Handel: 'And the Glory of the Lord' from Messiah Flashcards
1
Q
Performing Forces
A
- Use of sopranos, altos, tenors and basses
- Accompanied by strings and continuo
- Orchestra often doubles the vocal lines
2
Q
Structure
A
- Starts with an orchestral introduction (ritornello) which return later in the piece twice
- No set form and based on different combinations of the four motifs
3
Q
Melody
A
- First sung by the altos, starting in bar 11, it clearly outlines the key of A major.
- Second motif, sung by the tenors starts in bar 17. It uses a descending sequence and a melisma on the word ‘revealed’ (several notes to one word).
- Third motif is sung by the altos in bar 43. A short descending figure from A to E is repeated twice.
- Fourth motif sung by the tenors and basses starts in bar 51. Most of it is on the same pitch (A) but it uses longer notes- sounding solemn (sad).
4
Q
Rhythm metre and tempo
A
- Dance like metre- 3/4
- fast tempo: allegro, until the end where there is a bar of total silence (general pause) and then three bars in a slower tempo, marked Adagio to create a drawn-out ending.
- number of hemiolas in the piece such as bars 9-10, where the music feels as if it is in 2/4 rather than 3/4
5
Q
Tonality and harmony
A
- The piece is in A major and modulates to two related keys: the dominant (E major) and the supertonic (Bmajor).
- The work ends with a plagal cadence in A major.
- The harmony is diatonic
6
Q
Texture
A
- Texture alternates between homophonic and contrapuntal passages. The first passage sung by the whole choir is homophonic (bars 14-17). This is followed by a contrapuntal section that introduces the phrase ‘shall be revealed’ (bars 17-33).
- Short monophonic passage in bars 108-9
- Use of imitation, bar 17, the tenors sing ‘shall be revealed’ which is imitated by the basses and sopranos.
- Number of parts vary, sometimes it is just one (such as just altos in bars 43-46) and other times its two or three parts, or all four parts together.
7
Q
Word setting
A
- Mixture of syllabic and melismatic word setting. Word ‘revealed’ in motif 2 is melismatic (more than one note for a word).
- Motif 4, ‘for the mouth of the lord’ is syllabic- each word has it’s own single note.
- Different phrases of text are repeated many times to make words clear.
8
Q
History
A
- Oratorio (based on a biblical story).
- Composed in 1741
- Handel was living in London
- Performed in concert halls and theatres
- First performance was given by a small choir and orchestra.