Harlem Renaissance Flashcards

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1
Q

Who was Booker T. Washington?

A

1856-1915

  • civil rights activist leader and an educator
  • founded the Tuskegee Normal and Industrial Institute, now know as Tuskegee University
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2
Q

Who was W.E.B Du Bois?

A

1868-1963

  • essayist (The Souls of Black Folk, 1903)
  • Crisis founder and editor
  • patriarch of the New Negro movement
  • founder of the NAACP (this sponsored The Crisis)
  • founded the school of Protest (to educate black on their history and culture through theater, very political)
  • revered intellectual
  • against Marcus Garvey’s ideas
  • social scientist and political leader
  • thought that art was an essential race-building tool
  • Locke was his chief intellectual rival
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3
Q

Who was Alain Locke?

A

1885-1954

  • poet, intellectual, essayist, teacher and scholar (well-educated)
  • founded a student literary magazine (the stylus) where Zora Neale Hurston published her first story.
  • impresario (organiser, producer) of the New Negro movement
  • professor at Harvard (female students earned less in his class)
  • proud of being gay
  • very flirtatious with young men
  • wanted to have classes devoted to Latin, Greek, and black studies
  • perfect example of the “Talented Tenth”
  • chief intellectual rival of Du Bois
  • seen as an artist manqué and a writer of a real and profound ability
  • the movements’ most articulate voice, “precious oracle” and official mentor to its new recruits
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4
Q

Who was Countee Cullen?

A

1903-1946

  • gay
  • poet, author, scholar, leading figure in the New Negro Movement, also wrote for theater and children books
  • of the “younger” generation
  • friends with Jessie Fauset, Alain Locke, Langston Hughes, Carl van Vechten and Claude McKay
  • married Yolanda Du Bois
  • wrote the famous poem “Yet do I Marvel”
  • wanted to be evaluated solely based on his talent, not on his race
  • exemplified the the racial and moral values of the Talented Tenth
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5
Q

Who was Claude McKay?

A

1889-1948

  • poet (wrote (English) sonnets in traditional form, but not traditional topics)
  • traveled a lot
  • Jamaican and American – struggles with identity
  • wrote “Songs of Jamaica “ (book)
  • famous poems include “If we must die” and “ The Lynching”
  • gay
  • one of the most important figures of the Harlem Renaissance
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6
Q

Who was Langston Hughes?

A

1902-1967

  • friends with Carl van Vechten
  • Alain Locke admires him
  • young voice of the Harlem Renaissance
  • travelled a lot
  • involved with The Fire
  • writer, poet
  • gay??
  • famous poems include “I, Too” and “Cubes”
  • struggles between being a propagantist and an artist
  • wrote a poem who inspired Lorraine Hansberry’s title for her play; A Raisin In the Sun
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7
Q

Zora Neil Hurston

A

1891-1960

  • intellectual, writer
  • worked with The Fire
  • Alain Locke protegé
  • financial support given to her by Charlotte Mason, “Godmother”, (was her patron)
  • close relationship with Mason (almost like mother and daughter)
  • went on an adventure with “Sassie Susan” in the south to collect poverty, folklore, music and stories (one of the richest experiences she ever had)
  • meets Hughes in the South and together meet Jessie Fauset
  • together, their dream was to make a Negro opera
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8
Q

A’Leila Walker

A

1885-1931

  • extremely wealthy black woman
  • held many parties in her many buildings
  • “queen” and “tyrant”
  • the hostess of the Renaissance; known for her parties and wealth
  • “the Dark Tower”— her saloon, very luxurious.
  • had little interest for intellectual talk and rarely read books
  • very important figure of the Harlem Renaissance
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9
Q

Carl Van Vechten

A

1880-1964

  • white man
  • crossed the color line boundary
  • patron of the arts and writing an poetry
  • friends with people of color
  • wrote “Nword Heaven” 1926, about the Harlem Renaissance
  • married, but flirted with young uptown men— gay???
  • went to Harlem often
  • double identity
  • involved himself in many “fights”
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10
Q

Charlotte Mason

A

1842-1923

  • “Godmother”
  • patron for Hurston, Locke, and Hughes-
  • very wealthy, but did not want fame
  • very close relationships with all of her protégés, slightly different for each person.
  • patron in general of the Harlem Renaissance, in particular its art, poverty, writing, and music
  • paid a lot of money to fund the young writers
  • had a lot of control over them, but they all still had a very good relationship with her.
  • wanted to remain anonymous
  • very spiritual, and religious? (deceased husband)
  • very experienced and intelligent
  • mother-daughter relationship with Hurston
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11
Q

