Handel: And the Glory of the Lord Flashcards

1
Q

What is this piece from?

A

The Messiah

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2
Q

When was Handel born?

A

1685

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3
Q

Other Baroque Composers

A
  • Vivaldi
  • Bach
  • Telemann
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4
Q

When was this piece written?

A

1741

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5
Q

Which part is ‘And the Glory of the Lord’

A

The first chorus of the messiah.

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6
Q

What are the features of Baroque music.

A
  • Terraced dyamics (contrast of soft and loud dynamics).
  • Contrapuntal writing.
  • Use of basso continuo.
  • Diatonic Chords
  • Prevelence of one affection.
  • Ornamented melodic parts.
  • Use of Baroque Orchestra
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7
Q

The opening of the piece is an orchestral introduction. What is this called a

A

Ritornello

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8
Q

What is this the structure of this piece?

A

The compositon is based on different combinations of the four motifs.

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9
Q

Overall structure

A
  • Starts with an instrumental introduction that is then used again several times to break up the singing throughout the piece this section is called a ritornello.
  • 4 main musical ideas, one for each line of text
  • Each line of text is introduced simply, often only in one part, and then the other parts join in, overlapping and often imitiating each other.
  • Ends with a slow adagio section, there is a plagal cadence (chords IV – I).
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10
Q

What key does the piece begin and end in?

A

A major

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11
Q

Describe the harmony

A

Diatonic harmony

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12
Q

What does is the effect of the major keys?

A

They create a joyous affection.

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13
Q

What is the purpose of the orchestra?

A

To accompany and double up the orchestra.

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14
Q

What type of cadence does the piece finish with?

A

Plagal cadence

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15
Q

What other keys does the piece modulate to.

A

The dominant E Major

The dominant of the dominant B Major

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16
Q

When are peddle notes used?

A

When the choir sings “For the lord hath spoken it”

17
Q

What words describe the word setting?

A

A mixture of syllabic and melismatic ‘revealed’

18
Q

Describe the melody

A

Diatonic based on the four main melodies and there is lots of imitation in the vocal parts – when one or more parts copies an idea first heard in another part.

19
Q

How many parts are in the choir and what are they?

A

4 part choir Soprano, Alto, Tenor and Bass

20
Q

What instruments are in this piece?

A

Strings (1st and 2nd Violins, Viola, Cello) with a basso continuo played by the organ, cello and bass.

21
Q

Which cadences are mainly used?

A

Perfect cadences

22
Q

What is the tempo?

A

Allegro (fast) The last 3 bars are Adagio (slow)

23
Q

What rhythmn does keeps the piece moving?

A

Almost continuous crotchet movement keeps the piece moving forward until the final bars where there are sustained chords.

24
Q

What is the metre?

A

3/4

25
Q

Handel uses hemiolas. What is a hemiola?

A

Music that is in triple time (3/4) that sounds like it is in duple time (2/4) for two bars – it is very common in baroque music at cadences.

26
Q

A variety of textures are used. What are they?

A
  • Homophonic: when two or more vocal parts sing in unison or together in harmony.
  • Monophonic when only one part is singing at the start of lines.
  • Polyphonic/Contrapuntal: different rhythms in the vocal lines that weave in and out of each other
27
Q

Texture of last section

A

The texture is homophonic with all parts playing/singing to help give a sense of finality.

28
Q

What are the dynamics?

A

There are hardly any dynamics marked in the score, and those that are marked are only p and f - this is typical of baroque music that rarely has crescendos or diminuendos marked.