape of a cambiata

A step then a leap in the opposite direction to the chord tone

Target g : c(above) d(above) g( target)

Question 17

Suspension

Answer 17

A non harmonic tone when a melodies natural progression is delayed

Question 18

A chord tone from a first chord that is sustained or repeated in the second chord as a non harmonic tone

Answer 18

Suspension

Question 19

Three parts of a suspension

Answer 19

Preparation
Suspension
Resolution

Question 20

Upward resulotion of a suspension

Answer 20

Retardation

Question 21

Appoggiatura

Answer 21

A non harmonic tone a step above or below a chord tone that resolves to the chord tone

Like a suspension with no preparation

Question 22

Anticipation

Answer 22

A non chord tone that becomes a.chord tone in the following chord

Question 23

Pedal

Answer 23

A non harmonic tone that lasts for three or more chords

Question 24

What voice do peedals usually occur in?

Answer 24

Bass or tenor

Question 25

Inverted pedal

Answer 25

Pedal in the soprano voice

Question 26

When the octave occurs when two passing tone move in contrary motion

Answer 26

Passing through the octave

Question 27

Two ways simultaneous non harmonic tones can be figured

Answer 27

Linearly and vertically

Question 28

Most common no harmonic tones

Answer 28

Passing tone and auxillaries

Question 29

Appoggiatura six four

Answer 29

Not at a cadence point | I64 to V and IV64 to I

Question 30

What voice can non harmonic tones occur in ?

Answer 30

Any

Question 31

What is a non harmonic tone?

Answer 31

Occur with chord but are not chord members.