Jessie Redmon Fauset

A

1882-1961

  • french teacher in Washington
  • worked for W.E.B. Du Bois
  • says she was born in Philadelphia, but she was in fact born near it
  • novelist and The Crisis editor
  • first black woman to be elected to Phi Beta Kappa (oldest honour society for the liberal arts and sciences)
  • Du Bois was her chief mentor
  • wrote several novels including There is Confusion, and Plum Bun
  • recognised the promise of Claude McKay and Jean boomer, but also of her high school students Countee Cullen, and Langston Hughes
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12
Q

Angelina Weld Grimke

A

1880-1958

  • biracial family
  • lesbian?? letters found..
  • named after her aunt
  • lost of drama in her family (slave +plantation owner= her dad +her mom= Angelina. her aunt was a white abolitionist)
  • poet of the Harlem Renaissance (published in the Crisis and the Opportunity)
  • english teacher for 14 years
  • one of the first African-American women to write a play and have it performed
  • wrote a play called Rachel; about her concern about racial discrimination (especially about lynching and its repercussions on the daily that was affected)
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13
Q

Sterling Brown

A

1901-1989

  • professor, literary critic, folklorist, writer and poet
  • African-American
  • full professor at Howard University
  • who wrote several books which include Southern Road
  • poetry inspired by Langston Hughes, Jean Toomer, and Countee Cullen
  • became an artistic tradition in the Harlem Renaissance
  • he wrote Slim In Atlanta
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14
Q

Marcus Garvey

A
  • 1887-1940
  • Du Bois’ rival
  • Jamaican political leader
  • leader in the civil rights movement, pan-african movement, black nationalist movement and Afrocentrism
  • writer
  • founded the Universal Negro Improvement Association (U.N.I.A.), the African Communities league, the New Negro newspaper, the Black Star Line shipping company, and the Negroes Factories Cooperation
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15
Q

James Van Der Zee

A

1886-1983

  • African-American photographer
  • best known for his portraits of black New Yorkers
  • well known in the 1920’s, then forgotten, now rediscovered (Met exhibition)
  • took pictures of daily life
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16
Q

Jean Toomer

A

1894-1967
-poet, play and sketch writer, story writer, novelist
“created a new phase in American literature”, important figure in the Harlem Renaissance and in Modernism
-not really black, described as Indian, Asian, even Mediterranean
-brought up by an aristocratic family
-lifelong search for his “self”, and hone he meets his mentor-to-be Frank Waldo, he decides to become a writer, and define himself like that
-very random life in the start, like Claude McKay
-wrote “trunkfuls” of things
-worked as a principal in Tuskegee University for a bit, and there really encountered the “true” Negro, the peasant one, and listened to their songs, stories, music, etc– this inspire his writing
-Frank Waldo also his spiritual brother and most valued critic-> they went on a trip together to the south, where Frank, being white, pretended to be black, to be with Toomer during the Jim Crow laws
-poem example is “Song of the Son”
-did not care about the New Negro movement
-his book only got published 500 times, then disappeared entirely
-wrote cane

17
Q

Wallace Thurman

A

1902-1934

  • alcoholic, homosexual, suicidal
  • writer, novelist, screenwriter, playwright, editor
  • wanted other people to join his very radical magazine, Harlem
  • wrote The Blacker the Berry
  • very dark skinned
  • struggled between being black or gay
  • faced discrimination and judgement in his community because of his very dark skin
  • wrote the Fire
  • Harlem Renaissance man
18
Q

Gladys Bentley

A

1907-1960

  • African-American blues singer, and performer
  • lesbian and proud to be it
  • wore a white tuxedo and top hat during her performances
  • headliner of “The Clam House”
  • huge success (wealthy)
  • bad relations with her mother, struggles with achievements
  • known for her obscene lyrics
  • her mo wanted her to be a boy
  • toured around the country
  • a character in several books
  • a role model for the LGBTQ community
  • sang at speakeasies
  • lost her being lesbian “thanks” to religion
19
Q

