hamlet modern ao5 Flashcards

1
Q

What does Freud suggest about Hamlet’s hesitations?

A

The play is built upon Hamlet’s hesitations over fulfilling the task of revenge that is assigned to him.

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2
Q

How does Freud characterize Hamlet in relation to the sinner?

A

[Hamlet] is literally no better than the sinner whom he is to punish.

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3
Q

What does Bradley identify as the root of Hamlet’s problems?

A

Melancholia [is] at the root of Hamlet’s problems.

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4
Q

What does Bradley say about the tragedy of Hamlet?

A

The tragedy is that this involves the waste of good.

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5
Q

What does Bradley suggest about Hamlet’s genius?

A

[Hamlet’s] genius might even become his doom.

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6
Q

What does Bradley state about Hamlet’s thoughts on suicide?

A

Nothing stands between Hamlet and suicide except religious awe.

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7
Q

What does Eliot say about Hamlet’s use of language?

A

The levity of Hamlet, his repetition of phrase, his puns, are not part of a deliberate plan, but a form of emotional relief.

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8
Q

What does Wilson suggest about Hamlet’s breakdown?

A

A break-down like Hamlet’s is often due to seed of disturbance planted in infancy.

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9
Q

How does Wilson describe Hamlet’s character?

A

[Hamlet] may even seem a monster of inconsistency.

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10
Q

What does Dusinberre say about Ophelia’s development?

A

Ophelia has no chance to develop an independent conscience of her own, so stifled is she by the authority of the male world.

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11
Q

What does Edwards say about Ophelia’s story?

A

We can imagine Hamlet’s story without Ophelia, but Ophelia literally has no story without Hamlet.

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12
Q

What does Hawkes say about the ghost in Hamlet?

A

The ghost…dominates.. even in his absence.

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13
Q

What does Hawkes say about the war promised in Hamlet?

A

The war promised at the beginning has not taken place, but at the end the results are the same as if it had.

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14
Q

How does Hawkes characterize Claudius?

A

[Claudius is] no simple villain, but a complex, compelling figure.

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15
Q

What does Traub suggest about women in relation to men?

A

Women make men into monsters.

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16
Q

What does Traub say about Ophelia’s body?

A

Ophelia’s dead, virginal body is fetishised by Hamlet and Laertes alike … [is] a site of masculine competition - the right and rite of sexual possession.

17
Q

What does Traub say about the causes of Ophelia’s death?

A

Ophelia’s death is as much an outcome of Hamlet’s rage as it is an expression of her grief, madness, or self-destruction.

18
Q

What does Holderness say about Hamlet’s self-awareness?

A

Hamlet is intensely aware of himself as an ‘actor’ which he partially engages, but which he ultimately resists.

19
Q

How does Neely describe Gertrude’s narration of Ophelia’s death?

A

Gertrude narrates Ophelia’s death as beautiful, natural and eroticised.

20
Q

What does Jardine say about Ophelia’s control?

A

Her closet was the sole place over which she ostensibly exercised total control .. [Hamlet] intrudes.

21
Q

What does Kerrigan say about the weapons used against Claudius?

A

The weapons finally used to kill Claudius mark the attack as spontaneous retaliation, not long-nurtured vengeance.

22
Q

What does Kerrigan say about Hamlet’s thoughts during critical moments?

A

The audience cannot even tell whether Hamlet is thinking about his father during these critical minutes.

23
Q

How does Ingram describe the Ophelia figure?

A

The Ophelia figure was a kind of feminine ideal: totally passive, sexualised and utterly defined by her romantic relationships.

24
Q

What does McEvoy say about Ophelia and Gertrude?

A

(Ophelia and Gertrude) represent the two archetypes of women in early modern drama: the virgin and the *****.

25
What does McEvoy say about Hamlet's inability to kill Claudius?
He cannot kill Claudius because he identifies with him.
26
How does Vardy characterize Polonius?
[Polonius] is nothing more than a stock character, providing a source of comic relief.