Josephine Baker

A

1906-1975

  • french dancer, singer and actress
  • “Black Pearl”, Bronze Venus”, and “Creole Godess”
  • bisexual
  • french military honour
  • first black woman to star in major motion movie
  • bad relationship with her mother; different reputation in France and In US
  • was an activist in her own way (did not perform for segregated audiences, wrote articles on segregation, worked with the NAACP)
  • adopted 12 children of different races: “The Rainbow Tribe” (one family, together)
  • against the KKK (the threatened her, but she woke publicly say she was not scared of them)
20
Q

Paul Robeson

A

1898-1976

  • African-American singer, scholar-athlete, activist, entertainer and actor
  • became involved in the civil rights movement
  • established an immensely popular acting and singing career
  • went to a law firm, graduated from Columbia University
  • renaissance man
  • popular, successful in varied fields
  • NAACP Image Award, Hall of Fame Award, Grammy Hall of Fame, College Football Hall of Fame, Grammy Lifetime Achievement Award
  • constantly silenced
  • social activist, travelled internationally
  • leaded an anti-lynching organisation that never worked out
  • accused of being a communist, so his passport was removed for 8 years (no travelling outside of U.S.)
21
Q

Marian Anderson

A

1897-1993

  • very famous singer, very influential
  • African-American
  • incredible voice
  • Christian
  • experienced much racial prejudice in the United States, but not in Europe, during her tours.
  • performed at the very famous Lincoln Memorial Concert, with the help of the Roosevelts
  • in 1939, was presented with Spikenard Medal of Achievement
  • active civil rights movement supporter
  • supported the NAACP with concerts
  • first black person to perform in the Met Opera
22
Q

Archibald Motley

A

1891-1981

  • painter of the 1920’s
  • Jazz Age Modernist
  • in the beginning, more traditional waiting, portraits (if he had continued this style, had a reputation, would have been extremely famous and wealthy)
  • not technically a figure in the Harlem Renaissance, as he lived in Chicago
  • did not get attention i his time, was very talented though (he has been rediscovered )
  • his new style is very abstract, no characters in the centre, takes a while to take everything in, a lot of colours, a lot of things going on (reflects the jazz age), compressed images, lots of different hues of a specific colour, experimenting with them…
23
Q

Nella Larsen

A

1891-1964

  • African-American novelist of the Harlem Renaissance
  • first worked as a nurse and a librarian
  • published two novels : Quicksand and Passing, and numerous short stories
  • contemplates the struggles of racial identity (she is hard danish and half Indian)
  • supported by Carl Van Vechten
  • one of the most important female voices of the Harlem Renaissance
  • her novels won important prizes
  • controversy around her novels, even though they are now very popular and highly read
24
Q

Dark Tower

A
  • owned by A’Leila Walker
  • she turned it from a hair saloon to a saloon and nightclub
  • named it after Countee Cullen’s magazine
  • on one of the walls, the “Weary Blues”, a poem by Langston Hughes, is written
  • she held many parties there, where artist and writers would meet.
25
Q

Niggerati Manor

A
  • an apartment building in Harlem that housed many van-garde literary figures and visual artists of the Harlem Renaissance
  • residents of it include Thurman and Huston
26
Q

Rent Parties

A
  • parties organised in someone’s apartment, where people where invited to come, but had to pay
  • the money the people got from these parties helped to pay the rent, hence the name rent parties.
27
Q

Savoy Ballroom

A
  • large ballroom for music and public dancing in Harlem
  • glamorous, enormous, could fit a lot of people in it
  • no discrimination policy, so black and white people where equally present, even though there were usually more black people.
28
Q

Speakeasies

A

(during Prohibition) an illicit liquor store or nightclub.

29
Q

Drag Balls

A
  • originally organised by white gay men, it soon became a multi-racial place where gay men and women could safely meet and socialise
  • became very popular in Harlem during the Harlem Renaissance
30
Q

Hell fighters

A

Feb. 18, 1919, a day after 3,000 veterans of the 369th Infantry (formerly the 15th New York (Colored) Regiment) paraded up from Fifth Avenue at 23rd Street to 145th and Lenox. One of the few black combat regiments in World War I, they’d earned the prestigious Croix de Guerre from the French army under which they’d served for six months of “brave and bitter fighting.

31
Q

Charles S Johnson

A

Founded the Opportunity and published poetry Countee Cullen, who was also the assistant editor. Awarded Zora Neal Hurston some prizes.